Øyvind Torvund is a Norwegian composer. He studied composition at the Norwegian Academy of Music and Universität der Künste ; equally important is his background as a guitarist in rock and improvising groups. He has ongoing relationship with groups such as asamisimasa, Oslo Sinfonietta and Plus-Minus ensemble, as well as the video artist Yorgos Sapountzis. Torvund has been a composer in residence for Oslo Sinfonietta, written pieces for ensemble Ascolta, Ensemble Zwischentöne, Trondheim Symphony Orchestra, Plus Minus ensemble and Yarn/Wire. His pieces have been performed in Donaueschinger Musiktage, Maerzmusik, Ultraschall, Ultima Oslo Contemporary Music Festival, Transit festival, Huddersfield Contemporary Music Festival, Other Minds festival and at the Darmstadt International Ferienkurse. Key Torvund works includes "Giants of Jazz". "How Sound Travels", the improvisation series "Bandrom", "Tune Park", "Wolf Studies", "Forest Construction", "Krull Quest" and "The Stacks ". Although some of Torvund's works, such as the Nono and Scelsi inspired orchestral pieceHow Sound Travels, are easily located under the umbrella of contemporary classical music, many of his pieces combine sounds and concepts from other musical traditions. In Power Art, for soprano, guitar and 2-stringed bass, the bass instrument is built by the performer and the piece "is reminiscent of the musical feel of hardcore power trios like Black Flag, even if a song by Henry Purcell is the piece’s foundation." In Album Cycle for 9 instruments, he "layers typical Baroque figures, the décor of garish 1980s pop, and stereotypical free jazz riffs, resulting in a tableau of musical ornamentation crossing styles and eras, oscillating between the exalted and the banal." Torvund has created many installations, most notably the Bandrom project - "a multi-disciplinary performance event with a polyphony of independent concerts, slide-shows, installations and music situations." A Bandrom event may be realised on "one night or over several days, and in each version there is a new set-up that relates to the place and context." The core musical idea is that musician's teach each other short solo pieces "by ear" and this teaching process is shown to the spectators, usually in an informal setting with food and drink. Torvund has also held a number of positions in various organisations on the Norwegian music scene. He served as the editor of contemporary music publication Parergon from 2001-2002, artistic director for the Music Factory festival in Bergen, co-producer at the Borealis festival and artistic director for nyMusikk from 2009 to 2011. From 2007 to 2009, Torvund was selected as an entrant for the INTRO-composer launch programme, that was administered by MIC Music Information Centre Norway and Concerts Norway. In 2012 Torvund received the Arne Nordheim composer prize and in 2013 he was a DAAD-fellow in Berlin. September 2017 saw Torvund being bestowed with the Edvard Prize in the Contemporary category for his work Sweet Pieces.
Production
Selected works
Orchestral works
Archaic Jam for orchestra with electronics
Sweet Pieces
Idyllic Scenes
How Sound Travels
Solo Plans I
Abstraction in Folk Art
The Stacks
Krull quest for cello and electronics
Chamber
Wolf Studies
Untitled School/Mud Jam/Campfire Tunes
Plastic Waves
Willibald Motor Landscape
Neon Forest Space (2009
Sinfonietta
Forest Construction
Discography
asamisimasa, Neon Forest Space - asamisimasa plays the music of Øyvind Torvund