Throughout the 1940s, Guthrie recorded hundreds of discs for Moses Asch, the founder of Folkways Records. One was “1913 Massacre”. According to Pete Seeger, Guthrie was inspired to write the song after reading about the Italian Hall disaster in We Are Many, the autobiography of Ella Reeve Bloor, also known as Mother Bloor, a labor activist whose granddaughter was married to Hollywood actor and activist Will Geer who performed with Guthrie in the 1930s. Guthrie's notes indicate that he got the idea for the song "from the life of Mother Bloor", an eyewitness to the events at Italian Hall on Christmas Eve, 1913. A socialist and labor organizer from the East Coast, Bloor was in Calumet working on the miners' behalf with the Ladies Auxiliary of the Western Federation of Miners. She was assisted by Annie Clemenc, also known as "Big Annie of Calumet" – the "lady" in Guthrie's song who hollers "'there's no such a thing! / Keep on with your party, there's no such a thing.'" Bloor tells the story of the Calumet strike and the Italian Hall disaster in the first half of a chapter called "Massacre of the Innocents." She devotes the second half of the chapter to events in Ludlow, Colorado in 1914, the subject of another Guthrie song — "Ludlow Massacre." Guthrie's song echoes the language of Bloor's account in many places. The historian Arthur W. Thurner has found similar accounts in English and Finnish-language newspapers from the period; these accounts, he says, probably originated with Clemenc. There are conflicting stories about what happened that Christmas Eve and who yelled "fire" in Italian Hall. These conflicts may never be resolved. They are, according to Thurner, evidence of a "war between capital and labor" in the Copper Country in 1913. This war included a dispute about what transpired that Christmas Eve in Italian Hall. The debate over what the event means is ongoing. Guthrie's song counts as one of the more powerful —and certainly one of the best-known – interpretations of the tragedy. While "1913 Massacre" never became a folk standard, the song has been recorded and performed by many artists, including Guthrie's son Arlo; Ramblin' Jack Elliot; Scottish folksinger Alex Campbell; and Bob Dylan. Dylan performed "1913 Massacre" at Carnegie Chapter Hall in 1961. Dylan set his tribute to Guthrie —"Song To Woody" released in early 1962 — to the tune of "1913 Massacre."
Italian Hall disaster
The song revolves around a tragedy that took place on the evening of December 24, 1913, in Calumet's Italian Hall when more than five hundred striking miners and their families gathered for a Christmas party. The hall was on the second story and was reached by climbing a steep set of stairs. The only other exit was a poorly marked fire escape which could be reached by climbing out the windows. The trouble began when someone yelled "fire!". Even though there was no fire, people panicked and rushed toward the steep stairway which led to the street entrance. Seventy-three people were trampled to death, including fifty-nine children.
In addition to those mentioned, other artists covering "1913 Massacre" include Cabin Sessions, Alex Campbell, Scarlett O' & Jürgen Ehle, Katie Else, Tim Grimm, Uncle Dave Huber, Enoch Kent, Alastair Moock, Lee Murdock, Joel Rafael, David Rovics, Jules Shear, and Sammy Walker. Dylan used the tune to "1913 Massacre" when he wrote "Song to Woody" which expressed "his debt to this great balladeer." Guthrie's song also inspired the documentary film "1913 Massacre", released in 2011. More recently, both songs are central to a book released in June, "Grown-Up Anger: The Connected Mysteries of Bob Dylan, Woody Guthrie, and the Calumet Massacre of 1913", by Daniel Wolff. Guthrie, meanwhile, might have drawn the melody for "1913 Massacre" from traditional folk songs including the English ballad, "To Hear The Nightingale Sing".
