The ANTA Washington Square Theatre was a theatre located on 40 West 4th St., in Greenwich Village, in New York City, and run by the American National Theater and Academy. The theater was located away from the mainstream Broadway district. Demolished in 1968, it used a thrust stage tilted toward the audience, with the audience sitting on three sides of it. It did not employ the use of a curtain. It became a major influence on the design of the Vivian Beaumont Theater at Lincoln Center. Robert Whitehead founded ANTA to create "a national theatre as a guiding spirit". He needed a location, as he had both a company of actors and commissioned two playwrights, and he needed one quickly. New York University leased land to them, with ANTA having to foot the bill, an estimated $525,000. Marvin Carlson described the theatre as "characterless steel box, about 20 feet high and more or less square, painted a mustard yellow and from the outside, suggesting a warehouse or storage facility. The simple entrance had a marquee bearing the name ANTA". The theatre,which was not intended to be permanent, had a seating capacity of 1,158", and opened in 1963 with Arthur Miller'sAfter the Fall. Another observer praised "the fine acoustics that have been achieved by the creation of irregularly surfaced concave walls." However, that same observer noted that "the interior of the building is not striking and might well be mistaken for a small industrial plant of some sort." Several highly regarded plays had their runs at the ANTA Washington Square. Among the most notable were the original productions of Arthur Miller's plays After the Fall and Incident at Vichy, and the 1964 revival of Eugene O'Neill's Marco Millions, starring Hal Holbrook as Marco Polo and David Wayne as Kublai Khan. A production relished by many Molière lovers was William Ball's 1964 staging of Tartuffe, with an "outrageous" Michael O'Sullivan in the title role. Quite likely, the most famous show ever to play at the ANTA Washington Square was the smash hit musical Man of La Mancha, which began its first New York run there on November 22, 1965, and transferred to the more conventional Martin Beck Theatre in 1968, pending the demolition of the Washington Square Theatre. The dismantled pieces of the prefabricated theatre were purchased by Yale University for the Trinity Repertory Company, one which artistic director Adrian Hall later called "bold, silly move". It was done a way to save costs on construction, but it never materialized. Yale ended up purchasing the Majestic Theatre in downtown Providence, currently home to Trinity Repertory Company.
