In 19th century Monte Athena, in the Kingdom of Italy, young loversLysander and Hermia are forbidden to marry by her father Egeus, who has promised Hermia to Demetrius. Lysander and Hermia make plans to flee to the forest to escape the arrangement. Demetrius follows them, having been made aware of the plan by Helena, a young woman who is desperately in love with him. Once in the forest, they wander into the fairy world, ruled by Oberon and Titania, King and Queen of the fairies. Oberon and his servant sprite Puck cause mayhem among the lovers with a magic potion that causes both Lysander and Demetrius to fall in love with Helena, leading to a rift between all four that culminates in a mud-wrestling scene. Oberon then bewitches Titania with the same potion. Meanwhile, an acting troupe prepares a play for the entertainment of the Duke. The leader of the actors and the actors, including a weaver named Bottom, and Francis Flute take their rehearsal to the forest. The mischievous Puck magically enchants Bottom with the head of an ass and Bottom is then seen by the bewitched Titania. Titania woos Bottom in her bower, attended by fairies. Oberon tires of the sport and puts all to rights, pairing Lysander back with Hermia and Demetrius with Helena, and reconciling with his own queen, Titania. In the final part, Bottom and his troupe of "rude Mechanicals" perform their amateur play, based on the tragedy of Pyramus and Thisbe, before Duke Theseus, his wife Hippolyta, and the court, unintentionally producing a comedy that turns to be a tragedy.
The film was released on VHS and DVD on November 30, 1999.
Critical reception
A Midsummer Night's Dream holds a rating of 67% on Rotten Tomatoes as of September 2019, and a score of 61 on Metacritic, indicating generally favorable reviews. Many critics singled out Kevin Kline and Stanley Tucci for particular praise. In The New York Times, Janet Maslin wrote: In the Chicago Sun-Times, Roger Ebert wrote: In the San Francisco Chronicle, Peter Stack wrote: In Time OutNew York, Andrew Johnston wrote: In The Washington Post, Jane Horwitz wrote: Also in the Washington Post, Desson Howe wrote: In Variety, Emanuel Levy described the film as a "whimsical, intermittently enjoyable but decidedly unmagical version of the playwright's wild romantic comedy... There is not much chemistry between Pfeiffer and Everett, nor between Pfeiffer and Kline, particularly in their big love scene. Kline overacts physically and emotionally, Flockhart is entertaining in a broad manner, and Pfeiffer renders a strenuously theatrical performance. Overall, the Brits give more coherent and resonant performances, especially Friel and West as the romantic couple, a restrained Everett as Oberon, and Rees as the theatrical manager." Time Out wrote that "this Dream is middlebrow and unashamed of it. Injecting the film with fun and pathos, Kline makes a superb Bottom; it's his play and he acts it to the hilt."