The story is set in the return of the democracy to Argentina. While they live their lives, the characters argue about the country's most controversial subjects at the time: religion, politics, and human rights.
Critic Mick LaSalle, film critic for the San Francisco Chronicle, liked the film and wrote, "A Place in the World is a sensitive, beautifully made coming-of-age story, set against a backdrop of Argentine politics played out on a local scale. Featuring a cast of strong characters, all driven by their deepest beliefs and passions, this is that rare case of a film that's not just lovely -- it's lively, too." Film critic James Berardinelli wrote, "The acting is uniformly strong, with all the principal and secondary performers delivering believable portrayals. Celia Roth is especially worthy of mention for the emotion she projects through her eyes. She and Federico Luppi are perfectly matched. A Place in the World offers a frank, somewhat unusual view of the relationships that form families and communities. Although the film has a lot more meat to chew on than that, the issues presented by A Place in the World would not generate the same degree of interest without the characters who argue about and live them. It's hard to deny the effectiveness of this marriage between personalities and ideology where neither eclipses the other."
Oscar controversy
A Place in the World, which was registered for the Golden Globes as an entry from Argentina alone, was originally submitted in the fall of 1992 to Argentina's Oscar selection committee as a possible contender. However, the committee chose to submit The Dark Side of the Heart instead. A Place in the World's director Adolfo Aristarain then asked Antonio Mercader, Uruguay's Minister of Education and Culture, to submit the film as a Uruguayan entry. After the minister refused, Aristarain took the matter to Manuel Martinez Carril, director of the Cinematheque of Uruguay, who agreed to sponsor the film for submission to the Academy's foreign-language film committee. When the nominations were announced by the Academy on February 17, 1993, A Place in the World was initially included among the five nominees, and was presented as a Uruguayan submission. However, a week later, the Academy launched an investigation after it was revealed that the film was almost entirely Argentine with minimal input from Uruguayan artists. It was disqualified three days later, with the Academy saying it was essentially an Argentine production and that this violated the Academy's rules which require that there be "substantial filmmaking input from the country that submits the film". There have only been a small number of times in the Academy's history that a film was disqualified after being nominated. One previous case was that of the documentary Young Americans, which had won the Academy Award for Documentary Feature but was later ruled ineligible after it was revealed that it had opened theatrically prior to the Academy's eligibility period. The disqualification of A Place in the World was all the more unusual as the Academy decided not to replace it with another film, leaving only four films in competition. Aristarain, who argued that the film was an international co-production between Uruguay and Argentina, contested the Academy's decision, and filed suit in the United States District Court for the Central District of California on March 4. Aristarain cited the precedents set by Black and White in Color, Le Bal and Dangerous Moves, all of which were French productions but which were submitted, respectively, by Ivory Coast, Algeria and Switzerland. After the judge determined that, while Academy procedures may have been lax, the organization had essentially followed its rules, Aristarain decided not to take the case to appeal, as ballots were already being mailed to voters and the awards ceremony was about to take place. Because of the controversy surrounding A Place in the World's disqualification, the Academy adopted in the summer of 1993 new guidelines aimed at clarifying its eligibility rules for the Foreign Language Film category, and especially at making more specific the role played by each crew member. It is also worth mentioning that in its November 2001 press release listing the foreign language submissions to the 74th Academy Awards, the Academy announced that a film from Uruguay had "qualified this year for the first time", thereby omitting any mention of A Place in the World.
Awards
Wins
San Sebastian Film Festival: Golden Seashell, Adolfo Aristarain; OCIC Award, Adolfo Aristarain; 1992.
Nantes Three Continents Festival: Audience Award, Adolfo Aristarain; 1992.
Goya Awards: Best Foreign Film in Spanish Language; 1993.