The opening credits play over a girls game of netball in a school playground. Jo and her mum then move with their few possessions across Manchester on a bus. The story is set in a run-down, post-industrial area of Salford. Jo is a 17-year-old schoolgirl with a self-centred, 40-year-old single mother with a drinking problem, Helen. The two of them argue a lot, and they rarely live in one place for long, as the mother gets behind with the rent and is either evicted or elects to run away from her debts. As they move into a grotty new flat after having done a flit, a young black sailor called Jimmy sees Jo struggling with her suitcases and gives her some help. Mum brings a new man home after a jolly night singing in the pub but her love life is curtailed because she has to share a bed with Jo. A while later Jo badly grazes her knee in a fall as she is walking home from school. Limping along, she goes past the Manchester Ship Canal, where Jimmy happens to be coming off his ship. He sees Jo and invites her onboard to attend to her knee. They go dancing and on the return to his ship they kiss for the first time. This turns out to be the start of a brief romantic relationship, but Jimmy's ship soon sails and they part. Relations between Jo and her mother become further strained when her mother courts Peter Smith. Jo trails after them on a weekend visiting amusements in Blackpool. Peter gives mum an ultimatum saying she must chose him or Jo. They send Jo home alone. Mum remarries and moves to a suburban bungalow with him and leaves Jo to fend for herself. Jimmy is waiting when she returns to Manchester and they spend a night together before he boards his ship in the morning. She watches him sail off. Rejected by her mother, Jo leaves school, starts a job in a shoe shop, and rents accommodation in an old workshop on her own. She meets a gay textile design student, Geoffrey Ingham, and invites him to live with her. Together they make the unfurnished workshop more liveable. When Jo discovers she is pregnant by Jimmy, Geoff is supportive, even offering to marry her, saying "You need somebody to love you while you're looking for somebody to love". He also arranges pre-natal examinations. With Jo heavily pregnant, Geoff tracks down Helen and tells her Jo is pregnant. Within minutes of reuniting, the two of them have a row - calling each other whores. Helen offers Jo her home but Jo declines. However, after a few weeks her mother reappears - by now her rocky marriage has broken down and, ever needy, she is intent on moving in with Jo and pushing out Geoff, with whom she has a shouting match. Geoff leaves quietly. Helen says Geoff has just popped out. Despite her best instincts, Jo is amenable to her mother staying - with the birth imminent she has become frightened, and feels a need for female company and know-how. She grudgingly agrees to her mother moving in, but only on the basis that Geoff remains. While Jo sleeps, however, Geoff decides he can no longer stay at the workshop, and with Helen watching on approvingly, packs his bags and leaves a goodbye note for Jo. When Jo wakes up, she finds Geoff has gone: she goes outside in the hope of catching him before he has properly left. While Geoff hides in the shadows, Helen returns from the off licence with some bottles of beer, and goes inside. Jo stands by some children near a Guy Fawkes bonfire in the courtyard, after taking a firework sprinkler given by a child.
A. H. Weiler of The New York Times gave a positive review, stating "In being transported out of the theatre, this "Honey" has been enriched." Tushingham said in 2020 "A lot of the reaction was, 'People like that don’t exist' – by which they meant homosexuals, single mothers and people in mixed-race relationships . But they did." The film was banned in several countries.
Awards and honours
The film won four BAFTA awards: Delaney and Richardson won Best British Screenplay, and the film Best British Film. Bryan won Best Actress and Tushingham was named Most Promising Newcomer. Tushingham and Melvin won Best Actress and Actor at the 1962 Cannes Film Festival. In spite of dealing with several topics then rarely touched on in Hollywood movies, the film won Tushingham a 1963 Golden Globe for Most Promising Female Newcomer and got Richardson a 1963 Directors Guild of America award nomination. Delaney and Richardson also won a Writers' Guild of Great Britain award. A Taste of Honey was ranked at 56th place in the BFI Top 100 British films list, made in 1999.
