Ahmed Mater


Ahmed Mater is a Saudi artist and physician. His mediums are photography, calligraphy, painting, installation, performance and video. His work, which explores history, the narratives and aesthetics of Islamic culture, and addresses consumerism and transformation taking place in the region and its effects on geopolitics, has attracted an international audience. In 2003, he cofounded "Edge of Arabia", an independent arts initiative dedicated to promoting the appreciation of contemporary Arab art and culture, with a focus on Saudi Arabia.

Life and career

Ahmed Mater was born in 1979 in Tabuk in the north west of Saudi Arabia on the Jordanian border. He is the first child of Mater Ahmed Al-Ziad, a sergeant in the Saudi Arabian Army, and Fatimah Hassan Abdullah Aseeri, a calligrapher and painter of traditional Aseeri houses. Ahmed has two brothers, Bandar and Mohamed, and four sisters, Aicha, Jawaher, Jamila and Reem.
In the 1990s Mater was given a studio space in Abha at the al-Meftaha artists' village.
He splits his time between the Saudi Arabian cities of Abha, Jeddah and Makkah.
Mater's wife, Arwa Alneami, is also an artist. Together they run pharan.studio – a salon, artists' studios and "cultural mining project" in Jeddah.

Work

Mater's work has been exhibited internationally and acquired by major international museums. Illuminations, acquired by The British Museum, is a series that combines explicit notes from his medical education with images of the Kaaba and a mosque, distributed as a collage around blue and black x-ray images. The work seems to ask the viewer if humanity is more than just the structure of the body.
In 2006, Mater mounted an installation titled The Yellow Cow products, a work that address ecological challenges of modern urbanized society. According to the artist, "The cow with the yellow color was used as an expression of religious heritage."
His Desert of Pharan series features photographs and films gathered over five-years, documenting the changes taking place in Islam's holiest city. Mater considers the unprecedented redevelopment of the Masjid Al-Haram, including a multibillion-dollar complex of luxury hotels, malls and apartments.
Magnetism is a black cuboid magnet surrounded by iron filings to represent Hajj, Muslim's annual pilgrimage which includes the circumambulation of the Kaaba.

Exhibitions

2001 Landing on the Earth's Surface, Al-Maseef Culture Club, Abha, KSA
2003 X-Ray Project – 6th Saudi Malwan Contest Tour, Jeddah, Beirut, Sidon and Manama
2004 Standing in Front of You, King Khaled University, Abha, KSA.
2004 Chewing, Almiftaha Arts Village, Abha, KSA.
2004 The End – Al Meftaha Arts Village, Abha
2006 Ahmed Mater Al Ziad Aseeri -Royal Embassy of Saudi Arabia, London
2006 Son of Aseer- Al Meftaha Arts Village, Abha
2009 Illumination, Art Space, Dubai
2010 Ahmed Mater, The Vinyl Factory Gallery, London
2013 100 Found Objects, Sharjah Art Foundation, Sharjah, UAE
2016 Symbolic Cities: The Work of Ahmed Mater, Smithsonian, Arthur M. Sackler Gallery Washington, USA
2016 Evolution of Man at Standing Rock, North Dakota
2017 Mitochondria: Powerhouses at GALLERIA CONTINUA San Gimignano, Italy
2017 Ahmed Mater: Mecca Journeys, Brooklyn Museum, New York City

Publications and monographs

2006 Word into Art: Artists of the Modern Middle East, British Museum Press
2009 ADACH Platform for Visual Arts in Venice, Catherine David
2009 New Vision: Arab Contemporary Art in the 21st Century, Thames & Hudson
2010 Art of the Middle East: Modern and Contemporary Art of the Arab World and Iran, Merrell Publishing
2010 Ahmed Mater, Booth Clibborn Editions
2012 Edge of Arabia, Contemporary Art from the Kingdom of Saudi Arabia, Booth-Clibborn Editions
2012 Hajj: Journey to the Heart of Islam, British Museum Press
2016 Desert of Pharan: Unofficial Histories Behind the Mass Expansion of Mecca, Lars Müller Publishing