Alanna Heiss is the Founder and Director of Clocktower Productions, a non profit arts organization, online radio station, and program partnership with six cultural institutions in three boroughs in New York. She founded The Institute for Art and Urban Resources, Inc. in 1971, an organization focused on using abandoned and underutilized New York City buildings for art exhibitions and artists' studios, of which P.S.1 was a part. She served as the Director of P.S.1 and its later incarnation, the P.S.1 Contemporary Art Center from its founding in 1976 until her retirement in 2008. She is recognized as one of the originators of the alternative space movement. Heiss has curated and/or organized over 700 exhibitions at P.S.1 and elsewhere. She was interviewed for the film !Women Art Revolution.
In the early 1970s, Heiss became a leader of the Alternative Spaces Movement, which turned abandoned or under-utilized buildings in New York City into temporary centers for the production and presentation of contemporary art. These projects across the city were grouped under the umbrella organization The Institute for Art and Urban Resources., which operated as many as 11 spaces in the early to mid 1970s, including the Idea Warehouse, 10 Bleecker Street, and The Coney Island Factory. The Institute's first major project was the 1971 Under The Brooklyn Bridge event, which presented seminal projects by such artists as Carl Andre, Keith Sonnier, Gordon Matta-Clark, Jene Highstein, Sol Lewitt, Richard Nonas, and Dennis Oppenheim, among others.
In 1976, Heiss founded P.S.1 Contemporary Art Center, an institution dedicated to contemporary art housed in a Romanesque-revival school building in Long Island City, Queens. The museum opened in June 1976 with the inaugural "Rooms" exhibit, for which Heiss invited a great number of artists - many of whom experimented with such new forms as video, installation, and performance art - to install their work throughout the building. Richard Serra, Walter De Maria, Lynn Hershman Leeson, John Baldessari, Bruce Nauman, Robert Ryman, Jennifer Bartlett, Vito Acconci, Daniel Buren, Lawrence Weiner, Max Neuhaus, Nam June Paik, Marcia Hafif, were among the artists to participate in this exhibition, which articulated much of the ideals and conceptualizations of installation art and has since become emblematic of the alternative spaces movement. Artist Richard Nonas later remarked that "Alanna is probably the most important single figure in that effluence of another kind of art-making or art-doing in New York in the seventies—not only the art itself but also the way the art existed in the city." Over the next three decades, P.S.1 became one of the most respected exhibition and performance spaces in New York, with such exhibitions as New York, New Wave ; Stalin's Choice: Soviet Socialist Realism, 1932–1956 ; Greater New York, and Arctic Hysteria ; Robert Grosvenor ; Keith Sonnier ; Alex Katz: Under the Stars, American Landscapes 1951–1995 ; John Wesley: Paintings 1961–2000, and Gino De Dominicis. Rooms were also used as artists' studios. In 2000, the organization became affiliated with The Museum of Modern Art, giving it greater financial stability, extending the reach of both institutions, and combining P.S.1's contemporary mission with MoMA's strength as one of the greatest collecting museums of modern art. The deal also allowed MoMA, after a seven-year period, to take command of P.S.1's financial management and the appointment of its board members. In 2008, shortly after this seven-year period, Heiss left P.S.1 to create AIR, Art International Radio.
AIR, Art International Radio
In 2004, Heiss founded Art Radio WPS1.org, the Internet radio station of P.S.1; it was later discontinued on January 1, 2009. When she left P.S.1 in 2008, Heiss founded Art International Radio, which is unaffiliated with P.S.1, yet houses in its online archive programs that originally aired on WPS1. AIR produces its own arts-oriented material and is home to the Clocktower Gallery. In December 2013, after 40 years of operation from its historic 1894 McKim, Mead & White building in Lower Manhattan, the Clocktower announced the final exhibition in this legendary space, and plans for relocation through a year of creative collaborations with partner organizations all over New York City.
