Alfredo Volpi


Alfredo Volpi, was a prominent painter of the artistic and cultural Brazilian modernist movement. He was born in Lucca, Italy but, less than two years later, he was brought by his parents to São Paulo, Brazil, became a Brazilian citizen, and lived for the majority of his life. He was one of the most important artists of the so-called Grupo Santa Helena, formed in the 1930s with Francisco Rebolo, Clóvis Graciano, Mario Zanini, Fulvio Pennacchi, and others.

Early period

Volpi was a self-taught painter, producing his first naturalist painting in 1914 at the age of twelve. Although his first paintings could resemble, in some way, those of expressionist artists,. Mogi das Cruzes, a landscape painted for a patron in 1939, is a representative work of this period. He soon focused into a most peculiar style, using geometric abstract forms and switching from oil paint to tempera. Volpi's first one-man exhibition was held at the Itá Gallery in São Paulo in 1944.

Later career

Volpi started painting façades of houses in a highly stylized and colorful manner and this recurrent theme became pervasive all through the 1950s, after a brief "concretist" period. The 1960s witnessed the development of his trademark "bandeirinhas" for which Volpi became famous and which originated from Brazilian folklore : the artist would use the small-flag pattern to show an increasing sense of color combination and balanced composition which would eventually place him among the major Brazilian artists of his time.
The painter gained national renown with his participation at the second São Paulo Art Biennial, winning the Grand Prix for Brazilian painting, an award he shared with Di Cavalcanti. Di Cavalcanti publicly dismissed Volpi's art as being that of a "flag painter". Soon he became known as one of the most important 20th century painters in Brazil.
Recent exhibitions have shown how Volpi, far from being the isolated self-made artist he was once thought to be, actually absorbed various influences during his career, especially that of Josef Albers. His use of the ancient tempera technique also shows a knowledge of the Italian Renaissance painters.

Selected works