Born in Iaşi, she graduated from the Faculty of Medicine at the University of Iaşi. Starting in her student years, she began contributing essays of literary criticism to the magazine Cronica. After 1993, she worked for the Bucharest daily Express. She was also the Romanian correspondent for the French newspaper Le Monde, and was employed as a news editor by the Romanian Television Company. In 2000, she authored a political science textbook for optional studies in high schools. Mungiu-Pippidi holds a doctorate in social psychology. She visited Harvard University twice, first as a Fulbright fellow in the Government Department, and then as Shorenstein fellow at the John F. Kennedy School of Government. In 1995, she founded Romania's largest think tank, the Romanian Academic Society, which issued several reports that were at the center of public debates. Mungiu-Pippidi is currently the SAR's president. She has also created and led the "Coalition for a Clean Parliament", which in the wake of the 2004 legislative elections, campaigned for candidates with reported moral problems to be excluded from party lists.
The Quest for Good Governance: How Societies Develop Control of Corruption, Cambridge: Cambridge University Press, 2015 A Tale of Two Villages. Coerced Modernization in the East European Countryside, Budapest: CEU Press, 2010 Ottomans into Europeans: State and Institution Building in South-Eastern Europe, London: Hurst; Boulder: Columbia University Press, 2010 Nationalism after Communism. Lessons Learned from Nation and State Building, edited with Ivan Krastev New York and Budapest: Central European University Press, 2004
Essays
Românii după '89
Doctrine politice. Concepte universale şi realităţi româneşti, 1998
Introducere în politologie. Manual opţional pentru liceu., 2000
Alina Mungiu-Pippidi has also written a number of plays, the most high-profile of which has been The Evangelists. The play, which was written in the 1990s, only debuted in Romania in 2005, where it sparked a considerable amount of controversy from Christian religious groups, who labeled it as "blasphemy" and "an attack against public morals". The play is based on the life of Jesus from a different point of view than that of the New Testament. Among its controversial scenes is one in which it is suggested that Mary Magdalene has oral sex with Jesus.