In the ancient village of Shivapuram, little Ananthan hears a tale from his mother, Gayathri. She tells him that his family comes from a line of powerful magicians, and they are responsible for protecting nagamanikyam, a jewel on a serpent's head. The jewel, she narrates, lies in a secret place in the house guarded by snakes, including a tiny snake called Kunjootan. Years later, obeying the wishes of his dead mother, Ananthan returns to his ancestral village to light the lamps at Shivakavu, a dark and mysterious temple of Shiva. On his way home he meets the comical Maravi Mathai on the train. The local black magician Digambaran opposes the lighting of the lamps on the grounds of local superstitions in order to get his hands on the nagamanikyam. Disbeliever Ananthan meets the supernatural for the first time in his life. In his effort to fit into the local environment, Ananthan gradually wins the villagers' hearts over by his easy and kind manners. This appreciation is breached briefly when the magician takes over his mind for a short while. Meanwhile, Ananthan's cousin Bhadra falls for him and his light-hearted flirting, eventually leading to a commitment of love between them. At one point, Bhadra faces the dilemma of choosing between Ananthan's love and becoming a Devi in a mystical ritual of self-offering. Chemban, a blind martial arts expert, stands in the way of Digambaran's hunt for the nagamanikyam. The evil black magician manages to remove Chemban from his way, and leaves a trail of blood in his wake. Digambaran also lures Chemban's sister Bhama. A series of sensuous and evil magical rites follows that features a wide paraphernalia of the exotic, including Kathakali movements, tantric paraphernalia, traditional magic spells. In the end, Ananthan and Bhadra escape from Digambaran after injuring them badly. However Chemban decides to destroy Digambaran for killing Bhama and to restore peace in the village. After a fight, Chemban cuts off Digambaran's right toe which had a ring of which he killed all who came across him. Later, Ananthan and Bhadra reunites after restoring the Nagamanikyam and Digambaran is seen without eyes which was taken by Chemban.
Cast
Manoj K Jayan as Digambharan
Prithviraj Sukumaran as Anandan
Kavya Madhavan as Bhadra
Kalabhavan Mani as Chemban
Biju Menon as Sivaram
Riya Sen as Bhama
Cochin Haneefa as Maravi Mathai
Suresh Krishna as Police Inspector
Revathy as Gayathri Devi, Ananthan's mother
Kalasala Babu as Raman Panikker
Maniyanpilla Raju as Police Constable
Ambika Mohan as Village Lady
Master Thejas as Young Ananthan
Indira Devi
Santha Devi as Bhadra's mother
Nedumudi Venu as Bhadra's father
Govindankutty as Sreeni
Kunchan
T. P. Madhavan as Ramunni Nair
Lakshmi Krishnamoorthy as Nangeli Muthassi
Maya Viswanath
Indira Thampi
Akhila as Subhadra
Production
Development
Ananthabhadram is based on the novel of the same name by Sunil Parameswaran. The story was inspired by tales told to Sunil by his grandmother when he was a child. Director Santosh Sivan was also influenced by such stories told by his own grandmother. Set in rural Kerala, the story is a fairy tale dominated by Shakta black magic, martial arts, and tantric seduction rituals.
Inspirations
Theyyam and Kathakali: Sivan said he received inspiration from the arts of his country: "We have a rich visual culture and even in Ananthabhadram, I have used certain aspects from Theyyam dancers and Kathakali to create the wizard Digambaran's image. The colour, long nails, kohl-lined eyes and so on were inspired from Theyyam and Kathakali." The sequence between Manoj K Jayan using Riya Sen as a channel for black magic, choreographed by Aparna Sindhoor, the dance director of the film, uses Kathakali movements in particular, which has been an inspiration for major Indian films like director Shaji Karun's Vanaprastham and director Adoor Gopalakrishnan's Kalamandalam Ramankutty Nair. Kalarippayattu: The film also used Kalarippayattu, the traditional martial art of South India, for the fight sequences between Digambaran and Chemban choreographed by action director Arash. Use of Kalari in the film followed the footsteps of Kalari-based movies like Palattu Koman, Thacholi Othenan, Kannappanunni and Oru Vadakkan Veeragatha, as well as famous martial art film actor Jackie Chan's The Myth. After Asoka, it was the second time the director had used Kalari. Raja Ravi Varma: The director used three paintings of Raja Ravi Varma – Damayanti and the swan, Lady in thought and Girl carrying milk tray – as inspiration to picturize the song Pinakkamano. Sivan said, "Yes, it is a tribute to Raja Ravi Varma, who is so intrinsically etched in every Malayali's mind." This song came in the wake of a renewed interest in Varma's work in Indian showbiz, as evidenced in Indian pop star Falguni Pathak's music video for the song "Meri Chunar Ud Ud Jaaye" which emulated Varma's Shakuntala and Shaji Karun's declared film to be made on the artist's life which would feature Madhuri Dixit. Pattanam Rasheed said about the make-up of the Pinakkamano sequence, "The skin tone I gave the characters is akin to an oil painting, orange-yellow shades, which give a painting-like look. That is why you feel that a painting is coming to life in some shots. The eye and eye brow make-up is also different, according to the old styles in the paintings." Costumer Satheesh said, "Not one of the saris that Kavya wears is complete in itself. To get the colours of the body and border of the sari as close as possible to the ones in the paintings, I shopped in Chennai, Bangalore and Kochi. I had to attach the borders to some of the saris and dyed some to get the right shade... I had to rework all the jewels, with a few stones from one chain added to another." art director Sunil Babu points out that despite attempts at accuracy, in the Damayanthi scene, the swan is missing.
Pre-production
was originally scheduled to direct the film with actress Meera Jasmine in the lead. Production was delayed due to a strike in the Malayalam film industry in June 2004. Later, Cyril became busy with Shankar's film Anniyan. At this point, Santosh Sivan stepped in to replace Cyril. Cyril's assistant Sunil Babu art directed the film.
Filming
Like his earlier directorial ventures Asoka and The Terrorist, Santosh was also the cinematographer for Anathabhadram. Prithviraj as the hero had his biggest success of 2005, out of the five cinemas he did that year. Manoj K Jayan was to have a sannyasin look with long hair in the proposed Sabu Cyril version, but sported a more contemporary look in the version that was eventually shot, winning much critical accolades.
Soundtrack
Initially Sabu Cyril was the film director and Santhosh Sivan was the Cinematographer. Vidyasagar composed songs for the film penned by Sreekumaran Thampi. The songs were never recorded. After some months Sabu Cyril opted not to direct the film due to other reasons. And the film was taken over by Santosh Sivan who appointed M. G. Radhakrishnan for the film. Radhakrishnan went on to win Asianet Film Awards as the best music director for the film's tracks. He also did the score for Sivapuram, the Telugu version of the film. M. G. Sreekumar won Asianet Award as the Best Male Playback Singer for singing "Pinakkamano".
Release
It is the first Malayalam feature screened using a satellite feed instead of conventional prints; aimed at an international market. it was also dubbed in Tamil, Telugu, and English. The release of Anandabhadram in India followed that of the horror movie Chandramukhi, starring Rajnikanth, which was a remake of the Malayalam film Manichitrathazhu, creating a brief success for the horror genre. The film was showcased in Osian's Cinefan Festival of Asian and Arab Cinema in 2006.
Reception
Anandabhadram was a commercial success. Pinakkamano became the top hit among Malayalam film songs in 2005. The film also inspired director KJ Bose's Tanthra featuring actors Siddique and Shweta Menon. Sunil Babu, the art director, came to the notice of Kerala audience because of the film, especially his treatment for Raja Ravi Varma inspired songs. The performance of Manoj K. Jayan was critically acclaimed.
Awards
Anandabhadram won five awards in the Kerala State Film Awards for 2005, including Best Cinematography, Best Music Direction, Best Editing, Best Art Direction and Best Makeup. It won five awards in the Kerala Film Critics Association Awards 2005, including Best Film, Best Director, Best Actor, and Best Cinematography. M. R. Rajakrishnan had won the Amritha Fertanity Award for Best Audiography for his work in this film.
