Angels in the Outfield (1994 film)


Angels in the Outfield is a 1994 American family sports fantasy comedy-drama film directed by William Dear. It is a remake of the 1951 film of the same name. It stars Danny Glover, Tony Danza and Christopher Lloyd, and features several future stars, including Joseph Gordon-Levitt, Adrien Brody, Matthew McConaughey, and Neal McDonough. It was followed by two made for TV sequels, Angels in the Endzone and Angels in the Infield. It was released less than a month before the 1994 MLB Baseball Strike, which forced the league to cancel the playoffs and the World Series.

Plot

Young foster child Roger Bomman and his friend, J.P., love to sneak into baseball games of the struggling California Angels. Still in limited contact with his widowed father, Roger asks when they will be a family again. His father replies sarcastically, "I'd say when the Angels win the pennant." Taking his father's words literally, he prays for God to help the Angels win. In a game against the Toronto Blue Jays which Roger and J.P. attend, he sees a group of angels led by Al helping the team. Although he can see them quite clearly, everyone else can only explain the seemingly impossible acts as freak occurrences. Roger's unique ability to see which players are receiving help from angels leads their skeptical manager George Knox to keep him around as a good luck charm and consultant. Due to the much-needed help, the Angels start to win games and make a surprising second-half surge to the top of their division.
Roger's father permanently gives up custody of him, believing it is in Roger's best interest. As Roger laments his loss, an equally distraught J.P. accidentally reveals to antagonistic sportscaster Ranch Wilder that Roger has the ability to see angels, and that George has been winning through the advice Roger gave him. Hoping to destroy George's career in baseball due to a long-time mutual hatred between them, Ranch informs the press of this, and their owner Hank Murphy threatens to relieve George of his management responsibilities. Roger comes clean to his caretaker Maggie Nelson about his special ability, and at a press conference, they and the entire team defend George in front of the press. Moved by their faith, Murphy allows him to remain as the Angels' manager.
During the final game of the season against the rival Chicago White Sox, none of the angels show up to help the team. Later on, Al appears to Roger and explains that championships must be decided without the angels' intervention. He also says that he is there to check on pitcher Mel Clark, who only has months to live due to his years of smoking and will become an angel himself. Mel struggles in the ninth inning but perseveres after encouragement from George, his team, and the fans in attendance. The Angels ultimately win the game on their own and clinch the division title and the pennant. Murphy fires Ranch because of his denigration of the team. George adopts Roger and J.P., as he wants to try to be a father. J.P. sees Al and says, "I knew it could happen." Al flies off and says, "We're always watching".

Cast

Production

Unlike the original, which focused on the Pittsburgh Pirates as the team in heavenly need, the film focuses on the California Angels, who did not exist when the original was released in 1951. The Walt Disney Company, which distributed the film, was a minority owner of the Angels at the time. The film did, however, premiere at the Pirates' home stadium at the time, Three Rivers Stadium in Pittsburgh. The premiere would be the only reference to the Pirates, due to both teams playing in separate leagues and the film being released three years before the start of interleague play. Both teams would finally meet head-to-head for the first time in 2002 in Anaheim.

Reception

The film has a rating of 33% on Rotten Tomatoes based on 27 reviews, with an average rating of 4.22/10. The site's consensus reads, "A queasy mishmash of poignant drama and slapstick fantasy, Angels in the Outfield strikes out as worthy family entertainment." Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.

Box office

The film opened at #4 at the North American box office, making $8,916,463 USD in its opening weekend. It went on to gross $50.2 million at the box office domestically.

Year-end lists