Ann Shin was born in London, Ontario to parents Sue Shin and Albert Shin. Her mother was born in South Korea and moved to Canada and worked as a registered nurse. Her father was an agriculturalist specializing in Animal Husbandry in Denmark and at the University of Guelph. Her parents met and married in Toronto, but soon moved to Langley, British Columbia to start a mushroom farm. Ann spent most of her childhood years on the family farm. Ann moved to Toronto to pursue a degree at University of Toronto, completing a Bachelor of Arts, Honours, and Master of Arts in English Literature. During her university years she was a feature editor for The Varsity and a radio host for Rights Radio on CIUT radio station. Upon graduation she started working at CBC as a radio producer.
Journalism career
Her journalism career began at CBC Radio where she produced for a number of shows including Metro Morning, Tapestry, Roots and Wings,Sunday Morning Live. During this time she produced sound poetry and radio documentaries, including How to Breathe the Air of our Ancestors, which won a Gold Medal at the New York Festivals in 1998.
Filmmaking career
Realizing her love for long-form documentary, Ann moved into television and began to produce for television series for a number of networks, as well as direct independent documentaries. Her documentary credits include the documentary which was shortlisted for a 2016 Academy Award and nominated for a News and Documentary Emmy Award. The feature version won Grand Jury Prize at San Diego Film Festival, and the short version was awarded Best Short Documentary in eleven international film festivals including Traverse City Film Festival, Russia's Doker International Festival, Grand Prize Winner of the Best Shorts Humanitarian Awards, the Sepanta Award for Best Short Film. Other films includedocumentary film ', The Four Seasons Mosaic, Western Eyes , The Roswell Incident , Almost Real and How to Breathe the Air of Our Ancestors . Ann has produced programs for CBC, TVO, PBS, HBO, ABC, Slice, HGTV, W, Discovery and History, and her programs have sold in territories in the US, Europe, Australia, East Asia and Southeast Asia. ' was highly praised by critics. CNN Connect the World called it an "incredible story", while The Toronto Star named it one of the 10 Must See Films at the Hot Docs Canadian International Documentary Festival. Next Projection said of the film, "The Defector exposes a part of the world that is so heavily shielded we can only know through conjecture." Ann also creates new media projects including the cross-platform project which won Best Documentary and Ann Shin won Best Documentary Director at the 2014 Canadian Screen Awards, as well picking up the SXSW Interactive Festival Award, the FITC Award and nextMedia Canadian Digi Awards. Currently, she is in post-production on the BravoFACT documentary short film My Enemy, My Brother.
Filmography
Documentary
The Superfood Chain, 2018,
, 2017,
, 2016
My Enemy, My Brother, 2014
', 2013
Opening Night: The Four Seasons Mosaic, 2005, CBC
Almost Real, Connecting in a Wired World, 2002, CBC
Turning Points of History: The Roswell Incident, 1998, History Television
How to Breathe the Air of Our Ancestors, 1998, CBC Radio
Series'
Rags to Red CarpetThe List I Do…Let's EatSave Us From our HouseModern MannersVenture
Face-Off
Writing career
Ann is also a poet and fiction writer, with work published in various anthologies and magazines in both Canada and the United States. She is one of four poets featured in Crossroads Cant, published by Broken Jaw Press in 1997. Mansfield Press published her first volume of poetry, The Last Thing Standing in 2000 to acclaim. In 2013, Brick Books published her second book of poetry, The Family China which won the 2013 Anne Green Award. Ann's poetry and fiction has also been positively received, with author Nino Ricci referring to her first volume of poetry, The Last Thing Standing as "A beautiful and memorable book. Ann Shin writes about love, loss and the idea of home with clarity, wit and grace". Of her second collection of acclaimed poetry, author and poet Karen Connelly writes, "… This short, dazzling collection of poems contains a universe—nothing short of North American life in the late twentieth and early twenty-first century. Somehow it is all here, joyously offered up, birth, death, and everything in between…"
