Born in Vienna, Anna Mahler was the second child of the composer Gustav Mahler and his wife Alma Schindler. They nicknamed her 'Gucki' on account of her big blue eyes. Her childhood was spent in the shadow of her mother’s love affairs and famous salon. Anna also suffered the loss of her older sister Maria Mahler who died of scarlet fever when Anna was three—and her father, who died when she was six. The aftermath of both tragedies coincided with her mother's love affair with the German architectWalter Gropius and her stormy relationship with the Austrian Expressionist painter Oskar Kokoschka. Alma Mahler's second marriage to Gropius, however, provided some semblance of family life during Anna’s adolescence—as well as a young half-sister, Manon Gropius. Anna was educated by tutors and also enjoyed the attention of her mother's friends, which included many of the important artistic figures in music, the visual arts, and literature. As the daughter of the legendary Gustav Mahler, Anna was expected to have a musical career. However, this never materialized. Rather than becoming a professional musician, Anna fell in love with one.
Personal life
At the age of 16, Anna fell in love with a rising young conductor, Rupert Koller. They were married on 2 November 1920. Their marriage ended within months. Soon after, Anna moved to Berlin to study art. While there, she fell in love with Ernst Krenek, the composer, who later was asked by Alma to produce a neat copy of two movements from the draft of Mahler’s unfinished Tenth Symphony. Anna married him on 15 January 1924, while she was still 19 years old. Like her first marriage, this second marriage failed within months. She left Krenek for good in November 1924. During this time, Krenek was completing his Violin Concerto No. 1, Op. 29. The Australian violinist Alma Moodie assisted Krenek with getting financial assistance from her Swiss patron Werner Reinhart, at whose instigation Krenek and Mahler were living in Zürich, and, in gratitude, Krenek dedicated the concerto to Moodie, who premiered it on 5 January 1925, in Dessau. Krenek’s divorce from Anna Mahler became final a few days after the premiere which Krenek did not attend. Next, Anna married the publisher Paul Zsolnay on 2 December 1929, when she was 25. They had a daughter, Alma. The couple divorced in 1934, after five years. Alma fled Nazi Austria after anschluss in March 1938. By April 1939 she was living in Hampstead in London and was advertising in the newspaper for pupils. On 3 March 1943 she married the conductor Anatole Fistoulari with whom she had another daughter, Marina. After the War, she travelled to California without Fistoulari, to whom she was still married. She lived there for some years. Anna appeared on "You Bet Your Life, both the 2 January 1952 radio show, and the 3 January 1952 TV show. Her marriage to Fistoulari was dissolved around 1956. Around 1970 she married her fifth husband, Albrecht Joseph, a Hollywoodfilm editor and writer of screenplays. Mahler once said that she had found true love with her last husband but had left him at the age of seventy-five in order that they might both progress, since they spent too much time looking after each other. After her mother died in 1964, Anna, now financially independent, returned to London for a while before finally deciding to live in Spoleto in Italy in 1969. In 1988 she died in Hampstead, while visiting her daughter Marina there. She is buried at Highgate Cemetery.
Artistic career
Anna Mahler's exposure to the visual arts began early when she would visit Oskar Kokoschka's studio. She was also a model for her mother-in-law, the painter Broncia Koller-Pinell. After her divorce, Anna studied art and painting on and off in Berlin, Rome, and Paris throughout the 1920s. At the age of twenty-six, she discovered that sculpture was the medium in which she could best express her creativity. Having taken lessons in sculpting in Vienna in 1930 from Fritz Wotruba, she became an established sculptor there, and was awarded the Grand Prix in Paris in 1937. As well as sculpting successfully in stone, Anna Mahler produced bronze heads of many of the musical giants of the 20th century including Arnold Schönberg, Alban Berg, Artur Schnabel, Otto Klemperer, Bruno Walter, Rudolf Serkin and Eileen Joyce.
