Anna Ovena Hoyer


Anna Ovena Hoyer was a writer and poet, originally German; active in Sweden from 1632. She belonged to the Schwenkfeldians and was a critic of Lutheranism.

Biography

Hoyer was the only child of the wealthy astronomer Hans Owens and his wife Wennecke Hunnens. After her parents' deaths she lived with her uncle Meves Owens and was educated in astronomy, literature, music, and the Classics. At 15 she married Hermann Hoyer, stadtholder in Ejdersted, with whom she had at least nine children. With her dowry, amounting to 100,000 rixdollar of Lübeck fineness, she helped to repay debts charged on her spouse's estates. She inherited the manor Hoyersworth in the North Sea coastal marshes at Hermann Hoyer's death on 13 September 1622.
She was influenced by Indian religion in her reluctance to kill anything living, and became influenced by the sectarians Nicolaus Knutzen Teting and Hartvig Lehmann, religious refugees from Flensborg to whom she gave asylum. She refused to participate in the church services and held her own. She ruined herself on charity. In 1632, she sold her estate to Augusta of Denmark and fled with her five children to Sweden, where she became a protégée of the queen, Maria Eleonora of Brandenburg. In 1634 she visited Hoyersworth and experienced in October the devastating Burchardi flood. In Sweden she resided in Västervik and thereafter at a little property outside Stockholm until her death.

Works

Her Gespräch eines Kindes mit seiner Mutter, written for her children and published in 1628, was reissued in 1698 by :de:Philipp Jacob Spener|Phillipp Jacob Spener without naming the actual author. Another new edition entitled The Way of True Piety in the Following Spiritual Conversation of a Child with His Mother: Presented by a Christian Matron appeared in 1720. Her Annae Ovenae Hoijers Geistliche und Weltliche Poemata, on the other hand, was banned the following year. Some of her unprinted poetry, including songs, are kept in Stockholm today. For her songs she partly composed with her own melodies, partly she wrote them on known secular songs for the common house music with her children.