António Lagarto
António Lagarto :pt:Ordem do Infante D. Henrique|GOIH is a Portuguese set and costume designer and artist.
He lived in London through the seventies and eighties, having graduated at St. Martin’s School of Art and the Royal College of Art. He developed his activity between London, Lisbon and Paris.
He was Director of Teatro Nacional D. Maria II in 2005 and 2006 and Deputy Director. He was Director of Festival Internacional de Teatro – FIT .
Since 2007 he is in charge of the Department of Set and Costume Design at Lisbon's Escola Superior de Teatro e Cinema.
Lagarto started his career in performance art and environment / installations. His work has spanned from installations to photography, film, illustration, graphics and interior design. In 1978 he initiated his professional activity in set and costume design.
Between 1975 and 1981 he collaborated in several art and design projects with architect Nigel Coates.
His set and costume designs for theatre, dance, ballet and opera have been seen at the Opéra National de Paris, Opera di Torino, Teatro María Guerrero and Teatro de la Comedia in Madrid, at Teatro SESC/Vila Mariana in S. Paulo, at Portuguese National Theatres, at Sadler's Wells Theatre in London, Theatre Royal and Traverse Theatre in Edinburgh, Théâtre national de la Colline in Paris, amongst others.Sample work
His work has been exhibited at Serralves Museum, Luís Serpa Gallery, Art Net Gallery, Galleria Zona, amongst others.
He was present at Portugal 1990/2004, Architecture and Design, at Palazzo della Triennale.
Some of his most emblematic designs were for Fausto, Fernando, Fragmentos., by Fernando Pessoa, directed by Ricardo Pais, at Teatro Nacional D. Maria II and for Hamlet a mais, by William Shakespeare, also directed by Ricardo Pais, at Teatro Nacional de S. João. For the Opéra National de Paris he designed the sets for The Merry Widow, by Franz Lehár, directed by Jorge Lavelli, with Karita Matila in the title role. His latest costume and set designs were for Swan Lake, with Ana Lacerda and Carlos Acosta, choreographed by Mehmet Balkan, at Companhia Nacional de Bailado, also shown at Teatro de Madrid and at Bangkok’s Festival. In 2009 he designed Don Giovanni for Lisbon's Opera House Teatro Nacional S. Carlos, August in Osage, by Tracy Letts, for Lisbon's Teatro Nacional D. Maria II and the musical The Adding Machine for Teatro da Trindade.
He is Grand-Officer of the Portuguese Order of Prince Henry the Navigator
