Martorell Cardona was born on April 18, 1939, in Santurce, Puerto Rico. He is the son of Antonio Martorell II and Luisa Cardona. His father left the family when Martorell was ten years old. He is the first of three children. He first started showing interest in arts as a small child with drawings.
Martorell's incursion into the arts came by the way of theater on 25 April 2001. He participated in the scenography of "Celebración Verdiana " for the opera by Plácido Domingo.
Painting
Martorell currently has a workshop in New York City and another one on Calle Salmon in barrio Playa, Ponce, at a building that dates to 1815 and which he has occupied since 2007. Of his breezy workshop at Playa de Ponce and his spiritual connection there he has said "more than Ponceño, I am a Playero...My north now is the South and its wide horizons." Martorell was the winner of the Bienal de Arte de San Juan, and has illustrated books of several authors including Alma Rosa Flor, Heraclio Cepeda, Nicholasa Mohr, and Pura Belpré. He also illustrated the ABC de Puerto Rico published by Troutman Press.
Writing
In the 1980s, Martorell dedicated himself to writing, producing various books. As a writer, Martorell has written books such as La piel de la memoria, and El libro dibujado. He currently writes a column for Escenario, a section of Puerto Rican newspaper El Vocero.
Personal life
He is the father of dancer Alejandra Martorell, stepfather of Giovanni Rodríguez, who directed the cult film, Red Canyon, and the grandfather of Gael Rodríguez. In December 2006, Martorell's workshop in Cayey, Puerto Rico, was subjected to arson with the loss of many works of art.
Works
The most extensive publication on Martorell's work is Antonio Díaz-Royo's biography Martorell: la aventura de la creación. His paintings are found at the Instituto de Cultura Puertorriqueña, Museo de la Universidad de Puerto Rico, Museo de Arte de Ponce, Museo de Arte de Puerto Rico, Galería Nacional de San Salvador, Museo de Arte Moderno de México, Museo del Barrio, Whitney Museum and Hotel Melia in Ponce, Puerto Rico. Matorell's works have been reviewed by numerous critics. One, Nelson Rivera Rosario, analyzed three works by Martorell: Catálogo de objetos ; White Christmas ; and Simplicity Patterns. In his interpretation, Rivera Rosario believes the three works represent Martorell’s attempt to provide the Puerto Rican viewer with "the means to see and evaluate their colonial status” so that, hopefully, they might lead to “eventual decolonization.”
Publications
La piel de la memoria. : Ediciones Envergadura, 1991.
El libro dibujado: el dibujo librado. Cayey ; New York: Ediciones Envergadura, 1995.
Memory’s Tattoo. Translation of La piel de la memoria from the Spanish by Andrew Hurley; foreword by Luis Rafael Sánchez. San Juan, P.R.: Editorial Plaza Mayor, 2005..