Appadurai Muttulingam


Appadurai Muttulingam is a Sri Lankan Tamil author and essayist. His short stories in Tamil have received critical acclaim and won awards in both India and Sri Lanka.

Biography

Muttulingam was born in the village of Kokkuvil in Jaffna, Sri Lanka to Appadurai and Rasamma. He was the fifth child in a family of seven. He obtained an undergraduate degree in the sciences from the University of Ceylon, Colombo in 1959. He began writing short stories in the 1960s, with his short story Akka winning a competition conducted by a Sri Lankan Tamil newspaper in 1961. This story was the title story in his first collection of short stories, Akka, published in 1964.
After this early success, Muttulingam did not publish any stories for the next twenty years. He qualified as a chartered accountant in 1965. He left Sri Lanka in 1972, and spent the next eighteen years working in various countries in Africa and Asia, including assignments with the World Bank and the United Nations. He began writing again in 1995, and in the next three years published three collections, all of which were critically acclaimed. The first of these was Thikatasakkaram, a collection of stories drawn from his youth in Sri Lanka and his time abroad, which won the Lily Devasigamani Award in Tamil Nadu. His next collection, Vamsaviruththi, came in 1996, and won the Government of Tamil Nadu prize as well as the State Bank of India Prize. Vatakku vithi, the third collection published after his return to writing, won the Cultural Prize of the Government of Sri Lanka. He has since published another collection of short stories, a collection of essays, and has edited a volume of Tamil translations of contemporary North American writing.
Muttulingam currently lives in Toronto, Ontario, Canada, with his wife Kamalaranjini. He is actively involved in The Tamil Literary Garden, a Toronto-based charitable organization dedicated to the international promotion of Tamil literature.
Muttulingam's stories are noted for their understatement, reserve and imagery, and focus on moments of small transformation. His stories do not attempt to directly build suspense or dramatic tension, and are instead grounded in realism, particularly in description and characterisation.

Works