Sir Richard Grenville was the leader of the 1585 expedition which first attempted to land English settlers on Roanoke island. Guided by Chief Manteo, Grenville arrived at the village but the inhabitants showed little inclination to meet with him, and the Englishmen soon returned to their boats. However, a silver drinking cup was found to be missing, and was believed to have been stolen by the Aquascogoc, leading to a furious reaction from Grenville. During the angry exchanges which followed, the village of Aquascogoc was torched by the English. The Aquascogoc would however have their revenge. Grenville left Roanoke, leaving behind fifteen men, battle-hardened soldiers. When Governor John White returned in 1587 he searched for the fifteen, but found only bones. White quickly made contact with friendly natives led by Chief Manteo, who explained to him that the lost fifteen had been killed by hostile Secotan, Aquascogoc and Dasamongueponke warriors, choosing a time and place of attack "of great advantage to the savages".
Legacy
Much of what is known about the lives of the Aquascogoc and other Algonquian tribes in 16th-century North Carolina survives because of the watercolor paintings and the journal kept by Governor John White. who was commissioned in 1585 to "draw to life" the inhabitants of the New World and their surroundings. During White's time at Roanoke Island, he completed numerous watercolor drawings of the surrounding landscape and native peoples. These works are significant as they are the most informative illustrations of a Native American society of the Eastern seaboard, and predate the first body of "discovery voyage art" created in the late 18th century by the artists who sailed with Captain James Cook. They represent the sole surviving visual record of the native inhabitants of America, encountered by England's first settlers. White's enthusiasm for watercolor paint was unusual; most contemporary painters preferred to use oil-based paints. White's watercolors would soon become a sensation in Europe, and it was not long before the paintings were engraved by the Flemish master engraver Theodore de Bry. Through the medium of print, the illustrations became widely known and distributed; they were published in 1590 under the title "America".
