Ari Poutiainen
Ari Poutiainen is a Finnish contemporary jazz violinist, violist, composer, and researcher. He is famous for employing a rare, hybrid 5-string viola beside violin, his main instrument. He often plucks either instrument with his fingers while holding it like a guitar. This instrumental approach enables him to produce unconventional chords and sounds on violin and viola.
Musical career
Poutiainen gained his MA degree from the Sibelius Academy in 1999. His original, modern jazz style is also based on long studies abroad - in Denmark, France, Germany, Sweden, UK, and the United States. Beside his career as a performing jazz violist, he has been a successful composer and arranger. In Finland, he has led the groups called Soul Small Instruments, Another & Fast, NoneAlike, The String Thing, and Open Strings. His groups called Ardency, Farther-Out, and Jyjy are currently active. He is a central figure and soloist in the anarchistic marching band called Bad Ass Brass Band. Poutiainen has worked and performed, for example, in Benin, France, Germany, Russia, and the United States.Poutiainen gained his doctoral degree on jazz violin in 2009. His dissertation, Stringprovisation - A Fingering Strategy for Jazz Violin Improvisation, focuses on fingering, shifting, and position playing. These are fundamental subjects of left-hand violin technique. The study presents a unique fingering strategy that is targeted to formulaic modern jazz improvisation. This strategy excludes the use of open strings and instead relies on so-called schematic fingering. The particular advanced fingering approach reflects well the tactile and kinesthetic aspects of violin playing, and idiomatic patterns can be effectively performed with it in all keys and violin positions. Stringprovisation has been acknowledged as a groundbreaking achievement in the field of jazz violin improvisation technique, research, and pedagogy: It gained outstanding peer-reviews, for example, in The Strad, Strings, and Fiddler Magazine.
As a pedagogue and researcher, Poutiainen has specialized in bowed string instrument improvisation, having taught the subject at different levels and institutions. He has also published several scholarly articles and given conference presentations on jazz violin history and improvisation. He currently teaches music education at the University of Helsinki and string improvisation at the Sibelius Academy.
Selected discography
- Varaque: Planeettojen liikkeen on jatkuttava
- Sirkka Keiski & Valentino salonkiorkesteri: Kurjet saapuvat
- Janne: Is It My Time to Go
- Bad Ass Brass Band: Töttöröö!
- Susanne Paul's Move Quartet: El Camino
- Tuija Rantalainen and Trio Rouvat: Josafat
- Jukka Gustavson Organ Fusion Band with Strings: Root & Stalk & Flower Music
- Erik Lindström Awardees: Eric's Tunes
- Pastor & Poutiainen: North South Dial
- Balkan Fever Helsinki: Balkan Fever Helsinki
- Tuija Rantalainen: Vahtikoiran vapaapäivä
- The Bad Ass Brass Band: The Bad Ass Brass Band
- Levykauppa Äx: 20 Vappu-suosikkia/The Bad Ass Brass Band
- Farther-Out: Tuo
- Heinäsirkka: Heinis Goes Classics
- Montevideo: Come Clean
- Montevideo: Against the Grain
- The Groovy Eldorado Ensemble: Schokobananen/Groovy Eldorado
- Sue Van Doe: Elämä
- Teemu Raita: Kuuleeko maa?
- Max Savikangas: Extraterrestrial
- NoneAlike: More Than a Mirror
- Liisa Lux: Liisa Lux
- Nat Newborn and the Lounge Lions: Under the Umbrella
- Ultra Bra: Sinä päivänä kun synnyin
- B-Band: Hear the Truth
- Jyväskylän yliopiston sinfoniaorkesteri: T'an'go
- The Pansies: Solace
- Ultra Bra: Kroketti
- Ultra Bra: Sinä lähdit pois/Lähetystyö/Haikara
Selected film soundtracks
- Zaida Bergroth: Last Minute Shopping
- Johanna Onnismaa: Guard
- Mari Tolkkinen: Miss Hill
- Juha Vanhanen: The Touch
- Pekka Lehtinen: Skin Deep
- Teppo Räisänen: Castle in the Clouds
- Sirkka Knall: In Lieu of Sister
- Samu Heikkilä: Day of a Contract Killer
Selected theatre performance soundtracks
- Piia Pasi: Asphalt Sheep
- Anna Almhöjd: Våra torsdagar
Selected contemporary dance performance soundtracks
- Trava Group: Gleis Novi Sad
- Mia Liski: Liski-Poutiainen Duo
Selected publications
- Supplying Social Capital through Music Education: A Study on Interaction in Special Educational Needs Students’ Concerts
- ImproStory: Social Improvisation and Storytelling in Arts and Skills Subjects in Teacher Education
- Jazzy Tunes and Dreamy Images in the Cold War Era: Launching Finnish Jazziskelmä On-screen
- Svend Asmussen 100 år
- Discursive Construction of African-American Identities and Spirituality: A Comparison of Muslim Hip Hop and 1960s Jazz Avant-Garde
- Jazz Curricula and Personal Voices
- Music for all for Music: A Study of the Resonaari Concert Audience and Equalized Interaction
- Jazz syntyy soittamalla: Käytännön ideoita rytmimusiikin ja improvisoinnin opiskeluun
- Regina Carter
- Skemaattinen sormittaminen ja improvisoinnin perusteet viululla ja alttoviululla
- Heavy Metal and Music Education
- Similar Slurring: Alternative Perspectives on Stéphane Grappelli's Legacy and Status
- Stay Creative! - Maintaining Individual Potential through Music Education
- Berlin Jazz Jam Sessions, Top 5
- Chocolate Heart, Tin Covers: The Jazz-Pop Hit Song in Finland 1956-1963
- Swinging Smoothly: The Elements of Jazz-Pop Hit Song
- Musical Variables as a Foundation in an Improvised Performance
- Preparing a Musical Performance Including Improvisation
- From Innovation to Irrelevance : A Change of Perception to Research Object within a Practice-Based Doctoral Research Project
- À la Laila: Alkuperäiset levytykset 1957-1980
- Stringprovisation - A Fingering Strategy for Jazz Violin Improvisation
- "Just Draw from Your Life..." - the Disappearing Myth of Originality in Jazz Music
- Towards Eclecticism in Jazz Violin Education - Background Study on the Fingering Schemes Approach
- Berlin Jazz Jam Sessions, Top 5
- Scale Fingerings in Jazz Violin Improvisation
- How to Introduce Jazz in Public Music Schools?
- Introducing the Modes and Modal Improvising: An Approach for Young Students of Classical Music
- Brecker and Patterns: An Analysis of Michael Brecker's Melodic and Instrumental Devices
All written in English, except those indicated with written in Finnish.
Selected recent presentations
- Jazz Curricula and Personal Voices
- Position Playing Technique and Jazz Violin Improvisation
- Stay Creative!
- Heavy Metal and Music Education
- Classic Heavy Metal in Classrooms
- Stringprovisation: New Perspectives on Violin Technique
- Similar Slurring: Alternative Perspectives on Stéphane Grappelli's Legacy and Status
- Recent Research Results on Finnish Jazz-Pop Hit Song Era
- Silence Hidden by the Music: Tools of Teaching, Studying, and Performing Instrumental Group Improvisation
- The Finnish Jazz-Pop Hit Song Revisited: Introducing and Discussing Results of the 'Suklaasydän, tinakuoret' Research Project
- Keeping That Discourse Alive: Re-establishing the School of Jazz Generations
- Jazz-Pop Hit in Pieces: A Definition of the Finnish Jazz-Pop Hit Song as a Dimension
- From Innovation to Irrelevance: Changes of Perception to Research Object within a Practice-Based Doctoral Research Project
- John Coltrane’s Influence in Jean-Luc Ponty's Early Performance
- So Far or So Close? Discussing the Position of Violin in Jazz History