Atonement (novel)
Atonement is a 2001 British metafiction novel written by Ian McEwan. Set in three time periods, 1935 England, Second World War England and France, and present-day England, it covers an upper-class girl's half-innocent mistake that ruins lives, her adulthood in the shadow of that mistake, and a reflection on the nature of writing.
Widely regarded as one of McEwan's best works, it was shortlisted for the 2001 Booker Prize for fiction. In 2010, TIME magazine named Atonement in its list of the 100 greatest English-language novels since 1923.
In 2007, the book was adapted into a BAFTA and Academy Award-winning film of the same title, starring Saoirse Ronan, James McAvoy, and Keira Knightley, and directed by Joe Wright.
Plot summary
Part one
Briony Tallis, a 13-year-old English girl with a talent for writing, lives at her family's country estate with her parents Jack and Emily Tallis. Her older sister Cecilia has recently graduated from the University of Cambridge with Robbie Turner, the Tallis family housekeeper's son and Cecilia's childhood friend, with whom she eventually develops a relationship.In the summer of 1935, Briony's maternal cousins, Lola and her twin brothers Jackson and Pierrot, visit the family after their parents are going through a bitter divorce. Briony's immaturity, and her inability to grasp certain situations which are beyond her understanding, lead her to misinterpret a scene she witnesses of a struggle between Robbie and Cecilia. What she believes to be a moment of sexual tension between Cecilia and Robbie is far from the reality of the situation and is the spark that begins Briony's fantasies. Briony misconstrues this situation and concludes that Robbie is acting aggressively toward Cecilia, due to their differences in gender and Briony's idea of male dominance over women.
Robbie, meanwhile, begins to realise he has developed an attraction towards Cecilia, whom he has not seen in some time, and writes several drafts of a love letter to her expressing the feelings he has for her. He decides to give the letter to Briony to deliver to Cecilia for him; however, he inadvertently gives her a version he had meant to discard, which contains lewd and vulgar references. It becomes too late for Robbie to rectify his mistake and despite his instructions to Briony not to open the letter she disobeys him and reads it.
Later the same evening, she walks in on Robbie and Cecilia having sex in the library. Briony misinterprets this as an assault and believes Robbie is a "maniac" from whom she must protect her sister.
Later, there is a family dinner party attended by Briony's brother Leon and his friend Paul Marshall. When it is discovered the twins have run away, the party breaks into teams to search for them.
In the darkness, while everyone is searching for the twins, Briony discovers her cousin Lola being raped by an assailant she cannot clearly see. Lola is unable/unwilling to identify the attacker, but accuses Robbie and identifies him to the police as the rapist, claiming she has seen Robbie's face in the dark. Her previous misinterpretations of seeing Robbie and Cecilia's struggle at the fountain, the letter, and the scene she witnesses in the library, lead Briony to accuse Robbie of raping Lola, despite having no solid proof that he was responsible. Robbie is taken away to prison, with only Cecilia and his mother believing his protestations of innocence. Briony perceives her actions to be heroic, fulfilling her fantasies of the criminal being locked up. As a result of this, Cecilia cuts off her family and refuses to speak to them again.
Part two
By the time Second World War has started, Robbie has spent several years in prison. He is released on the condition he enlists in the army.Cecilia has trained and become a nurse. She has cut off all contact with her family because of the part they took in sending Robbie to jail.
Robbie and Cecilia have only been in contact by letter, since she was not allowed to visit him in prison. Before Robbie has to go to war in France, they meet once for half an hour, during Cecilia's lunch break. Their reunion starts awkwardly, but they share a kiss before leaving each other.
In France, the war is going badly, and the army is retreating to Dunkirk. As the injured Robbie goes to that safe haven, he thinks about Cecilia and past events like teaching Briony how to swim, reflecting on Briony's possible reasons for accusing him.
His single meeting with Cecilia is the memory that keeps him walking; his only aim is seeing her again. His condition deteriorates over the course of the section: He weakens and becomes delirious. At the end of part two, Robbie falls asleep in Dunkirk, one day before the evacuation begins.
Part three
Remorseful Briony has refused her place at Cambridge and instead is a trainee nurse in London. She has realised the full extent of her mistake and decides it was Paul Marshall, Leon's friend, whom she saw raping Lola. Briony still writes, although she does not pursue it with the same recklessness as she did as a child.Briony is called to the bedside of Luc, a young, fatally wounded French soldier. She consoles him in his last moments by speaking with him in her school French, and he mistakes her for an English girl whom his mother wanted him to marry.
Just before his death, Luc asks, "Do you love me?" Briony replies, "Yes," not only because "no other answer was possible" but also because "for the moment, she did. He was a lovely boy far away from his family and about to die." Afterward, Briony daydreams about the life she might have had if she had married Luc and gone to live with him and his family.
Briony attends the wedding of Paul Marshall and her cousin Lola — who has decided to marry her rapist — before finally visiting Cecilia. Robbie is on leave from the army, and Briony meets him unexpectedly at her sister's.
Cecilia and Robbie both refuse to forgive Briony, who nonetheless tells them she will try to put things right. She promises to begin the legal procedures needed to exonerate Robbie, even though Paul Marshall will never be held responsible for his crime because of his marriage to Lola, the victim.
Postscript
The final section, titled "London 1999," is narrated by Briony herself in the form of a diary entry. Now 77, she is a successful novelist who has recently been diagnosed with vascular dementia, so she is facing rapid mental decline and death.The reader learns that Briony is the author of the preceding sections of the novel. On the penultimate page, Briony reveals that Robbie Turner died of septicaemia — caused by his injury — on the beaches of Dunkirk, that Cecilia was killed when a bomb destroyed Balham Underground station during the Blitz, and Briony never saw them in 1940. Briony did attend Lola's wedding to Marshall, but confesses she was too "cowardly" to visit the "recently bereaved" Cecilia to make amends. The novel — which she says is factually true apart from Robbie and Cecilia being reunited — is her lifelong attempt at "atonement" for what she did to them.
Briony justifies her invented happy ending by saying she does not see what purpose it would serve to give readers a "pitiless" story. She writes, "I like to think that it isn't weakness or evasion, but a final act of kindness, a stand against oblivion and despair, to let my lovers live and to unite them at the end."
Main characters
- Briony Tallis – The younger sister of Leon and Cecilia Tallis, Briony is an aspiring writer. She is a thirteen-year-old at the beginning of the novel and takes part in sending Robbie Turner to jail when she falsely claims that he assaulted Lola. Briony is part narrator, part character and we see her transformation from child to woman as the novel progresses. At the end of the novel, Briony has realised her wrongdoing as a "child" and decides to write the novel to find atonement.
- Cecilia Tallis – The middle child in the Tallis family, Cecilia has fallen in love with her childhood companion, Robbie Turner. After a tense encounter by the fountain, she and Robbie don't speak again until they meet before a formal dinner. When Robbie is falsely accused of rape shortly after, Cecilia loses her love to jail and war, and chooses not to contact any members of her family again.
- Leon Tallis – The eldest child in the Tallis family, Leon returns home to visit. He brings his friend Paul Marshall along with him on his trip home.
- Emily Tallis – Emily is the mother of Briony, Cecilia, and Leon. Emily is ill in bed for most of the novel, suffering from severe migraines.
- Jack Tallis – Jack is the father of Briony, Cecilia, and Leon. Jack often works late nights and it is alluded to in the novel that he is having an affair.
- Robbie Turner – Robbie is the son of Grace Turner, who lives on the grounds of the Tallis home. Having grown up with Leon, Briony and Cecilia, he knows the family well. He attended Cambridge University with Cecilia and when they come home on break, they fall in love. Robbie is sent to jail when Briony falsely accuses him of raping Lola.
- Grace Turner – The mother of Robbie Turner, she was given permission from Jack Tallis to live on the grounds. She has become the family's maid and does laundry for the Tallises. When her son is falsely accused of raping Lola, only she and Cecilia believe he is innocent, and Grace chooses to leave the Tallis family.
- Dolores ‘Lola’ Quincey – A 15-year-old girl who is Briony, Cecilia, and Leon's cousin. She comes, along with her twin brothers, to stay with the Tallises after her parents' divorce. Lola was supposed to assume the main role in Briony's play, until it was cancelled. She is also subject to rape while staying at the Tallis household. Lola appears later in the novel as a mature woman, married to Paul Marshall. She is red-headed and fair-skinned with freckles.
- Jackson and Pierrot Quincey – Lola's younger twin brothers and Briony, Cecilia, and Leon's cousin. They come, along with their sister, to stay with the Tallises after their parents' divorce. Briony wants the twins to take a role in her play, but disputes mean the play is cancelled, upsetting them both. Pierrot appears later in the novel as an old man while his brother has died.
- Danny Hardman – The handyman for the Tallis family. Robbie and Cecilia suspect he is responsible for Lola's rape until Briony tells them otherwise, prompting Robbie to say they owe him an apology.
- Paul Marshall – A friend of Leon. He rapes Lola outside the Tallis household after dark; Briony, however, accuses Robbie of Lola's rape, and many years later Lola and Paul marry. Paul Marshall also owns a chocolate factory that manufactures 'Amo' bars – fake chocolate energy bars supplied to army troops, which earn him a considerable fortune.
- Corporal Nettle – Nettle is one of Robbie's two companions during the Dunkirk evacuation. In the fourth and final section of the novel, an elderly Briony alludes to an "old Mr. Nettle" from whom she received a "dozen long letters" but whether this is the same person isn't made exactly clear.
- Corporal Mace – Mace is the second of Robbie's two companions during the Dunkirk evacuation. He is last seen presumably rescuing an RAF man from a possible lynching by some infantrymen under the guise of wanting to do harm by drowning him in the "bloody sea."
- Betty – The Tallis family's servant, described as "wretched" in personality.
Awards and critiques
Literary critiques:
- Crosthwaite, Paul. "Speed, War, and Traumatic Affect: Reading Ian McEwan's Atonement." Cultural Politics 3.1 : 51–70.
- D’hoker, Elke. “Confession and Atonement in Contemporary Fiction: J. M. Coetzee, John Banville, and Ian McEwan.” Critique 48.1 : 31–43.
- Finney, Brian. "Briony's Stand Against Oblivion: The Making of Fiction in Ian McEwan's Atonement." Journal of Modern Literature 27.3 : 68–82.
- Harold, James. "Narrative Engagement with Atonement and The Blind Assassin." Philosophy and Literature 29.1 : 130–145.
- Hidalgo, Pilar. “Memory and Storytelling in Ian McEwan’s Atonement.” Critique 46.2 : 82–91.
- Ingersoll, Earl G. “Intertextuality in L. P. Hartley’s The Go-Between and Ian McEwan’s Atonement.” Forum for Modern Language Studies 40 : 241–58.
- O'Hara, David K. "Briony's Being-For: Metafictional Narrative Ethics in Ian McEwan’s Atonement." Critique: Studies in Contemporary Fiction 52.1 : 72–100.
- Salisbury, Laura. "Narration and Neurology: Ian McEwan's Mother Tongue", Textual Practice 24.5 : 883–912.
- Schemberg, Claudia."Achieving 'At-one-ment': Storytelling and the Concept of Self in Ian McEwan's The Child in Time, Black Dogs, Enduring Love and Atonement." Frankfurt am Main: Peter Lang, 2004.
- Phelan, James. “Narrative Judgments and the Rhetorical Theory of Narrative: Ian McEwan’s Atonement.” A Companion to Narrative Theory. Ed. James Phelan and Peter J. Rabinowitz. Malden, MA: Blackwell, 2005. 322–36.
Controversy