Banna'i


In Iranian architecture, banna'i is an architectural decorative art in which glazed tiles are alternated with plain bricks to create geometric patterns over the surface of a wall or to spell out sacred names or pious phrases. This technique originated in Syria and Iraq in the 8th century, and matured in the Seljuq and Timurid era, as it spread to Iran, Anatolia and Central Asia.
If the brickwork design is in relief then it is referred to as hazarbaf.

History

The earliest surviving example of decorative brick work with colored bricks is found in the city gate of Raqqa. The earliest known example of hazārbāf is found in the Ukhaydir Palace near Baghdad, built around 762. The technique appeared in Iran and central Asia more than a century later but with more sophisticated designs. The tomb of the Samanid ruler Ismā'īl, had walls with protruding and recessed bricks that created a weaving pattern.
Islamic brickwork grew in sophistication of its techniques over the centuries. In the 11th century, the use of multiple brick sizes, and variation in the depth of the joint between bricks formed shadow that contrasted strongly with the horizontal lines of the brick rows. Rows of brick were set deep inside the face of the building and raised above it, to create positive and negative spaces. The Chehel Dokhtaran minaret in Isfahan is one of the earliest example of brick work with triangles, squares, octagons, cruciform designs. The Gunbad-i Sorkh monument in Azerbaijan was made of ten different types of carved bricks in its corner columns.
In the 12th century in Azerbaijan, bricks were combined with glazed tiles. Such bricks were typically cobalt blue and turquoise colored.
is covered with religious inscriptions made with colored bricks.
The earliest example of script set in brick work is seen on a minaret in Ghazni about 1100, spelling out the name of the ruler, the Ghaznavid ruler Massud III and his titles. This building pieces of terra cotta were inserted between the bricks to create the inscription. Later buildings used the shadows of raised bricks and others used different colored bricks to spell out words. This practice eventually led to the covering whole brick buildings in sacred writing spelling out the names of Allah, Ali and Muhammad.
Square kufic, the version of the Arabic kufic calligraphy consisting of square angles only, is believed to have been an architectural adaptation of this script. Kufic writing was usually achieved using square bricks.