Borchard was born and grew up in Lingen, Germany. She studied musicology, German studies, and history in Bonn and Berlin. She wrote her dissertation about Clara Wieck and Robert Schumann. In 2000, she wrote her habilitation about Amalie and Joseph Joachim. She has been the editor of the Viardot-Garcia studies, and of the online encyclopediaMUGI of Hamburg University. Together with Kerstin Schüssler-Bach she has been the editor of the Brahms studies of the Brahms Society. Beatrix Borchard was a lecturer of musicology at the Hochschule der Künste Berlin for ten years. She has worked for the Goethe-Institut, in Germany and in countries such as China, Portugal and Romania. She was professor of musicology of the Musikwissenschaftliches Seminar Detmold-Paderborn of the Paderborn University for a short time. In 2002 she was appointed professor of musicology at the Hochschule für Musik und Theater Hamburg. She is head of a project Orte und Wege europäischer Kulturvermittlung durch Musik, which is sponsored by the Deutsche Forschungsgemeinschaft. Beatrix Borchard was the author of several radio features, has been moderator of concerts, and made two films for the NDR, one a documentary about Clara Schumann and another about Hausmusik. She collaborated on other music films. A documentary about the sisters Maria Malibran and Pauline Viardot, including a biography of the singer Pauline Viardot, is planned to appear in 2018.
Work
Clara Schumann. Ein Leben.Ullstein, Frankfurt/Main – Berlin 1991,
Clara Schumann. Ihr Leben. Eine biographische Montage. 3rd edition Olms, Hildesheim 2015, ; review
Borchard was an editor of the following works:
Adriana Hölszky.Klangportraits vol. 1, Furore Verlag; Musikfrauen, Berlin 1991
with Monika Schwarz-Danuser: Fanny Hensel geb. Mendelssohn Bartholdy. Komponieren zwischen Geselligkeitsideal und romantischer Musikästhetik. 2nd edition, Furore Verlag, Kassel 2002,
with Cornelia Bartsch and Rainer Cadenbach: Der weibliche und der männliche Beethoven, Bonn 2004,
with Claudia Maurer Zenck: Alkestis: Interpretationen, Frankfurt/Main 2006,
with Heidy Zimmermann: Musikwelten – Lebenswelten. Jüdische Identitätssuche in der deutschen Musikkultur. Böhlau, Köln / Weimar / Wien 2009,
