Beginning of the End (film)
Beginning of the End is a 1957 independently made American black-and-white science fiction giant insects film, produced and directed by Bert I. Gordon. It stars Peter Graves, Peggie Castle, and Morris Ankrum. The film's storyline concerns an agricultural scientist who has successfully grown gigantic vegetables using radiation. Unfortunately, the vegetables are eaten by locusts, which quickly grow to a gigantic size and attack the nearby city of Chicago. Beginning of the End is generally known for its "atrocious" special effects, "and yet," writes reviewer Bill Warren, "there is something almost compellingly watchable about this goofy little movie".
Plot
The film opens with newspaper photojournalist Audrey Aimes accidentally stumbling upon a small town which has been inexplicably destroyed. All 150 people in the town are missing, and the evidence indicates they are dead. Incredibly, the local fields are also barren, as if a swarm of locusts had eaten all the crops. Aimes suspects that the military is covering something up, and travels to a nearby United States Department of Agriculture experimental farm to learn what creature might have caused the agricultural destruction. She meets Dr. Ed Wainwright, who is experimenting with radiation as a means of growing gigantic fruits and vegetables to end world hunger. Wainwright reports that there have been a number of mysterious incidents nearby, and that locusts have eaten all the radioactive wheat stored in a nearby grain silo.Gigantic mutant locusts rampage over the countryside. Wainwright and Aimes begin to track down the source of the mysterious occurrences, and quickly discover that the locusts which ate the grain have grown to the size of a city bus. The monsters have eaten all the crops in the area, and now are seeking human beings as a means of sustenance. It is also clear that they are headed for Chicago. Wainwright and Aimes meet with General Hanson, Colonel Sturgeon, and Captain Barton to strategize a solution. Machine gun and artillery fire seem ineffective against the creatures, and there are far too many to effectively deal with all at once. The United States Army and Illinois National Guard are called upon to help protect the city. But the monsters quickly invade Chicago, and begin to feast on human flesh as well as several buildings.
General Hanson concludes that the only way to destroy the beasts en masse is to use a nuclear weapon and destroy Chicago. However, Wainwright realizes that the locusts are warm-weather creatures. He concludes that he might be able to lure the locusts into Lake Michigan. There, the cold water will incapacitate them, and they will drown. The lure itself will be a decoy locust mating call, generated electronically with test-tone oscillators. The plan is put into effect, and it works at the last possible moment. The monstrous locusts drown, but Wainwright and Aimes wonder if other insects or animals might have eaten other radioactive crops. They ponder whether the whole world might be facing an attack of monstrous creatures.
Cast
- Peter Graves as Dr. Ed Wainwright
- Peggie Castle as Audrey Aimes
- Morris Ankrum as Gen. John Hanson
- Than Wyenn as Frank Johnson
- Tom Browne Henry as Colonel Sturgeon
- Richard Benedict as Corporal Mathias
- James Seay as Captain James Barton
- John Close as Maj. Everett
- Don Harvey as Guard at lab
- Larry Blake as Patrolman
- Eilene Janssen as Teenager necking in car
- Hylton Socher as Frank
- Frank Wilcox as Gen. John T. Short
- Douglas Evans as Norman Taggart
Production
Beginning of the End went into production in 1956, the first of the "boom years" for science fiction films in the United States. Its production was a direct outcome of the success of Them!
AB-PT announced on November 29, 1956, that it had approved production of its first film, Beginning of the End and announced on December 2, 1956, that production would begin immediately. The company said it had hired 34-year-old Bert I. Gordon to direct and produce. Gordon had gotten his start as a supervising producer for televised commercials and network TV shows, had produced his first feature film in 1954, and directed his first feature film in 1955.
The story was already set, according to press reports, with Variety claiming that Bert I. Gordon had already completed the script. Press sources noted that the studio was clearly attempting to cash-in on the science fiction movie craze. However, the final screenplay is credited to Fred Frieberger and Lester Gorn. The screen story bears a striking resemblance to the 1904 H. G. Wells novel The Food of the Gods and How It Came to Earth.
Casting was complete within two weeks of the start of production. In late November, AB-PT said actress Mala Powers was being considered for the female lead. But on December 2, the studio revealed that Peter Graves and Peggie Castle had been cast as the leads. Three days later, AB-PT announced that Don C. Harvey, Morris Ankrum, Pierre Watkin, Ralph Sanford, and Richard Benedict had also been cast. The studio also said that Pat Dean, its "sexboat" discovery would also appear in the picture. Larry Blake, Duane Cress, James Douglas, Eileen Jannsen, John Kranston, Ann Loos, and Jeanne Wood were added to the cast a few days later. Ankrum, Henry, and Seay were cast because they usually played military men in B movies, roles they portrayed in Beginning of the End as well.
John A. Marta, a veteran cinematographer, and Aaron Stell, a long-time film editor, also worked on the film. Marta had shot close to 150 B movies for Republic Pictures by this time, which is probably why he was hired. Albert Glasser composed the musical score. Glasser worked in the same office building where Gordon had his offices, and Gordon admired his score for the 1956 war film Huk!. Gordon had already used Glasser to score his 1957 monster movie The Cyclops. Glasser wrote the musical score for Beginning of the End as well as five more of Gordon's films. Glasser was paid $4,000 for his work on The Cyclops, which may indicate how much he was paid for the musical score for Beginning of the End. The musical soundtrack included the song "Natural, Natural Baby." The art director was Walter Keller.
It is not clear what the budget for the picture was, although descriptions often use the term "low budget" or "ultra-low-budget." According to a statement by AB-PT President Leonard Goldenson in 1957, the average cost of the AB-PT pictures greenlit to date was $300,000. In comparison, Invaders From Mars was budgeted at $150,000, The Beast From 20,000 Fathoms cost $400,000, It Came From Outer Space cost $532,000, Them! came in at under $1 million, and 1953's The War of the Worlds cost $2 million.
Filming began December 3, 1956. Shooting took place on the Republic Pictures backlot at 4024 Radford Avenue in Los Angeles, California. Actor Peter Graves said Gordon "was okay, he was a good director." He also had praise for actress Peggie Castle, and said he felt privileged to be working with an actor of Morris Ankrum's stature.
Gordon himself provided the special effects for the film. According to composer Glasser, Gordon literally worked out of his home garage. Animated grasshoppers were considered, but the idea rejected as too costly. So Gordon relied heavily on split screen, static mattes, and rear projection effects for the film. But his most important effort was one he had used in King Dinosaur: placing live creatures on still photographs, and blowing air at them to encourage the creatures to move. Gordon purchased 200 non-hopping, non-flying live grasshoppers in Texas for the film. But when he attempted to bring them into California for filming, state agricultural officials required that every single one of the animals be inspected and sexed. He later described his efforts:
Gordon kept the grasshoppers in a box for only a few days, but during that time the grasshoppers devoured one another and only 12 were left when Gordon finally got around to shooting them. Gordon also considered building miniatures for the grasshoppers to climb on, but this, too, was deemed too expensive. Instead, Gordon used still photographs of the Wrigley Building and other noted Chicago landmarks and simply filmed the grasshoppers moving about on top of the photograph. When the monsters are supposed to be wounded or killed by gunfire, Gordon merely tipped the photograph and the grasshoppers slid down it. According to one film historian, "the effect looks real" until one of the grasshoppers steps off the "building" into what is supposed to be thin air.
Release
Beginning of the End premiered in Chicago on June 16, 1957. Stars Peter Graves and Peggie Castle were both on hand for the premiere. The film opened widely in 244 theaters in the South and Midwest on June 20. It played as part of a double feature with The Unearthly, another AB-PT production. As planned, it was distributed by Republic Pictures. Two taglines were used to promote the film. The first was "New Thrills! New Shocks! New Terror!" This tagline is depicted on the film poster. The other tagline used was "The screen's first full-length science-fiction feature with real-live creatures!" There is some discrepancy as to how long the film ran. Some sources cite 73 minutes, some 74 minutes, and some 76 minutes.The film was a modest hit, and profitable for AB-PT. For example, in its first week playing in San Francisco, California, it made $16,000—just behind the top-ranked movie of the week for the area, the reissue of Bambi. The film's debut in Los Angeles saw its gross reach $16,500, although this was a soft movie-going market.
Beginning of the End proved an apt title for its parent studio. AB-PT shuttered its operations immediately after releasing the film, for reasons which are still unclear. Gordon's work for AB-PT landed him a new contract with American International Pictures. The week Beginning of the End opened, Gordon began shooting his next feature film, The Amazing Colossal Man, for AIP.
Critical reception
Beginning of the End made Bert I. Gordon famous for his giant monster films. Critics and film historians point out that the film is only one of many which drew heavily on most Americans' fear about atomic weapons, open-air nuclear tests, and the possibility of nuclear war. However, Beginning of the End had very little of the metaphorical creativity of films such as Godzilla or Them! A more recent assessment, however, concludes that the film taps more deeply into 1950s Americans' worries over invasive species and growing unease over pesticides.The film received extensive negative reviews at the time of its release and by modern film historians. Variety was particularly negative. Calling the movie "derivative", the industry trade publication said, "Summarizing the plot of Beginning of the End is like rehashing the story of several dozen similar films." The publication felt that not much effort had been put into the film. "Even taken on its own terms—as a low-budget exploitation feature—Beginning of the End hardly reflects the best effort of a major theatre circuit." It called the special effects "obvious" and decried the use of stock footage. The reviewer felt the screenplay was "ludicrous" and cliché-ridden. The magazine believed Peter Graves had turned in a decent performance, but described Peggie Castle's performance as "unconvincing" and Morris Ankrum's as "artificial". The cinematography and editing were, it concluded, average. Mae Tinnee, reviewing the motion picture for the Chicago Tribune had several negative comments. "The film obviously was made on a shoestring budget, and the people in it are no more than props for the magnified insects. I doubt if it will fool anyone. But youngsters will probably think it's great stuff." The Los Angeles Times was far harsher in its assessment. Its unsigned review concluded: "The audience is cheated in the production. The conclusion is never in doubt and the process shots are so obvious that one is startled the first time a buffalo-sized grasshopper hits the screen but never again. And at no time are there more than a half-dozen of the things shown at once, although the script avers that there are thousands about and more coming." As of 2008, Beginning of the End is still "one of the most excoriated creature features." Leonard Maltin summed up his review in one word: "awful". Another recent film guide called it "Bottom-of-the-sci-fi-barrel rubbish, very boring to watch." One review pointed out that Gordon didn't even bother to hide the mountains in the background of the shots. Some have also been upset with film's lack of horrifying images. The derivative nature of the picture has also upset some critics. Critics say the film covered almost the same ground as the far superior monster movie Them!, and it is clear that Gordon merely wanted to "cash in" on giant bug craze rather than come up with a story that was fresh and creative.
There have been some positive reviews, however. One modern critic said "the story is adequately paced, the acting is engaging, and we still get a thrill seeing the Army guys empty their cartridges at the unstoppable insects." Another modern reviewer found the screenplay effective, especially the beginning: "As in Deadly Mantis, the complete disappearance of the victims is especially chilling, as is the notion of 150 men, women and children being devoured overnight while in their beds. This aspect is like something out of Lovecraft, although it is not exploited as well as it could have been." Producer-director Bert I. Gordon said he did not care whether reviews were bad; what mattered was whether people went to see the film: "The movie audience these days consists almost entirely of teenagers. Either they're naïve and go to get scared, or they're sophisticated and enjoy scoffing at the pictures. There isn't much a teenager can scoff at these days, you know." Lead actor Peter Graves also felt the film worked on a certain level. "I think they played OK.... All of that was ludicrous, but there were a certain amount of people who 'bought' it and loved it."
Beginning of the End has become somewhat infamous because of its notoriously poor production values and unrealistic plot. The movie was parodied in the 11th season of the hit animated television program The Simpsons in the episode "E-I-E-I-." In that episode, Homer Simpson grows giant vegetables using radioactive materials, and automatically assumes that any animal eating the food will become monstrous. Homer even attempts to recall Beginning of the End as evidence of his claim, although he misremembers the title as Grasshopperus and the star as Chad Everett.