Belle Grove Plantation (Iberville Parish, Louisiana)


Belle Grove, also known as Belle Grove Plantation, was a plantation and elaborate Greek Revival and Italianate-style plantation mansion near White Castle in Iberville Parish, Louisiana. Completed in 1857, it was one of the largest mansions ever built in the South, surpassing that of the neighboring Nottoway. Nottoway is often cited as the largest antebellum plantation house remaining in the South. The masonry structure stood high and measured wide by deep, with seventy-five rooms spread over four floors.

History

Belle Grove was owned by John Andrews, a wealthy sugar planter originally from Virginia. Andrews owned over spread over several plantations, with Belle Grove having of river frontage. He founded Belle Grove during the 1830s, with Dr. John Phillip Read Stone as a partner. Andrews assumed full ownership in 1844, when the partnership was dissolved. By the 1850s, the more than 150 people, mostly slaves, were producing over one-half million pounds of sugar each year.
Andrews built the mansion from 1852 to 1857 at a cost of $80,000, not including the labor or the plentiful cypress lumber and hand-made bricks produced on the plantation. The house was designed by New Orleans architect Henry Howard. Andrews had a legendary rivalry with the owner of Nottoway Plantation, John Randolph. This competition even extended to their mansions, with both massive structures designed by Howard in a mix of the Greek Revival and Italianate styles.
Following the American Civil War and ensuing collapse of the plantation economy, Andrews sold the home and plantation in 1868 to Isayah Henry, for the meager sum of $50,000. Isayah Henry and his descendants owned and operated the plantation for 65 years. Two of Henry's sons eventually acquired the estate, James Andrew Ware and John M. Ware. James married Mary Eliza Stone and John married Marie-Louise Dupré, who was related to Jacque Dupré, former governor of Louisiana. Every first-born daughter was named Marie-Louise in straight succession for four generations since.
Eventually, James and Mary Eliza Stone acquired the entire estate and John and Marie-Louise owned Dixon Grove plantation. Their son, John Stone Ware, known as Stone Ware, was well-educated by private tutors and later attended Tulane University. Harnet Kane interviewed Stone and he told of his isolation noting that he was a "spoiled brat, hardly fit to live with. I had, I guess, anything a kid could ask, except maybe companionship." One observer noted, Stone had, "all the composure in the world." See Lost Plantations of the South, Marc R. Matrana, pg. 190. After several years of crop failures, John Ware and his wife left in 1924.
The post-War era at Belle Grove saw the finely crafted home rot away in Louisiana's harsh environment. Neglect allowed a roof leak to expand and destroy one wing of the mansion. Several owners purchased the home, each with aspirations of restoration, but none had the means necessary in the lean years of the Great Depression and World War II to stop the onslaught of rapid decay. On March 17, 1952, a mysterious fire during the night destroyed what remained of the house.
Dozens of books have been written regarding Belle Grove's beauty and charm, while hundreds of photographs have been published illustrating those narratives. During the late 1930s a comprehensive set of photographs and architectural drawings were produced for the Historic American Buildings Survey. This material, an inventory of the house's contents made on the death of Isayah E. Henry in 1908, and a drawing of the missing wing, are all available on the website of the Library of Congress.
Photographer Clarence John Laughlin described Belle Grove in his work, Ghosts Along the Mississippi:
When completed, its tremendous mass rose on huge brick foundation arches over twelve feet above the surrounding earth, its walls and mantels were plastered and carved by the most expert European craftsmen money could secure, its great flight of brick steps was covered with imported marble, its door knobs and keyhole guards were of silver, its pillars bore Corinthian capitals six feet high but of the utmost refinement. Its theatrical magnificence would have delighted the Bibiena family - seventeenth century designers of the most elaborate and grandiose stage sets for kings. Yet it was not heavy, or pompous. It managed somehow, to combine vastness with delicacy; titanic proportions with grace and warmth....