Benjamin-Gunnar Cohrs is a German conductor, scholar, and publicist on music.
Early career
Benjamin-Gunnar Cohrs gave his early conducting debut 1984 with the orchestra of the Youth Music School in Hameln, where he received his early musical education since 1972. In the same year he founded the Youth String Orchestra of Hameln, which performed with him numerous works of the string- and chamber orchestra repertoire until 1992. From 1986 to 1989 he studied conducting privately with the noted Italian composer and conductor Nicola Samale, and from 1989 to 1994 concert conducting, voice and flute at the Conservatory of Arts, Bremen He also attended to rehearsals and projects of numerous well-known conductors, and performed himself with several choirs and orchestras. His concert examination in 1994 included compositions by Felix Mendelssohn Bartholdy, Jean Sibelius and Frank Martin as well as the first Bremen performance of Ralph Vaughan Williams’ Symphony No. 5, recorded and broadcast by Radio Bremen. In 1996 he finished a Postgraduate Diploma in Musicology at the University of Adelaide for which he was granted a full scholarship of the DAAD. Since then, he has developed a career as a freelance concert conductor, editor, scholar and publicist on music. Cohrs finished his PhD in Musicology in 2009.
Since 1996 Cohrs contributes to international music magazines, presents pre-concert-talks as well as own radio programmes, writes programme notes, booklet notes, reports on musicological conferences and is a successful editor of music. From 1995 to 2012 he was a co-editor of the Bruckner-Gesamtausgabe. Today he is a well-known Bruckner-scholar, in particular due to his studies and editions on Bruckner’s Ninth Symphony. He was also part of the editorial team of Nicola Samale which prepared the Completed Performing Version of the unfinished Finale of Bruckner’s Ninth. For the Magazine Musik-Konzepte he compiled Vol. 120/121/122 on request of the earlier editors, Heinz-Klaus Metzger and Rainer Riehn. He also edited new completed performing versions of Schubert’s Unfinished Symphony in b-minor, the Great Mass in C minor and the Requiem by Mozart, both based on original sources. Since 2012 he is Editor in Chief of the Anton Bruckner Edition Wien, in which all collected works by Anton Bruckner will appear in new, modern Urtext editions. As the first volume of the Anton Bruckner Urtext Gesamtausgabe, the Seventh Symphony will appear in Summer 2015.
Editions of music
Lili Boulanger: Théme et Variations for Piano. First Edition. Tonger, Cologne, 2005
Anton Bruckner: Symphony No. IX in d-minor New critical edition, Bruckner Complete Edition, Vienna 2000
Anton Bruckner: Symphony No. IX, Finale. Completed Performance Version ; ; Adelaide/Bremen 1992. Revised Edition : 2005/rev. 2008/rev. 2012; Score : Repertoire Explorer Nr. 444 / Musikproduktion Hoeflich, Munich, 2012; Orchestral Parts: BGC Manuscript Edition, Bremen.
Anton Bruckner: Scherzo und Trio / Ältere Trios mit Viola-Solo. Bruckner Complete Edition, Vienna 1998
Anton Bruckner: Symphony No. IX, Two earlier, discarded Trios. Performance Version Doblinger, Vienna, 1998.
Wolfgang Amadeus Mozart: Great Mass in C minor, Credo & Agnus Dei, Completion from original sources. Score: Repertoire Explorer Nr. 1049, Musikproduktion Höflich, Munich, 2010; Performance Material: BGC Manuscript Edition, Bremen
Wolfgang Amadeus Mozart: Requiem in D minor, new Completion. Score: Repertoire Explorer Nr. 1425, Musikproduktion Höflich, Munich, 2013; Performance Material: BGC Manuscript Edition, Bremen
Erik Satie: Trois Gymnopédies, Arrangement for String Orchestra with Harp ad lib.; Score and Parts; First Edition, Doblinger, Vienna 2006
Franz Schubert: Symphony in b minor D 759, Scherzo D 759/3 / Orchestral Movement D 797/1 ; Score: Repertoire Explorer Nr. 884 / Musikproduktion Hoeflich, Munich, 2008; Orchestral Parts: BGC Manuscript Edition, Bremen.
Selected writings in print
Das Finale der IX. Sinfonie von Anton Bruckner. Geschichte - Dokumente - Werk - Präsentation des Fragments. Wiener Bruckner Studien 3, Vienna 2012,
Bruckners Neunte im Fegefeuer der Rezeption. Musik-Konzepte 120/121/122, Munich 2003,
Anton Bruckner: IX. Symphonie d-moll . Critical Report, Bruckner Complete Edition, Vienna 2001,
Selected original compositions
L´amour perdu, Berceuse for piano op. 4. Also arranged for small orchestra