Bill Mauldin
William Henry "Bill" Mauldin was an American editorial cartoonist who won two Pulitzer Prizes for his work. He was most famous for his World War II cartoons depicting American soldiers, as represented by the archetypal characters Willie and Joe, two weary and bedraggled infantry troopers who stoically endure the difficulties and dangers of duty in the field. His cartoons were popular with soldiers throughout Europe, and with civilians in the United States as well. However, his second Pulitzer Prize was for a cartoon published in 1958, and possibly his best-known cartoon was after the Kennedy assassination.
Early life
Mauldin was born in Mountain Park, New Mexico into a family with a tradition of military service. His father served as an artilleryman in World War I, and his grandfather had been a civilian scout in the Apache Wars. After growing up with his older brother, Sidney, there and in Phoenix, Arizona, Mauldin took courses at the Chicago Academy of Fine Arts under the tutoring of Ruth VanSickle Ford. While in Chicago, Mauldin met Will Lang Jr. and became fast friends with him. Lang Jr. later became a journalist and a bureau head for Life magazine.World War II
Shortly after returning to Phoenix in 1940, Mauldin enlisted in the Arizona National Guard. His division, the 45th Infantry Division, was federalized just two days later. While in the 45th, Mauldin volunteered to work for the unit's newspaper, drawing cartoons about regular soldiers or "dogfaces". Eventually he created two cartoon infantrymen, Willie and Joe, who represented the average American GI.During July 1943, Mauldin's cartoon work continued when, as a sergeant of the 45th Infantry Division's press corps, he landed with the division in the invasion of Sicily and later in the Italian campaign. Mauldin began working for Stars and Stripes, the American soldiers' newspaper; as well as the 45th Division News, until he was officially transferred to the Stars and Stripes in February 1944. Egbert White, editor of the Stars and Stripes, encouraged Mauldin to syndicate his cartoons and helped him find an agent. By March 1944, he was given his own jeep, in which he roamed the front, collecting material. He published six cartoons a week. His cartoons were viewed by soldiers throughout Europe during World War II, and were also published in the United States. The War Office supported their syndication, not only because they helped publicize the ground forces but also to show the grim side of war, which helped show that victory would not be easy. While in Europe, Mauldin befriended a fellow soldier-cartoonist, Gregor Duncan, and was assigned to escort him for a time.
Mauldin was not without his detractors. His images—which often parodied the Army's spit-shine and obedience-to-orders-without-question policy—offended some officers. After a Mauldin cartoon ridiculed Third Army commander General George Patton's decree that all soldiers be clean-shaven at all times—even in combat—Patton called Mauldin an "unpatriotic anarchist" and threatened to "throw ass in jail" and ban Stars and Stripes from his command. General Dwight Eisenhower, Patton's superior, told Patton to leave Mauldin alone; he felt the cartoons gave the soldiers an outlet for their frustrations. "Stars and Stripes is the soldiers' paper," he told him, "and we won't interfere."
In a 1989 interview, Mauldin said, "I always admired Patton. Oh, sure, the stupid bastard was crazy. He was insane. He thought he was living in the Dark Ages. Soldiers were peasants to him. I didn't like that attitude, but I certainly respected his theories and the techniques he used to get his men out of their foxholes.
Mauldin's cartoons made him a hero to the common soldier. GIs often credited him with helping them to get through the rigors of the war. His credibility with the common soldier increased in September 1943, when he was wounded in the shoulder by a German mortar while visiting a machine gun crew near Monte Cassino. By the end of the war he received the Legion of Merit for his cartoons. Mauldin wanted Willie and Joe to be killed on the last day of combat, but Stars and Stripes dissuaded him.
Postwar activities
In 1945, at the age of 23, Mauldin won a Pulitzer Prize for his wartime body of work, exemplified by :File:Fresh, spirited American troops.jpg|a cartoon depicting exhausted infantrymen slogging through the rain, its caption mocking a typical late-war headline: "Fresh, spirited American troops, flushed with victory, are bringing in thousands of hungry, ragged, battle-weary prisoners". The first civilian compilation of his work, Up Front, a collection of his cartoons interwoven with his observations of war, topped the best-seller list in 1945. After war's end, the character of Willie was featured on the cover of Time Magazine for the June 18, 1945 issue. Mauldin made the cover of the July 21, 1961 issue.After the war, Mauldin turned to drawing political cartoons expressing a generally civil libertarian view associated with groups such as the American Civil Liberties Union. These were not well received by newspaper editors, who were hoping for apolitical cartoons. Mauldin's attempt to carry Willie and Joe into civilian life was also unsuccessful, as documented in his memoir Back Home in 1947. In 1951, he appeared with Audie Murphy in the John Huston film The Red Badge of Courage, and in Fred Zinnemann's Teresa.
In 1956, he ran unsuccessfully for the United States Congress as a Democrat in New York's 28th congressional district. Mauldin said about his run for Congress:
I jumped in with both feet and campaigned for seven or eight months. I found myself stumping around up in these rural districts and my own background did hurt there. A farmer knows a farmer when he sees one. So when I was talking about their problems I was a very sincere candidate, but when they would ask me questions that had to do with foreign policy or national policy, obviously I was pretty far to the left of the mainstream up there. Again, I'm an old Truman Democrat, I'm not that far left, but by their lives I was pretty far left.
In 1959, Mauldin won a second Pulitzer Prize, while working at the St. Louis Post-Dispatch, for a cartoon depicting Soviet author Boris Pasternak in a Gulag, asking another prisoner, "I won the Nobel Prize for literature. What was your crime?" Pasternak had won the Nobel Prize for his novel Doctor Zhivago, but was not allowed to travel to Sweden to accept it. The following year Mauldin won the National Cartoonist Society Award for Editorial Cartooning. In 1961, he received their Reuben Award as well.
In addition to cartooning, Mauldin worked as a freelance writer. He also illustrated many articles for Life magazine, The Saturday Evening Post, Sports Illustrated, and other publications. He brought back Joe as a war correspondent, writing letters to the stateside Willie. He made cartoons of Willie and Joe together only in tributes to the "soldiers' generals": Omar Bradley and George C. Marshall, after their deaths; for a Life article on the "New Army"; and as a salute to the late cartoonist Milton Caniff.
In 1962, Mauldin moved to the Chicago Sun-Times. One of his most famous post-war cartoons was published in 1963, following the assassination of President John F. Kennedy. It depicted the statue of Abraham Lincoln at the Lincoln Memorial, with his head in his hands.
In 1969, Mauldin was commissioned by the National Safety Council to illustrate its annual booklet on traffic safety. These pamphlets were regularly issued without copyright, but for this issue the Council noted that Mauldin's cartoons were under copyright, although the rest of the pamphlet was not.
In 1985, Mauldin won the Walter Cronkite Award for Excellence in Journalism. Mauldin remained with the Sun-Times until his retirement in 1991.
He was inducted into the St. Louis Walk of Fame on May 19, 1991. On September 19, 2001, Sergeant Major of the Army Jack L. Tilley presented Mauldin with a personal letter from Army Chief of Staff General Eric K. Shinseki, and a hardbound book with notes from other senior Army leaders and several celebrities, including TV broadcasters Walter Cronkite and Tom Brokaw, and actor Tom Hanks. Tilley also promoted Mauldin to the honorary rank of first sergeant.
Mauldin drew Willie and Joe for publication one last time on Veterans Day in 1998 for a Peanuts comic strip, in collaboration with its creator Charles M. Schulz, also a World War II veteran. Schulz signed the strip "Schulz, and my hero..." with Mauldin's signature underneath.
Death and legacy
Mauldin died on January 22, 2003, from complications of Alzheimer's disease and a bathtub scalding. He was buried in Arlington National Cemetery on January 29, 2003. Married three times, he was survived by seven children.On March 31, 2010, the United States Post Office released a first-class denomination postage stamp in Mauldin's honor depicting him with Willie & Joe.
In 2005, Mauldin was inducted into the Oklahoma Cartoonists Hall of Fame in Pauls Valley, Oklahoma by Michael Vance. The Oklahoma Cartoonists Collection, created by Vance, is located in the Toy and Action Figure Museum.
Museum holdings
The 45th Infantry Division Museum, located in Oklahoma City, Oklahoma, includes a substantial collection of cartoons by Mauldin.The Pritzker Military Museum & Library includes a substantial collection of cartoons by Mauldin.
''Peanuts''
From 1969 to 1998, cartoonist Charles M. Schulz regularly paid tribute to Bill Mauldin in his Peanuts comic strip on Veterans Day. In the strips, Snoopy, dressed as an army vet, would annually go to Mauldin's house to "quaff a few root beers and tell war stories." By the end of the strip Schulz had depicted 17 of Snoopy's visits. Schulz also paid tribute to Rosie the Riveter in 1976, and Ernie Pyle in 1997 and 1999.Filmography
The films Up Front and Back at the Front were based on Mauldin's Willie and Joe characters; however, when Mauldin's suggestions were ignored in favor of making a slapstick comedy, he returned his advising fee; he said he had never seen the result.Mauldin also appeared as an actor in the 1951 films The Red Badge of Courage and Teresa, and as himself in the 1998 documentary America in the '40s. He also appeared in on-screen interviews in the Thames documentary The World at War.