Bowfinger


Bowfinger is a 1999 American comedy film directed by Frank Oz. It depicts a down-and-out filmmaker in Hollywood attempting to make a film on a small budget with a star who does not know that he is in the film. It was written by Steve Martin, who also stars alongside Eddie Murphy in two roles, and Heather Graham as a vapid, ambitious starlet. The film was released on August 13, 1999, and grossed $98 million.

Plot

Bobby Bowfinger has saved up to direct a movie for his entire life—he now has $2,184 to pay for production costs. He has a script penned by an accountant, Afrim, and a camera operator, Dave, with access to studio-owned equipment. Bowfinger then lines up several actors who are hungry for work, along with a crowd of undocumented Mexican immigrants for a camera crew; the only other thing he needs is access to a studio in order to distribute his masterwork.
He extracts a promise from a high-ranking Universal Pictures executive, Jerry Renfro, that Universal will distribute the film if it includes currently-hot action star Kit Ramsey. Ramsey—a pompous, neurotic, and paranoid actor—refuses, so Bowfinger constructs a plan to covertly film all of Ramsey's scenes without his knowledge. The actors, told that Ramsey is method acting and will not be interacting with them outside of their scenes, walk up to Ramsey in public and recite their lines while hidden cameras catch Ramsey's confused reactions.
The plan goes well at first: Ramsey swallows the movie's alien invasion premise and believes he is genuinely being stalked by aliens, resulting in an exceptionally genuine and intense performance. However, the strain on his already-precarious mental state leads him to go into hiding in order to maintain his sanity, stalling the film's production.
Bowfinger resorts to hiring a Ramsey lookalike named Jiff. Jiff is kind, amiable and rather clueless. He even runs through a gauntlet of "stunt drivers" racing along a major freeway when asked. During a chat with the other cast members, Jiff mentions that he is Kit Ramsey's brother, explaining the likeness. Using this new knowledge, Bowfinger has Jiff find out Kit Ramsey's movements and the final scene to the film is readied for shooting.
The final scene is at an observatory. Though otherwise pleased with Ramsey's unscripted dialogue, Bowfinger considers his character's final line "Gotcha suckers!" to be the key moment of the film, and directs one of the actors to guide Ramsey through the scene under the guise of showing him how to get rid of the aliens. During the filming, Ramsey becomes terrified and struggles to deliver the final line. At this point, Ramsey's mentor at MindHead, Terry Stricter, has discovered evidence that Kit's "aliens" may not be just in his head. MindHead officials track Bowfinger to the observatory, and shut down production.
Bowfinger's camera crew show him B-roll footage of Ramsey they were filming off-set, just in case they saw anything they could use. The footage shows Ramsey donning a paper bag over his head and exposing himself to an amused Laker Girl Cheerleading Squad, something MindHead specifically discouraged him from doing. Bowfinger blackmails MindHead with the footage, threatening to release it and ruin Ramsey's career. MindHead advises the star to finish the project. Bowfinger finally gets to sit at the premiere of a film he himself directed, and is awed. Following the arguable success of the film, Bowfinger receives a rare Fed-Ex envelope—an offer to film a martial arts film called "Fake Purse Ninjas" starring himself and Jiff Ramsey.

Cast

Graham described Daisy in an interview with CNN's Entertainment News. "It's about these losers in Hollywood who want to make a movie, and I'm this naive, innocent girl who wants to be an actress. I'm willing to stop at nothing." Graham stated that she has a "special attachment" to the roles she chooses, and explained "I think it's kind of like you fall in love with the person, like you fall in love with the script."

Production

The film was produced by Brian Grazer's company Imagine Entertainment, in conjunction with Universal Studios. The working title for the film was Bowfinger's Big Thing. The film was initially scheduled for a July 30, 1999 release, but in May 1999 Universal Studios pushed its release back to August 27, 1999. Its final release date was August 13, 1999. The film's costs amounted to US$44 million. The executives at Universal wanted to cut the freeway scene because they felt it would be too expensive; Martin replied he would not cut the funniest scene in the film.

Themes

The fictional organization "MindHead" has been compared by film critics to the Church of Scientology. Paul Clinton wrote in CNN online: "'Bowfinger' could just be viewed as an out-there, over-the-top spoof about Hollywood, films, celebrities and even the Church of Scientology. But Martin has written a sweet story about a group of outsiders with impossible dreams." Andrew O'Hehir wrote in Salon that "Too much of 'Bowfinger' involves the filmmakers' generically wacky pursuit of the increasingly paranoid Kit, who flees into the clutches of a pseudo-Scientology outfit called MindHead." The Denver Post, the Daily Record and the San Francisco Chronicle made similar comparisons, and the Albuquerque Journal and the Fort Worth Star-Telegram called MindHead a "thinly veiled" parody of Scientology. A review in The New York Times described actor Terence Stamp's role in the film as "a cult leader for a Scientology-like organization called Mind Head", and The Dallas Morning News and the Houston Chronicle made similar statements about Stamp's character. Writer Steve Martin told the New York Daily News "I view it as a pastiche of things I've seen come and go through the years", and stated "Scientology gets a lot of credit or blame right now, because they're the hottest one." The Cincinnati Enquirer noted in its review "For the record, Mr. Martin denies MindHead is based on Scientology."
The film spoofs the cult of celebrity and experiences film producers can undergo when attempting to get a movie made in Hollywood. Time Out Film Guide called the film a "satire on Hollywood's lunatic fringe." The Seattle Post-Intelligencer noted that "it takes swipes at stupid action films" and "the ageism of the industry." The Seattle Post-Intelligencer also noted Eddie Murphy's ability to spoof himself in the film, including "kidding his own legendary paranoia, evoking his real-life sex scandal and allowing himself to be the butt of Martin's extended gag." Leonard Schwarz of Palo Alto Online described the film as "arch and knowing about the ways of Hollywood", including "producers who want to keep their cars more than their kids when they get divorced." Russell Smith of The Austin Chronicle noted the film's satire of "L.A. movie culture, and brain-dead blockbuster films." An article in the San Francisco Chronicle by Bob Graham wrote that "Martin the writer plants some wicked barbs in Hollywood's rear end about creative financing of movies and hoarding of profits, the art of the deal, hipper-than-thou attitudes and exploitation." Laurie Scheer writes in Creative Careers in Hollywood "Steve Martin's performance as Bobby Bowfinger is one that is not to be missed, especially if you are choosing a career as a producer."
Themes within the film have been compared to Mel Brooks' The Producers; a critique in the Denver Rocky Mountain News wrote that the film has "...the madcap velocity of Mel Brooks' The Producers." Roger Ebert wrote that "Like Mel Brooks' The Producers, it's about fringe players who strike out boldly for the big time." The New York Times wrote that "The title character in the hilarious, good-hearted Bowfinger is a tireless schemer who, like Zero Mostel in The Producers, is part of a great show-biz tradition: being ruthless, delusional and hellbent on turning lemons into lemonade." Jeff Millar of the Houston Chronicle compared Steve Martin's character in the film to Edward Wood, Jr., and Kenneth Turan of the Los Angeles Times described Bowfinger International Pictures as "a company so threadbare even schlockmeister Ed Wood would've looked down on it." Comparisons were also made to Tim Burton's eponymous film about the director, Ed Wood.

Reception

On Rotten Tomatoes, the film received a rating of 81%, based on 109 reviews, with an average rating of 7/10. The site's consensus read: "A witty commentary on modern film-making, with enough jokes to keep it entertaining throughout."
At Metacritic, the film holds a score of 71 out of 100, based on 33 critics, indicating "generally favorable reviews".
Roger Ebert gave the film three and a half out of four stars, and wrote "Bowfinger is one of those comedies where everything works." The film received three out of four stars from the TLA Video & DVD Guide, where it was described as a "goodspirited, funny look at a hack Hollywood producer who will go to any lengths to get his film made."
The Seattle Post-Intelligencer gave the film a rating of "A-" in its review, writing "This is one terrific comedy that doesn't let up for an instant." The Rocky Mountain News highlighted the film as a "Critics' Choice", and wrote that "Steve Martin takes gentle but funny aim at Hollywood" in the film.
In The Washington Post, Jane Horwitz described the film as a "riotous farce". The Kansas City Star called it a "frequently hilarious comedy".
The New York Times highly recommended the film, and reviewer Janet Maslin wrote "This hilarious, good-hearted spiritual descendant of The Producers is a comic coup for Mr. Martin."
The Daily Mail wrote "Martin's back to his zany best... possibly his best ever."
A review in the Deseret Morning News was critical, giving the film two and a half out of four stars, and called it a "funny but frantic and somewhat mean-spirited comedy."
A review in The Austin Chronicle was also critical, and film critic Russell Smith gave the film two and a half stars, and wrote "As a diehard Martin fan, I'm still hoping for a comeback, but it'll take better efforts than this to get me back in his cheering section."
Leonard Maltin also gave the film two and a half stars, and wrote in his Leonard Maltin's Movie Guide "Likeable costars carry this comedy a long way; there are some good laughs throughout, but it's never as satisfying as you'd like it to be."
Stacey Wilson Hunt from Vulture considered Bowfinger as Murphy's underrated classic. About that, Murphy said: "I love Bowfinger. That’s a funny one. It was all mostly on page — I don’t remember doing a lot of improvising. I kind of played what he wanted to play. It was all Steve Martin’s creation."

Box office

The film debuted at the #2 spot behind The Sixth Sense, with an initial box office weekend return of 18.2 million at 2,700 theaters in the United States. It held onto the number two spot in its second week, earning an additional $10.7 million and grossing $35.7 million in its first ten days. As of September 7, 1999, Bowfinger was at the fourth spot, with a weekend return of $7 million and a total gross of $55.5 million. By September 13, 1999, the film had slipped to 5th place, with a weekend return of $3.7 million, for a total take of $60.5 million. By October 11, 1999, the film had earned $65 million in the United States. The film did not fare as well overseas as it did in the United States.

Soundtrack

  1. "There is Always One More Time" - Johnny Adams
  2. "You're a Wonderful One" - Marvin Gaye
  3. "And I Love You So" - Perry Como
  4. "Mambo U.K." - Cubanismo
  5. "Super Bad, Super Slick" - James Brown
  6. "Secret Agent Man" - Johnny Rivers
  7. "Betsy Chases Kit/The First Shot/A Short Ride/Dave Makes a Call/Dave Returns Camera"
  8. "Cafe Set-Up/Shooting The Cafe/Stealing Renfro's Car/Auditioning the Butts"
  9. "Chubby Rain"
  10. "Clothing Store/Daisy Rescues Kit"
  11. "The Observatory"
  12. "Finale/Fed Ex Delivers"