Breaking Point (Central Line album)


Breaking Point is the debut studio album by Britfunk band Central Line, released by Mercury Records in January 1982 in the United Kingdom. In the United States, it was released under the name Central Line with a different track listing and artwork. Recorded with producer Roy Carter, formerly of Heatwave, the album features a distinctly English style of synth-funk similarly to contemporaries Hi-Tension and Light of the World. The record was well-received and reached number 64 on the UK Albums Chart and 145 on the US Billboard Top LPs & Tapes chart. The hit single "Walking Into Sunshine" was also remixed by Larry Levan and became a popular club hit in New York. In 2007, The Guardian included Breaking Point on their list of "1000 Albums to Hear Before You Die".

Background and composition

Central Line, comprising Lipson Francis, Henry Defoe, Linton Beckles and Camelle Hinds, formed in London in April 1978. The line-up drew mostly from the defunct East London band TFB, other members of which were drummer Errol Kennedy, later of Imagination, and trumpeter Kenny Wellington, later of Light of the World. The group's first single, "What We Got ", showcased a lively R&B-based dance sound, and led to the group touring with The Real Thing, Roy Ayers and Grover Washington Jr.. Nonetheless, follow-up single "Sticks & Stones" flopped and the band altered their musical style for their February 1981 single " You Can Do It", which became their first UK hit. With these singles, the group became pioneers of the early 1980s Britfunk sound, alongside Imagination, Light of the World and other groups.
Central Line recorded Breaking Point in June and October 1981 at Scorpio Studios, Audio International Studios and London's Nova Sound Studios. The band recorded with producer Roy Carter, formerly of Heatwave, who also remixed " You Can Do It" for the album, which had originally been produced by Bob Carter. As with the group's British soul contemporaries Light of the World and Hi-Tension, the record exemplifies a style of synth-funk that is fused with an English-styled sensibility with dub characteristics. "Walking Into Sunshine" features lyrics of escapist yearning; writer Paul Lester wrote that, released as a single in summer 1981 in the aftermath of the riots in Brixton and Toxteth, the "seemingly innocuous" lyrics "captured the dispirited mood of the moment" with lines like "I can't stand it, this kind of life is not for me... I gotta get away." The version on the album is longer than the single, running to five minutes. "Don't Tell Me", which was issued as the follow-up single, is funkier in comparison, while the album's title track is an instrumental. The album was mixed at Utopia Studios by Greg Walsh, Pete Smith and Pete Walsh; Smith was also present for the recording.

Release

Released by Mercury Records on 9 January 1982, Breaking Point spent five weeks on the UK Albums Chart, entering in February and peaking in its third week at number 64. In the United States, the album was released as Central Line with different artwork and an altered track listing, with " You Can Do It" removed and a longer version of "Breaking Point" replacing the original. The album entered the Billboard Top LPs & Tapes chart at number 174 in mid-January, and peaked at number 145 in early February.
On the UK Singles Chart, "Walking Into Sunshine" entered in August 1981 and peaked at number 42 whilst "Don't Tell Me" entered in January 1982 and peaked at number 55. "Walking Into Sunshine" was the band's biggest US hit, reaching number 14 on the Hot Soul Singles chart, and number 84 on the Billboard Hot 100. A remix by Larry Levan became a popular club record in New York City in 1981, where "R&B" was becoming the favoured descriptor of the producer's music over "disco"; writer Tim Lawrence wrote that the record "contributed to the growing impression that disco had never been more than a marketing term for a historically rooted sound." The track was also popular at The Loft where it was played by DJ David Mancuso, and Central Line played live at Paradise Garage alongside acts like Junior, Stephanie Mills and Cheryl Lynn.

Critical reception

In a contemporary review for Smash Hits, Beverly Hillier described Central Line as being "amongst the forerunners of British dance music" and hoped the album would "help put them where they belong," highlighting the title track for being "the kind of brilliant instrumental that will become a dancefloor sensation." A reviewer for Aberdeen Evening Express, who had previously enjoyed "Walking Into Sunshine", praised the album and hailed Central Line for being "our young Londoners showing the Americans how to play first class funk." Mike Hrano of the Harrow Midweek felt the "sharp funk" band deserved more success in Britain outside the "UK disco circuit", comparing them to successful Black British bands like Linx, Beggar & Co and Imagination. He nonetheless felt that, despite being "full of infectious choruses and catchy dance tunes," the album failed to do the group justice, writing: "Central Line are mid Atlantic, with an Anglo American appeal that's frankly neither here or there."
In 2007, The Guardian included Breaking Point in their list of "1000 Albums to Hear Before You Die," with the caption: "Central Line, like their Brit-soul compatriots Hi-Tension and Light of the World, were trying to make slick synth-funk in the vein of Herbie Hancock or Quincy Jones, but anthems such as 'Walking Into Sunshine' constantly betray their Englishness, with a pleasingly punky, clunky brand of funk and a raw dub sensibility." In 2014, the newspaper included "Walking Into Sunshine" in its list "Britfunk: 10 of the best", with contributor Lester calling it "a new high in terms of a British version of American post-disco slickness" and highlighting its "sonic immaculacy and gorgeous escapist yearning." In a review for Uncut of Central Line's The Collection, Marcello Carlin said that "Walking Into Sunshine" earned the band "immortality" and wrote that the compilation made "noticeable how much better" the material from Breaking Point was to the group's later work, describing "That's No Way to Treat My Love" and "Don't Tell Me" as "US funk-rivalling highlights."

Track listing

Side one

  1. "Walking Into Sunshine" – 5:02
  2. "I Need Your Love" – 4:55
  3. "Breaking Point" – 4:04
  4. "Goodbye" – 3:55

    Side two

  5. "That's No Way to Treat My Love" – 4:50
  6. "Don't Tell Me" – 5:36
  7. " You Can Do It" – 4:45
  8. "Shake It Up" – 4:25

    US version

Side one

  1. "Walking Into Sunshine" – 5:02
  2. "I Need Your Love" – 4:55
  3. "Breaking Point" – 5:44
  4. "Shake It Up" – 4:25

    Side two

  5. "That's No Way to Treat My Love" – 4:50
  6. "Don't Tell Me" – 5:36
  7. "Goodbye" – 3:55

    Personnel

Adapted from the liner notes of Breaking Point
;Central Line
;Additional