The British Art Show is a major survey exhibition organised every five years to showcase contemporary British Art. Each time it is organised, the show tours to four UK cities. It usually requires a number of venues in each city to accommodate it. As a snapshot of contemporary British Art, the exhibition has some equivalence to the biennial exhibitions of the Whitney Museum of American Art. The exhibition is normally curated by two or three people who are appointed for their knowledge of contemporary art. Previously these had been artists and critics, but more recently they have been curators. The 1990 show caused controversy as it did not include any Scottish artists, even though it opened in Glasgow as part of the city's European Capital of Culture programme. The 1995 show, curated by Richard Cork, Rose Finn-Kelcey and Thomas Lawson, was highly regarded as it spotlighted the emergence of the Young British Artists.
''British Art Show 5'' (2000)
The 2000 show was selected by Jacqui Poncelet, Pippa Coles and Matthew Higgs, and included more than 50 artists.
''British Art Show 7: In the Days of the Comet'' (2010)
The British Art Show is widely recognised as the most ambitious and influential exhibition of contemporary British art. Organised by Hayward Touring, it takes place every five years and tours to four different cities across the UK. Its seventh incarnation opened in Nottingham, and toured for the first time in 20 years to the Hayward Gallery at Southbank Centre, followed by venues in Glasgow and Plymouth. It was curated by Lisa Le Feuvre and Tom Morton. The 39 artists were selected on the grounds of their significant contribution to contemporary art in the previous five years. All included artworks were produced between 2005 and 2010, and encompassed sculpture, painting, installation, drawing, photography, film, video, and performance, with many artists creating new works especially for the exhibition. British Art Show 7 marked a change in direction from previous years, moving away from the model of a survey show to an exhibition with a marked curatorial focus. "The British Art Show has always been at the forefront of innovation, and this incarnation is no exception." Ralph Rugoff, Director of the Hayward Gallery. Subtitled In the Days of the Comet, British Art Show 7 employed the motif of the comet to explore and draw together a set of concerns that thread their way through the practices of the selected artists. Here the comet alludes to the measuring of time, to historical recurrence, and to parallel worlds. Comets are also commonly understood as harbingers of change, and fittingly the exhibition evolved as it moved from city to city, revealing new works at different venues, creating a unique exhibition in each location. "We are interested in the recurrent nature of the comet as a symbol of how each version of the present collides with the past and the future, and the work of the artists in British Art Show 7, in many different ways, contests assumptions of how ‘the now’ might be understood." Lisa Le Feuvre and Tom Morton, Curators of British Art Show 7. The selected artists were Charles Avery, Karla Black, Becky Beasley, Juliette Blightman, Duncan Campbell, Varda Caivano, Spartacus Chetwynd, Steven Claydon, Cullinan Richards, Matthew Darbyshire, Milena Dragicevic, Luke Fowler, Michael Fullerton, Alasdair Gray, Brian Griffiths, Roger Hiorns, Ian Kiaer, Kirschner & Panos, Sarah Lucas, Christian Marclay, Simon Martin, Nathaniel Mellors, Haroon Mirza, David Noonan, The Otolith Group, Mick Peter, Gail Pickering, Olivia Plender, Elizabeth Price, Karin Ruggaber, Edgar Schmitz, Maaike Schoorel, George Shaw, Wolfgang Tillmans, Sue Tompkins, Phoebe Unwin, Tris Vonna Michell, Emily Wardill, Keith Wilson.
