Born in Chicago, Illinois, the son of a merchant, Fisher attended public high school and then studied for three years at the University of Chicago. After a short-lived attempt at prizefighting, he began painting comic signs and for window displays before becoming a layout person in the production department of the San Francisco Chronicle, where he soon became a cartoonist. He introduced A. Mutt, the comic strip that would be better known by its later title, Mutt and Jeff, on November 15, 1907, on the sports pages of the San Francisco Chronicle. The featured character had previously appeared in sports cartoons by Fisher, but was unnamed. Fisher had approached his editor, John P. Young, about doing a regular strip as early as 1905, but was turned down. According to Fisher, Young told him, "It would take up too much room, and readers are used to reading down the page, and not horizontally." During this time, newspaper cartoons appeared in a single-panel format. Fisher innovated by telling a cartoon gag in a sequence, or strip, of panels, creating the first American comic strip to successfully pioneer that since-common format. The concept of a newspaper strip featuring recurring characters in multiple panels on a six-day-a-week schedule actually had been created by Clare Briggs with A. Piker Clerk four years earlier, but that short-lived effort did not inspire further comics in a comic-strip format. As comics historian Don Markstein explained,
''Mutt and Jeff''
Mutt and Jeff gained such popularity that Fisher, who was able to claim copyright to the characters, received an offer to produce it for the San Francisco Examiner, owned by William Randolph Hearst. The move to the Hearst Corporation chain exposed the strip to a multitude of new readers across the United States. In 1911, Nestor Studios of New Jersey acquired the right to make Mutt and Jeffshort film comedies, after which Fisher decided he could make more money controlling film production himself. In 1913, he created the Bud Fisher Film Corporation and signed a deal with American Pathé. They made 36 Mutt and Jeff short comedies in 1913, but production ceased for two years when Fisher's copyright was challenged. Once the courts upheld Fisher's copyright claim, the comic strip was syndicated nationwide, and between 1916 and 1926, his film production company created another 277 Mutt and Jeff film productions. On these film projects, Fisher is almost exclusively credited as the writer, animator and director, although the majority of animation was by Raoul Barré and Charles Bowers, and often the plots were adaptations of popular stories and fairy tales, such as A Kick for Cinderella. Mutt and Jeff was also published in comic book form. The income from multiple uses of his characters made Fisher a wealthy man. In 1932, he authorized Al Smith to produce the strip under his supervision. Smith drew Mutt and Jeff for 48 years. When Fisher died in 1954, Smith began signing his own name and continued to draw the strip until 1980 when George Breisacher took over for its final two years.
