Planning for the mural began in 1976, when Dan Jones, Secretary of the Hackney Trades Council, saw the Royal Oaks Mural under the Westway in west London, and asked the artist, Dave Binnington, to paint a mural in Cable Street. A grant from the Arts Council allowed Binnington to undertake research before a public meeting in October 1978 to unveil his design. The local population were generally supportive, although a letter to a local paper described the proposed mural as "political graffiti". Binnington also recruited Paul Butler to design the lower section. Many of the faces in the mural were inspired by newspaper pictures of people who took part in the battle. Funding from Greater London Arts Association, the E. Vincent Harris Fund for Mural Decoration, the Gulbenkian Foundation, the Leonard Cohen Trust, Greater London Council and the Royal Academy allowed work to start. Binnington began painting in late 1979 with a targeted completion date of October 1980. He found it more complicated and time-consuming than expected, and work continued through 1980 and 1981. The uncompleted mural was vandalised on 23 May 1982, when right-wing slogans were painted on lower parts of the wall. Binnington abandoned the project in disgust. He later became a furniture designer, and adopted his wife's surname to become David Savage. Work resumed in July 1982 with Paul Butler helped by Ray Walker and Desmond Rochfort. The top was completed to Binnington's design, and the vandalised lower portions were sand-blasted and repainted to a modified design. The mural was completed in March 1983 and officially unveiled on 7 May 1983 by Paul Beasley, Leader of Tower Hamlets Council, with Jack Jones, Tony Banks and Dan Jones. The mural has been vandalised and restored several times, and was restored again by Butler for the 75th anniversary of the Battle of Cable Street in October 2011.
Mural
The mural is painted on approximately of rendered wall outside 236 Cable Street, E1 0BL, next to Library Place, about west of Shadwell railway station. It covers about of one side of St George'sTown Hall, which was originally the vestry hall for the area and later the town hall of Stepney Borough Council. The artists used of paint, at a cost of £18,000 The work is inspired by the social realism of Diego Rivera. Using a fisheye perspective, it shows the violent confrontation between police and protesters, with protest banners, punches being thrown, a barricade of furniture and overturned vehicle, police horse, and a police autogyro overhead. It uses the same artistic devices as Goya's The Third of May 1808 to evince sympathy for the protesters, showing them full face but a back view of the police.
