The show's opening scene is in 1913, when Camille was removed from society, then flashes back to 1881 and onward. The plot focuses on Claudel's career and her tempestuous relationship with Auguste Rodin, for whom she was a source of inspiration, a model, a confidante, and a lover. The show opens with Camille's love for her true passion - sculpting. The musical features Camille's sometimes troubling relationship with both her father and brother, Paul Claudel. Despite not being a male, she insists she be allowed to be enrolled at Le Salon, yet she still manages to work and learn under Rodin. Act 1 concludes with Camille deciding she no longer needs Rodin, and attempts to live and create on her own, only to have Rodin tell her that she would be nothing without him. Act II opens with Rodin reflecting on what he has done, and ailing with amiss for Camille. Camille now spends a lot of time with her father, and the two discuss older times and are at harmony. When Paul realizes Camille's downward spiral into the unknown and her relations with Rodin, he attempts to save her and turn her to God, such as he had had his own conversion. Instead, Camille cannot seem to understand why no one believes in her - including her family. Rodin eventually rekindles his love with Camille, but the love is never returned. After several more years, Camille's family decides that she is no longer stable ; they announce that her father has passed days earlier, and she is devastated that they did not tell her. Although she fights with Paul that she is not meant to be there, Paul and her mother send her to an insane asylum, where she comes to peace with the news of her father. At the end of Act II, which switches to modern times, where Camille, now alone, reflects on the life she has lived.
Productions
in August through September 2003, staged a "developmental run". Directed by Gabriel Barre and choreographed by Mark Dendy, the cast featured Linda Eder in the title role, Michael Nouri as Auguste Rodin, Matt Bogart as Paul Claudel and Milo O'Shea as Camille's father. The musical was presented in a "chamber-style" form; the cast was minimum, and they attempted to do the most they could with small scale sets. Orchestrations were also on a smaller scale. Instead of bringing in statues, they used dancers to perform, and many of the scenes were strictly dancing for the statues. The Waltz was one of these. There were also many book-scenes/moments, more than a common Wildhorn musical. The creators have denounced calling this a "tragedy," but rather a celebration of the life of Camille. In 2004 it was presented in the form of a 45-minute reading at The National Alliance for Musical Theatre's 16th Annual Festival of New Musicals. A studio demo recording was made in 2004, with no plans for a release. That demo also included songs recorded in 2001 with Linda Eder as Camille and Guy LeMonnier as Rodin. The musical has been consistently worked upon, with productions that were hoped for Europe and regional theatres across the United States. However, in 2007, author Nan Knighton has said that while there are certain opportunities still available, there were no immediate plans to bring Camille anywhere. The musical opened in Tokyo in December 2011, titled GOLD - Rodin and Camille. The world premiere of the newly rewritten Camille Claudel was to be presented by the Signature Theatre in Arlington, Virginia from March 24 to April 19, 2020. Directed by Eric D. Schaeffer and choreographed by Mathew Gardiner, the show was to feature Teal Wicks as Camille Claudel, Hugh Panaro as Augustine Rodin, Bobby Smith as M. Claudel, and Donna Migliaccio as Mme. Claudel. However, the world premiere at the Signature Theatre was postponed to the 20/21 season due to the COVID-19 pandemic.
Songs
The world premiere song list follows. Although several changes have been made, many of the songs remain intact. ;Act I
No cast recording have been released. In 2004, a studio demo recording was made, starring Linda Eder and the majority of the world premiere cast. While it was originally thought that the recording would be released, this did not happen. The musical features the Linda Eder single "Gold," which was included on two of her solo albums: Gold and Broadway, My Way. The song was performed at the 2002 Winter Olympics in Salt Lake City, UT, and was covered by Brandi Burkhardt at several European concerts with Frank Wildhorn.
