Cello suites (Britten)


The cello suites by Benjamin Britten are a series of three compositions for solo cello, dedicated to Mstislav Rostropovich. The suites were the first original solo instrumental music that Britten wrote for and dedicated to Rostropovich, but Britten had earlier composed a cadenza for Joseph Haydn's Cello Concerto in C major, for Rostropovich, in 1964. Rostropovich gave the first performances of each work, and recorded Suites Nos 1 and 2 commercially.

Cello Suite No. 1, Op. 72

Britten wrote the First Suite at the end of 1964. The premiere was at the Aldeburgh Festival on 27 June 1965. The suite is in nine movements, played without pause:
The score was published in 1966.

Cello Suite No. 2, Op. 80

The Second Suite dates from the summer of 1967. Rostropovich gave the premiere at the Aldeburgh Festival, Snape Maltings, on 17 June 1968. The score was published in 1969. The movements are as follows:
Britten composed the Third Suite in 1971, inspired by Rostropovich's playing of the unaccompanied Cello Suites of Bach. Rostropovich first performed the suite at the Snape Maltings, 21 December 1974. In 1979 the Britten Estate authorised Julian Lloyd Webber to make the suite's first recording.
The Third Suite is in nine movements, performed without pause:
The work incorporates four Russian themes, including three arrangements of folksongs by Pyotr Ilyich Tchaikovsky, reminiscent of Beethoven's use of Russian themes in the Razumovsky quartets. The final Russian tune, stated simply at the end of the set, is the Kontakion, the Russian Orthodox Hymn for the Dead. Philip Brett considers the Third Suite to be the most passionate of the three.