Charles Langbridge Morgan was a British playwright and novelist of English and Welsh parentage. The main themes of his work were, as he himself put it, "Art, Love, and Death", and the relation between them. Themes of individual novels range from the paradoxes of freedom, through passionate love seen from within and without, to the conflict of good and evil and the enchanted boundary of death. He was the husband of Welsh novelist Hilda Vaughan.
Life and writings
Early life
His maternal grandparents had emigrated to Australia from Pembrokeshire. His paternal grandparents were from Gloucestershire and Devon in England. His parents were married in Australia. His father, Sir Charles Langbridge Morgan, was a railway civil engineer, and at one time was President of the Institution of Civil Engineers. Morgan himself was born in Bromley, Kent. He was educated at the Naval Colleges of Osborne and Dartmouth and served as a midshipman in the China Fleet until 1913, when he returned to England to take the entrance examinations for Oxford. On the outbreak of war he rejoined the navy but was sent with Churchill's Naval Division to the defence of Antwerp. He was interned in the Netherlands which provided the setting for his best-selling novel The Fountain. Some of his early poems were published in The Westminster Gazette. "To America" was included in A Treasury of World Poetry, edited by George Herbert Clarke. After World War I, he took his degree at Brasenose College, Oxford.
He was awarded the French Legione of Honour in 1936, a promotion in 1945, and was elected a member of the Institut de France in 1949. From 1953 to 1956 he was the President of PEN International, the worldwide association of writers. While Morgan enjoyed an immense reputation during his lifetime, particularly in France, and was awarded the 1940 James Tait Black Memorial Prize for fiction, he was sometimes criticised for excessive seriousness, and for some time he was rather neglected; he once claimed that the "sense of humour by which we are ruled avoids emotion and vision and grandeur of spirit as a weevil avoids the sun. It has banished tragedy from our theatre, eloquence from our debates, glory from our years of peace, splendour from our wars..." The character Gerard Challis in Stella Gibbons's Westwood is thought to be a caricature of him. His posthumous reputation was initially higher in France than in Britain, but has begun a new rise in recent years with the republication of various novels, his poetry and an edition of his plays published by Oberon Books in 2013. He was a consummate and committed stylist, from newspaper reviews to major novels a passionate craftsman of English prose. He was also very popular in Italy, especially in the 1950s. He spent long periods in the North, and in Tuscany. He wrote and set in Lucca Sparkenbroke.
Literary connection
Morgan employed Esmé Valerie Fletcher as his private secretary when she moved to London from Leeds in her determination to enter London literary circles and find a way to meet T. S. Eliot, her future husband. She acknowledged her gratitude to Morgan for providing her with her first opportunity, and later spoke of her respect for him as an author in private discussions with her family and friends.
"One cannot shut one's eyes to things not seen with eyes."
"There is no surprise more magical than the surprise of being loved. It is God's finger on man's shoulder."
"...there are moments, above all on spring evenings, when the lakes that hold our moons are sucked into the earth and nothing is left but wine and the touch of a hand."
Secondary titles
De Pange, Victor, Morgan, Classiques du XXe siècle
Duffin, Henry Charles, The Novels and Plays of Charles Morgan.
Lewis, Eiluned, Selected Letters of Charles Morgan
Jackson, Nigel, The Seed That Falls: the Eleven Novels of Charles Morgan