Charles Moseley (writer)
Charles Moseley, who also publishes as C. W. R. D. Moseley, is an English writer, scholar, and teacher, and a former fellow of Wolfson College and Life Fellow of Hughes Hall in Cambridge, as well as a fellow of the English Association, the Society of Antiquaries of London, and the Royal Society of Arts.
Education
Moseley was born in Lancashire and educated at Beach Road County Primary School, Cleveleys, Arnold School, Blackpool, Queens' College, Cambridge, and completed his PhD at the University of East Anglia in 1971 entitled "Mandeville's travels: a study of the book and its importance in England, 1356–1750".Career
From 1962 to 1973, while completing his PhD, Moseley worked in publishing, for Cambridge University Press as a management trainee, and subsequently for the University Tutorial Press as a commissioning editor. He taught English and Classics at The Leys School, Cambridge, full-time from 1973 to 1980 and part-time from 1980 to 1996, while also a lecturer at Magdalene College from 1980 to 1986 and Director of Studies in English at Wolfson College from 1988 to 2000. In 2000 he became a Director of Studies at Hughes Hall, serving in that capacity until 2014, and as Senior Tutor 2000–03 and Tutor 2003–08. He was an Affiliated Lecturer of the Cambridge Faculty of English, and from 1992 to 2005 was Programme Director in English Literature, and from 1994 to 2005 founding Programme Director in Shakespeare, for the Cambridge International Summer Schools.He was elected to fellowships of the Royal Society of Arts in 1994, of the Society of Antiquaries in 1999, and the English Association in 2001. He is also a member of the Society for Nautical Research, the Classical Association, and the Arctic Club, and was a consultant for the annual Responsibility of Wealth programme run for the Society of International Business Fellows.
Scholarship, teaching and writing
Moseley's principal interests are in the mediaeval and early modern periods, particularly Chaucer, Sir John Mandeville, Shakespeare, Milton, and the European emblem.His Shakespearean work has centred on the history plays: between 1966 and 1974 he edited five Shakespeare plays for the University Tutorial Press – The Winter's Tale, 1 Henry IV, 2 Henry IV, Richard III, & Othello—and later wrote two studies for Penguin Books, Shakespeare's History Plays, Richard II to Henry V: The Making of a King & Shakespeare: Richard III: A Critical Study. More recently, he has written five digitally published guides for students: Reading Shakespeare's History Plays, A Very Brief Introduction to Theatre and Theatres of Shakespeare's Time, Shakespeare's Richard III: A Discussion, Shakespeare's The Tempest, & Shakespeare's King Henry IV.
Moseley's Penguin Classics edition of The Travels of Sir John Mandeville remains the standard edition for British and US universities, and his translation is noted for "convey the elegant style of the original". It was followed by two Penguin guides to Chaucer, Chaucer: The Knight's Tale: A Critical Study and Chaucer: The Pardoner's Tale: A Critical Study. A Century of Emblems: An Introduction to the Renaissance Emblem is a rare and valuable guide to its subject, and The Poetic Birth: Milton's Poems of 1645 was subsequently issued by Penguin, without the Latin poems, as Milton: The English Poems of 1645. Moseley has published more than 50 scholarly articles, the majority concerning Chaucer, Mandeville, and Shakespeare, and is a frequent reviewer for Modern Language Review and the Yearbook of English Studies. He also wrote the British Council Writers and their Work guide to J. R. R. Tolkien.
A second strand of Moseley's work concerns personal and local history, particularly the effects of modernity on village life. A long-standing resident of Reach, he has published two studies, Reach: A Brief History of a Fenland Village and A Field Full of Folk: A Village Elegy. The latter includes a more personal memoir, and has an autobiographical prequel, Between the Tides: A Lancashire Youth. A further memoir, Latitude North, concerns Moseley's interest in polar history, biology, and experience. He also wrote A Brief Architectural Guide to the Church of St Mary the Virgin, Swaffham Prior, and with the poet Clive Wilmer edited Cambridge Observed: An Anthology. His most recent book Coming to Terms: Cambridge In and Out is a mixture of personal memoir and anecdote about the Cambridge and Cambridgeshire in which he has lived and worked for 60 years.
Moseley's influence as a teacher and lecturer is shown in his long association with the Cambridge International Summer Schools, where his Programme Directorship in English Literature saw the numbers of courses and registrants expand considerably, and the foundation of a distinct Shakespeare Summer School subsequently directed by Catherine Alexander and Fred Parker. He is a founding partner of and Literature Editor for Humanities-ebooks, a digital academic publisher committed to lower prices for readers and higher royalty payments for authors. He has three times been an Evelyn Wrench Speaker for the English Speaking Union of the United States, is a frequent lecturer on study cruises for Saga, Fred. Olsen Cruise Lines, and Voyages of Adventure, and has been a plenary speaker at conferences in Lisbon, Bucharest, and Szeged.
Moseley's former pupils include Stephanie Merritt, F. C. Malby, Emily Maitlis, Professor Dr S. I. Sobecki, Professor Russell Hillier, Professor Katherine Steele Brokaw, Gavin Tranter, Mark Bishop, and Nicholas J. Hoffman.
Personal life
Moseley's memoirs include several unusual experiences for an academic, including a stint as a deckhand on deep-sea trawlers, and extensive travels in Antarctica, Greenland, Spitsbergen, and Iceland. In 1976 he was Deputy Leader of an expedition that sledged across the Spitsbergen icecap. He also maintained a smallholding in Reach for more than 20 years.In 1962 Moseley married Jennifer Mary Williamson. They had two children.
In 2017 he married Rosanna Price – born 2 April 1960 – graduate of Emmanuel College, Cambridge and an acupuncturist and Zero Balancing practitioner in Cambridge.
Books
- A. J. Wyatt, A History of English Literature
- William Shakespeare, The Winter's Tale
- William Shakespeare, King Henry IV, Part 2
- William Shakespeare, King Henry IV, Part 1
- William Shakespeare, King Richard III
- William Shakespeare, Othello
- A Brief Architectural Guide to the Church of St Mary the Virgin, Swaffham Prior
- The Travels of Sir John Mandeville
- Chaucer: The Knight's Tale: A Critical Study
- Chaucer: The Pardoner's Tale: A Critical Study
- Reach: A Brief History of a Fenland Village
- Shakespeare's History Plays, Richard II to Henry V: The Making of a King
- Shakespeare: Richard III: A Critical Study
- A Century of Emblems: An Introduction to the Renaissance Emblem
- The Poetic Birth: Milton's Poems of 1645
- Milton: The English Poems of 1645
- A Field Full of Folk: A Village Elegy
- Writers and their Work: J. R. R. Tolkien
- Cambridge Observed: An Anthology
- Reading Shakespeare's History Plays
- A Very Brief Introduction to Theatre and Theatres of Shakespeare's Time
- Shakespeare's Richard III: A Discussion
- Shakespeare's The Tempest
- Shakespeare's King Henry IV
- Between the Tides: A Lancashire Youth
- Latitude North
- Coming to Terms
Chapters and articles
- 'Stitched Ships and Loadstone Rocks', in Notes and Queries 213 : 323
- 'Sir John Mandeville's Visit to the Pope: The Implications of an Interpolation', in Neophilologus LIV, No. 1 : 77–80
- 'The Lost Play of Mandeville', in The Library XXV, No. 1 : 46–9
- 'Richard Head's The English Rogue, in The Yearbook of English Studies I : 102–07
- 'The Metamorphoses of Sir John Mandeville', in The Yearbook of English Studies IV : 5–25
- 'Chaucer, Sir John Mandeville and the Alliterative Revival: An Hypothesis Concerning Relationships', in Modern Philology LXXII, No. 2 : 182–4
- 'Some Suggestions about the Writing of The Squire's Tale, in Archiv für das Studium der neueren Sprachen und Literaturen CCXII : 124–7
- 'The Availability of Mandeville's Travels in England', in The Library XXX, No. 1 : 125–33
- 'The Computer and the School Library', in Conference XVII, No. 1 : 11
- 'A Reading of Donne's Holy Sonnet XIV', in Archiv für das Studium der neueren Sprachen und Literaturen CCXVII : 103–08
- 'Behaim's Globe and Mandeville's Travels', in Imago Mundi XXXIII : 82–93
- 'Cleopatra's Prudence: Three Notes on the Use of Emblems in Antony and Cleopatra, in Shakespeare Jahrbuch : 119–37
- 'A Note on Possible Acrostics in Paradise Lost, in Notes and Queries 233 : 162–3
- 'MacBeth's Free Fall', in Macbeth: Critical Essays, pp. 22–34
- 'Trial and Judgement in King Lear, in King Lear: Critical Essays, pp. 65–75
- 'The Masque Unmask'd: Spectacle in The Tempest, in The Tempest: Critical Essays, pp. 114–26
- 'This Blessed Plot: The Garden Scene in Richard II, in Richard II: Critical Essays, pp. 94–104
- 'The General Prologue as a Prologue', in The Canterbury Tales: Critical Essays, pp. 105–18
- 'Men were Deceivers Ever', in Much Ado about Nothing: Critical Essays, pp. 43–52
- 'Of Centaurs and Minotaurs: Vaenius' Emblem Nihil Silentio Utilius and Alciato's Non Vulganda Consilia, in Bulletin du Bibliophile : 324–30
- 'Andrew Willett's Emblem Book: A Reconsideration', in The Yearbook of English Studies XX : 182–207
- 'British Library Additional MS 24189: Some Curious Ships', in Mariner's Mirror 76.2 : 176–7
- 'Innogen's Bedroom', in Notes and Queries 235 : 197–8
- 'A Sweetnesse readie penn'd: Art, Love and Devotion in Herbert's The Temple, in The Metaphysical Poets: Critical Essays, pp. 58–68
- 'The Pardoner versus his Tale', in The Pardoner's Tale: Critical Essays, pp. 46–54
- 'Speaking Pictures: Visual Symbol in Antony and Cleopatra, in Antony and Cleopatra: Critical Essays, pp. 84–92
- 'A Surviving Fenland Lighter', in Mariner's Mirror 76.3 : 279–81
- 'Editorial Essay' in special issue 'Shakespeare and Tragedy', Critical Survey 3.2 : 115–17
- 'Portia's Music and the Naughty World', in The Merchant of Venice: Critical Essays, pp. 19–40
- 'What shall we do with the Seventeenth Century?', editorial essay in special issue 'Writing/Revolution: The Seventeenth Century', Critical Survey 5.3 : 219–22
- 'Les Mondes des Voyages de Jean de Mandeville', in Résurgences: Recherches aux Sources et aux Confluents de la Littérature 2.1 : 4–14
- 'Foreword', in O. B. Duane, Chivalry, p. 8
- 'William Shakespeare', in The Continuum Encyclopedia of British Literature, pp. 892–6
- 'Get thee up into a high Mountain: The English Lake District as Virtual Landscape', in
- 'Waiting for the death of Little Nell: Gas, Flong, and the Nineteenth-century Novel', in
- 'A Portrait of Sir Christopher Hatton, Erasmus, and an Emblem of Alciato: Some Questions', in The Antiquaries' Journal 86 : 373–9
- 'Astraea in the Alps', in The Classical Association Newsletter 35 : 8–9
- 'Mandeville and the Amazons, in Jean de Mandeville in Europa: Neue Perspektiven in der Reiseliteraturforschung, pp. 67–9
- '... To arrive where we started and know the place for the first time', in patriations: Papers from the First International Conference, pp. 15–29
- 'The Literary and Dramatic Context of the Late Plays', in The Cambridge Companion to Shakespeare's Last Plays, pp. 47–69
- 'Introducing Mr Shakespeare, or What's in a Title Page?', in T. Ozawa et al., A Kaleidoscope of Literature: English and American Literatures, and their Surrounding Areas, pp. 266–311
- 'Whet-stone leasings of old Maundevile: Reading the Travels in Early Modern England', in Mandeville and Mandevillian Lore in Early Modern England, pp. 28–50
- 'New things to speak of: Money, Memory and Mandeville's Travels in Early Modern England', in Yearbook of English Studies Special Issue: Early Modern Travel Fiction 41.1 : 5–20
- 'The Groves of Eden, vanished now so long...: Landscape, Art and Ideology in Picturing the Lost Domain', in Milton Through the Centuries, pp. 284–97
- 'How the Devil did he learn our Language?: Richard III and his Languages', in English Studies in Albania 1.1 : 7–22
- 'Action is Eloquence: Text, Script, Performance, and the Failure of Criticism', in The Said and the Unsaid: Papers on Language, Literature and Cultural Studies, pp. 29–47
- ' Res Publica: A Matter of Concern', in Representações da República, pp. 29–39
- 'Speaking Pictures: Mediaeval Religious Art and its Viewers', in The Edinburgh Companion to the Bible, pp. 175–94
- 'What's in a Name? The Theatre of 1576', in
- 'Judicious, Sharp Spectators? Form, Pattern and Audience in Early Modern Theatre: Some Problems', in
- 'Forging the Key of Remembrance: Books, Cultures and Memory', in Literature and the Long Modernity'', pp. 11–24