Charles Voirin, called Varin, was a 19th-century French playwright. He also wrote under the pen namesV. Warin and Victor.
Biography
Destined by his father to the profession of notary, Varin spent ten years at the bottom of a study, where he once came to Paris without money. Interested in writing plays, he spent a long time to break the circle of obstacles which opposed its inception. When the first success came, around 1825, he called himself Victor first, then took the pseudonym Varin, so that his father kept in ignorance of its gains, would not suppress his student pension. After he made his way to the stage, it provided very regularly plays, usually vaudevilles, full of gaiety and movement. He wrote mostly in company with various authors. To cite only a few: Bayard, Clairville, Desvergers, Paul de Kock, Duvert, Labiche, Auguste Lefranc, Henri Rochefort, Étienne and Jacques Arago. In August1864 he was awarded the Legion of Honour.
1830: Arwed, ou les Représailles, épisode de la guerre d'Amérique, drama in 2 acts mingled with couplets, with Étienne Arago and Desvergers, Théâtre du Vaudeville
1830: Un bal du grand monde, comédie-vaudeville in 1 act, with Desvergers and Monnais, Théâtre du Vaudeville
1833: Les Femmes d’emprunt, comédie-vaudeville in 1 act, with Desvergers, Théâtre du Vaudeville
1834: Le capitaine Roland, comédie-vaudeville in 1 act, with Édouard Monnais and Desvergers, Théâtre du Vaudeville. Ce vaudeville a été traduit en russe parle dramaturge russe Feodor Koni et est en cours sur les théâtres russes toujours
1835: Au clair de la lune, ou les Amours du soir, vaudeville in 3 acts, with Desvergers and Lubize, Théâtre des Variétés
1836: Un bal du grand monde, comédie-vaudeville in 1 act, with Desvergers, Théâtre du Vaudeville
1837: 3e et 4e au-dessus de l’entresol, vaudeville in 1 act, with Duponchel, Théâtre des Variétés
1837: Le Mari à la ville et la femme à la campagne, comédie-vaudeville in 2 acts, Théâtre du Vaudeville
1838: Les Saltimbanques, comédie-parade in 3 acts, mingled with couplets, with Dumersan, Théâtre des Variétés
1838: La Demoiselle majeure, comédie-vaudeville in 1 act, with Laurencin, Théâtre du Vaudeville
1850: Traversin et Couverture, parody of Toussaint Louverture in 4 acts mingled with a few verses and much prose, with Labiche, Théâtre du Palais-Royal
1851: Le Docteur Chiendent, ou l’Héritage de Rocambole, vaudeville in 2 acts, Théâtre des Variétés
1854: Deux profonds scélérats, pochade, with Labiche, Théâtre du Palais-Royal
1859: Une giroflée à cinq feuilles, comédie-vaudeville in 1 act, with Edouard Montagne, Théâtre du Palais-Royal
1860: Je suis mon fils, comédie-vaudeville in 1 act, with Henri Rochefort, Théâtre du Palais-Royal
1860: Les Trois Fils de Cadet-Roussel, comédie-vaudeville in 3 acts, with Laurencin and Michel Delaporte, Théâtre du Palais-Royal
1861: Ma sœur Mirette, comedy in 2 acts, mingled with songs, with Delaporte, Théâtre du Vaudeville
1862: Ah ! que l’amour est agréable !, vaudeville in 5 acts, with Delaporte, Théâtre du Palais-Royal
1863: Un ténor pour tout faire !, operetta in 1 act, with Delaporte, music by Victor Robillard, Théâtre du Palais-Royal
1864: Les Ficelles de Montempoivre, vaudeville in 3 acts, with Delaporte, Théâtre du Palais-Royal
1865: Les Filles mal gardées, comedy in 3 acts, with Delapoerte, Théâtre du Gymnase-dramatique
1866: Madame Ajax, play in 3 acts, with Delaporte, Théâtre du Vaudeville
1866: Le Baudet perdu, paysannerie in 1 act, with Delaporte, Théâtre du Palais-Royal