Charles Williams (British writer)
Charles Walter Stansby Williams was a British poet, novelist, playwright, theologian, literary critic, and member of the Inklings.
Early life and education
Williams was born in London in 1886, the only son of Walter Stansby Williams, a journalist and foreign business correspondent for an importing firm, writing in French and German, who was a 'regular and valued' contributor of verse, stories and articles to many popular magazines, and his wife Mary, a former milliner, of Islington. He had one sister, Edith, born in 1889. The Williams family lived in 'shabby-genteel' circumstances, owing to Walter's increasing blindness and the decline of the firm by which he was employed, in Holloway.In 1894 the family moved to St Albans in Hertfordshire, where Williams lived until his marriage in 1917.
Educated at St Albans School, Williams was awarded a scholarship to University College London, but he left school in 1904 without attempting to gain a degree due to an inability to pay tuition fees.
Williams began work in 1904 in a Methodist bookroom. He was hired by the Oxford University Press as a proofreading assistant in 1908 and quickly climbed to the position of editor. He continued to work at the OUP in various positions of increasing responsibility until his death in 1945. One of his greatest editorial achievements was the publication of the first major English-language edition of the works of Søren Kierkegaard. His work was part of the literature event in the art competition at the 1924 Summer Olympics.
Although chiefly remembered as a novelist, Williams also published poetry, works of literary criticism, theology, drama, history, biography, and a voluminous number of book reviews. Some of his best known novels are War in Heaven, Descent into Hell, and All Hallows' Eve. T. S. Eliot, who wrote an introduction for the last of these, described Williams's novels as "supernatural thrillers" because they explore the sacramental intersection of the physical with the spiritual while also examining the ways in which power, even spiritual power, can corrupt as well as sanctify. All of Williams's fantasies, unlike those of J. R. R. Tolkien and most of those of C. S. Lewis, are set in the contemporary world. Williams has been described by Colin Manlove as one of the three main writers of "Christian fantasy" in the twentieth century. More recent writers of fantasy novels with contemporary settings, notably Tim Powers, cite Williams as a model and inspiration. W. H. Auden, one of Williams's greatest admirers, reportedly re-read Williams's extraordinary and highly unconventional history of the church, The Descent of the Dove, every year. Williams's study of Dante entitled The Figure of Beatrice was very highly regarded at its time of publication and continues to be consulted by Dante scholars today. His work inspired Dorothy L. Sayers to undertake her translation of The Divine Comedy. Williams, however, regarded his most important work to be his extremely dense and complex Arthurian poetry, of which two books were published, Taliessin through Logres and The Region of the Summer Stars, and more remained unfinished at his death. Some of Williams's essays were collected and published posthumously in Image of the City and Other Essays, edited by Anne Ridler.
Williams gathered many followers and disciples during his lifetime. He was, for a period, a member of the Salvator Mundi Temple of the Fellowship of the Rosy Cross. He met fellow Anglican Evelyn Underhill in 1937 and was later to write the introduction to her published Letters in 1943.
When World War II broke out in 1939, Oxford University Press moved its offices from London to Oxford. Williams was reluctant to leave his beloved city, and his wife Florence refused to go. From the nearly 700 letters he wrote his wife during the war years a generous selection has been published; "primarily… love letters," the editor calls them. But the move to Oxford did allow him to participate regularly in Lewis's literary society known as the Inklings. In this setting Williams was able to read his final published novel, All Hallows' Eve, as well as to hear J. R. R. Tolkien read aloud to the group some of his early drafts of The Lord of the Rings. In addition to meeting in Lewis's rooms at Oxford, they also regularly met at The Eagle and Child pub in Oxford. During this time Williams also gave lectures at Oxford on John Milton, William Wordsworth, and other authors, and received an honorary M.A. degree. Williams is buried in Holywell Cemetery in Oxford: his headstone bears the word "poet", followed by the words "Under the Mercy", a phrase often used by Williams himself.
Personal life
In 1917 Williams married his first sweetheart, Florence Conway, following a long courtship during which he presented her with a sonnet sequence that would later become his first published book of poetry, The Silver Stair. Their son Michael was born in 1922.Williams was an unswerving and devoted member of the Church of England, reputedly with a tolerance of the scepticism of others and a firm belief in the necessity of a "doubting Thomas" in any apostolic body.
Although Williams attracted the attention and admiration of some of the most notable writers of his day, including T. S. Eliot and W. H. Auden, his greatest admirer was probably C. S. Lewis, whose novel That Hideous Strength has been regarded as partially inspired by his acquaintance with both the man and his novels and poems. Williams came to know Lewis after reading Lewis's then-recently published study The Allegory of Love; he was so impressed he jotted down a letter of congratulation and dropped it in the mail. Coincidentally, Lewis had just finished reading Williams's novel The Place of the Lion and had written a similar note of congratulation. The letters crossed in the mail and led to an enduring and fruitful friendship.
Theology
Williams developed the concept of co-inherence and gave rare consideration to the theology of romantic love. Falling in love for Williams was a form of mystical envisioning in which one saw the beloved as he or she was seen through the eyes of God. Co-inherence was a term used in Patristic theology to describe the relationship between the human and divine natures of Jesus Christ and the relationship between the persons of the blessed Trinity. Williams extended the term to include the ideal relationship between the individual parts of God's creation, including human beings. It is our mutual indwelling: Christ in us and we in Christ, interdependent. It is also the web of interrelationships, social and economic and ecological, by which the social fabric and the natural world function. But especially for Williams, co-inherence is a way of talking about the Body of Christ and the communion of saints. For Williams, salvation was not a solitary affair: "The thread of the love of God was strong enough to save you and all the others, but not strong enough to save you alone." He proposed an order, the Companions of the Co-inherence, who would practice substitution and exchange, living in love-in-God, truly bearing one another's burdens, being willing to sacrifice and to forgive, living from and for one another in Christ. According to Gunnar Urang, co-inherence is the focus of all Williams's novels.Fiction
- – The Holy Grail surfaces in an obscure country parish and becomes variously a sacramental object to protect or a vessel of power to exploit.
- – An evil antiquarian illegally purchases the fabled Stone of Suleiman from its Islamic guardian in Baghdad and returns to England to discover not only that the Stone can multiply itself infinitely without diminishing the original, but that it also allows its possessor to transcend the barriers of space and time.
- "Et in Sempiternum Pereant," first published in The London Mercury, December 1935 – Lord Arglay risks his life in a vain effort to rescue a ghost on the path to damnation.
- – Platonic archetypes begin to appear around an English country town, wreaking havoc and drawing to the surface the spiritual strengths and flaws of individual characters.
- – The original Tarot deck is used to unlock enormous metaphysical powers by allowing the possessors to see across space and time, create matter, and raise powerful natural storms.
- – A humanistic adept has discovered that by focusing his energies inward he can extend his life almost indefinitely. He undertakes an experiment using African lore to die and resurrect his own body thereby assuring his immortality. His followers begin a revolutionary movement to supplant European civilisation. The first of Williams's novels to be written, though not the first published.
- – Generally thought to be Williams's best novel, Descent deals with various forms of selfishness, and how the cycle of sin brings about the necessity for redemptive acts. In it, an academic becomes so far removed from the world that he fetishises a woman to the extent that his perversion takes the form of a succubus. Other characters include a doppelgänger, the ghost of a suicidal Victorian labourer, and a playwright modelled in some ways on the author. Illustrates Williams's belief in the replacement of sin and substitutional love.
- – Opens with a discussion between the ghosts of two dead women wandering about London. Presents a theology of the arts in which an artwork can provide truth that the artist was not consciously aware of. Ultimately, the book explores the meaning of human suffering and empathy by dissolving the barrier between the living and the dead through both black magic and divine love.
Works
Novels
- 1930: War in Heaven
- 1930: Many Dimensions
- 1931: The Place of the Lion
- 1932: The Greater Trumps
- 1933: Shadows of Ecstasy
- 1937: Descent into Hell
- 1945: All Hallows' Eve
- 1970–72: The Noises That Weren’t There. Unfinished. First three chapters published in Mythlore 6, 7 and 8.
Plays
- c. 1912: The Chapel of the Thorn
- 1930: A Myth of Shakespeare
- 1930: A Myth of Francis Bacon
- 1929–31: Three Plays
- * The Rite of the Passion
- * The Chaste Wanton
- * The Witch
- 1963: Collected Plays by Charles Williams
- * Thomas Cranmer of Canterbury. Canterbury Festival play, following T. S. Eliot's Murder in the Cathedral in the preceding year.
- * Seed of Adam
- * Judgement at Chelmsford
- * The Death of Good Fortune
- * The House by the Stable
- * Terror of Light
- * Grab and Grace
- * The Three Temptations
- * House of the Octopus
- 2000: The Masques of Amen House.
- * The Masque of the Manuscript
- * The Masque of Perusal
- * The Masque of the Termination of Copyright
Poetry
- 1912: The Silver Stair
- 1917: Poems of Conformity
- 1920: Divorce
- 1924: Windows of Night
- 1930: Heroes and Kings
- 1954: Taliessin through Logres and The Region of the Summer Stars
- 1991: Charles Williams, ed. David Llewellyn Dodds. Part II, Uncollected and unpublished poems.
Theology
- 1938: He Came Down from Heaven.
- 1939: The Descent of the Dove: A Short History of the Holy Spirit in the Church
- 1941: Witchcraft
- 1942: The Forgiveness of Sins
- 1958: The Image of the City and Other Essays. Parts II through V
- 1990: Outlines of Romantic Theology
Literary criticism
- 1930: Poetry at Present.
- 1932: The English Poetic Mind.
- 1933: Reason and Beauty in the Poetic Mind
- 1940: Introduction to Milton, in The English Poems of John Milton
- 1943: The Figure of Beatrice
- 1948: The Figure of Arthur, in Arthurian Torso, ed. C. S. Lewis
- 1958: The Image of the City and Other Essays. Parts I and VI
- 1974: Religion and Love in Dante: The Theology of Romantic Love.
- 2003: The Detective Fiction Reviews of Charles Williams
- 2017: The Celian Moment and Other Essays
Biography
- 1933: Bacon
- 1933: A Short Life of Shakespeare. Abridgment of the 2-volume work by Sir Edmund Chambers
- 1934: James I
- 1935: Rochester
- 1936: Queen Elizabeth
- 1937: Henry VII
- 1937: Stories of Great Names. Alexander, Julius Caesar, Charlemagne, Joan of Arc, Shakespeare, Voltaire, John Wesley
- 1946: Flecker of Dean Close
Other works
- 1931: Introduction, Poems of Gerard Manley Hopkins
- 1936: The Story of the Aeneid
- 1940: Introduction, Søren Kierkegaard's The Present Age
- 1943: Introduction, The Letters of Evelyn Underhill
- 1986: "Et in Sempiternum Pereant" in The Oxford Book of English Ghost Stories
- 1989: Letters to Lalage: The Letters of Charles Williams to Lois Lang-Sims
- 2002: To Michal from Serge: Letters from Charles Williams to His Wife, Florence, 1939–1945
- selected daily readings in The New Christian Year and The Passion of Christ