Charnett Moffett attended Fiorello H. LaGuardia High School of Music & Art and Performing Arts in New York City and later studied at Mannes College of Music and the Juilliard School of Music. In 1983, he played on saxophonist Branford Marsalis' debut as a leader, Scenes in the City, and the following year he joined trumpeter Wynton Marsalis’ quintet, appearing on 1985's Grammy-winningBlack Codes . During the 1980s, Moffett also worked with Stanley Jordan, appearing on the innovative guitarist's best-selling 1985 Blue Note debut, Magic Touch, as well as two Blue Note albums with drummer Tony Williams’ quintet: 1987's Civilization and 1988's Angel Street. In 1987, Moffett signed with Blue Note Records and debuted as a leader that year with his first of three albums for Blue Note, NetMan which featured Michael Brecker, Kenny Kirkland and Al Foster. His second Blue Note release, Beauty Within was a family affair featuring his father Charles Moffett on drums, older brothers Mondre Moffett on trumpet, Charles Moffett, Jr on tenor sax, Codaryl Moffett on drums, and his sister Charisse on vocals. Also featured were Kenny Garrett on alto saxophone, and Stanley Jordan on guitar. HIs third Blue Note release, Netman, produced by Kenny Kirkland, especially focused on Moffett's piccolo bass and electric bass work. In 1993, Charnett Moffett recorded Rhythm & Blood for Sweet Basil's Apollon Records. A mix of jazz and pop, it placed high on the music charts in Japan. He later scored artistic triumphs on the Evidence label with 1994's Planet Home and 1997's Still Life, featuring keyboardist Rachel Z and drummer Cindy Blackman. In 1996, Moffett appeared on two simultaneous releases by Ornette Coleman — ' and '. Another 1997 recording, Acoustic Trio for Teichiku Records, showcased Moffett's acoustic bass playing. Three other '90s recordings for the Sweet Basil/Evidence label were done under the collective name of General Music Project and The Visit, and was a featured soloist on Howard Shore's score for The Score.
2008 to present
In 2008 Moffett signed with Motéma Music releasing The Art of Improvisation in May 2009 and Treasure in June 2010. The Art of Improvisation was his Motéma debut, overdubbing electric bass guitar, piccolo bass and acoustic upright bass. Joined by drummers Will Calhoun and Eric McPherson and Tibetan vocalist Yungchen Lhamo, the release references Asian and Middle Eastern influences. Treasure, while sharing some of the Asian and Middle Eastern influences of The Art of Improvisation, has an emphasis on the swing and pulse for which Moffett has become known. The release, while his second on Motéma, marked his eleventh as a leader. Once again on Treasure, he uses his three-pointed bass method to express his distinct musicality: his upright acoustic bass, his fretless electric bass and his electric piccolo bass. The Making of Treasure, a documentary directed and narrated by Moffett, is included as enhanced content on the CD. Treasure was also released by King Records in Japan and by Membran International in the EU. Moffett worked in duo with Jana Herzen on her sophomore release Passion of A Lonely Heart, playing the upright bass and electric bass. In 2013 he released The Bridge: Solo Bass Works and Spirit of Sound, both on Motéma Music. To celebrate his thirtieth year as a recording artist, Moffett released his first live album, Music From Our Soul, also on Motéma, featuring his long time jazz compatriots Pharaoh Sanders, Stanley Jordan, Cyrus Chestnut, Jeff 'Tain' Watts, Victor Lewis and Mike Clarke. In 2019 he released Bright New Day in collaboration with the members of his touring band, violinist Scott Tixier, keyboardist Brian Jackson, drummer Mark Whitfield, Jr, and singer/guitarist Jana Herzen.
