Choral music of Washington, D.C.


and its environs are home to an unusually large and vibrant choral music scene, including choirs and choruses of many sizes and types.

Choral organizations

Note - this section does not discuss particular scholastic / university or church ensembles unless they are independently notable.

Symphonic choruses

Unlike many American cities, Washington, D.C., features several independent symphonic choruses, including three major organizations with annual budgets exceeding $1 million.
The Choral Arts Society of Washington, founded and directed by Norman Scribner for 47 years, has been led by Scott Tucker since 2012. The Choral Arts Society presents an annual concert series at the Kennedy Center, performs frequently with the National Symphony Orchestra, and in recent years has performed with prominent symphony orchestras from Philadelphia, Baltimore, London, Russia, and China. It regularly participates in nationally televised events such as the Kennedy Center Honors and A Capitol Fourth. It also tours internationally every 3–4 years, including a landmark tour to Russia in 1993 with Mstislav Rostropovich and the NSO, two trips to the Festival dei Due Mondi in Spoleto, Italy in 1993 and 2001, opening the BBC Proms in London in 2002, performing with Valery Gergiev and the London Symphony Orchestra in 2008, and a visit to China with the Qingdao Symphony Orchestra in 2015. The Choral Arts Society is the largest choral organization by budget in the Washington area, and is among the largest in the United States.
The Washington Chorus, previously known as the Oratorio Society of Washington, is directed by Julian Wachner and has a similar performing profile, with regular Kennedy Center performances, NSO guest appearances, and several international tours to Europe, most recently in 2004. In 2000, the chorus received the Grammy Award for Best Choral Performance for its live recording of Benjamin Britten's War Requiem. Finally, the Cathedral Choral Society is the oldest symphonic chorus in Washington, founded in 1941 by Paul Callaway and directed by J. Reilly Lewis from 1985 to 2016. It performs primarily at the Washington National Cathedral but also appears regularly at the Kennedy Center and other local venues.
In recent years, several new symphonic choirs have formed in the area, and some have folded. The City Choir of Washington was established under the direction of Robert Shafer in 2007 in the wake of his departure from the Washington Chorus. The Master Chorale of Washington, founded in 1967 as the Paul Hill Chorale, was once the fourth large-budget symphonic choir in Washington but folded in 2009 due to budget difficulties associated with the Great Recession.
Elsewhere in the Washington metropolitan area, the 200-voice National Philharmonic Chorale performs regularly at Strathmore in Bethesda, MD. The Chorale was established in 2003 when the Masterworks Chorus merged with the National Chamber Orchestra to create the National Philharmonic. In Virginia, the 120-voice Fairfax Choral Society has been a community institution since 1962. The Choralis Foundation, founded in 2000 in Falls Church, supports a symphonic chorus and four other auditioned choirs of various types The 200-voice New Dominion Chorale performs symphonic repertoire, but is structured as a "singers' cooperative" and does not require auditions to participate.

Mid-size choruses

There are a large number of mid-size choruses in the Washington, D.C. area, including the Washington Master Chorale which was formed in 2009 by former singers from the Master Chorale of Washington.
Many ensembles have a particular focus on specific geographic, demographic, or ethnic communities of interest. These include the 100-voice Capitol Hill Chorale based in the city's Capitol Hill neighborhood, which occasionally performs symphonic repertoire and has a tradition of performing works of the Orthodox liturgy. The 90-voice auditioned performs "an eclectic repertoire of American music," focusing on artistic collaborations and emerging composers. The 50-voice 18th Street Singers is composed of young professionals, Zemer Chai: The Jewish Chorale of the Nation's Capital," founded by conductor Eleanor Epstein in 1976, is one of the nation’s leading Jewish choirs. The choir sings the full range of Jewish choral repertoire, from classical and liturgical pieces to world Jewish folk music in multiple languages, and new works composed especially for the choir. The choir frequently collaborates with other D.C area choirs, such as Chorale Contigas and the Heritage Signature Chorale, and performs at Interfaith and community events. Zemer Chai has performed at the White House, the Library of Congress, Strathmore, and the Kennedy Center, as well as concert halls in Boston, New York, and Philadelphia Kolot HaLev , founded by Hazzan Dr. Ramon Tasat in 2008, is the only independent Jewish community choir in the DC area that does not require singers to audition. Kolot HaLev is the choir-in-residence at Shirat HaNefesh Congregation, and also offers annual concerts exploring the vast treasury of Jewish music, from Italy to Russia.
In the Maryland suburbs, the 40-voice Maryland Choral Society is a community choral group based in Prince George's County, Maryland. In Virginia, the 90-voice teaching choir Vienna Choral Society draws audiences from the DC-metro region, and the 80-voice Reston Chorale serves western Fairfax County. The 45-voice Alexandria Choral Society focuses on choral repertoire while the Alexandria Singers focus on American popular music.

Men's choruses

The 60-voice Washington Men's Camerata has been directed by Frank Albinder since 1999 and performs annually at the Kennedy Center. The Camerata has released critically acclaimed recordings, and maintains a National Library of Men's Choral Music.
The Gay Men's Chorus of Washington, D.C. has more than 250 singing members, performs music across a range of styles, and regularly conducts outreach performances, with a dual mission that includes "champion gay equality." The National Men's Chorus was founded in 1999 by Thomas Beveridge, soon after his departure as director of the Men's Camerata.
The Suspicious Cheese Lords is a men's early music ensemble that focuses on the rediscovery of unknown Renaissance polyphony. Founded by a group of friends with a shared interest in the music of Thomas Tallis and currently comprising about a dozen members, the group's mission is to promote early music throughout the greater Washington area.

Women's choruses

The 130-voice Washington Performing Arts Men and Women of the Gospel Choir, founded in 1991 and directed by Stanley Thurston, performs regularly at the Kennedy Center and other local venues. Thurston is also the founder and director of the Heritage Signature Chorale, which focuses on African-American spirituals as well as classical repertoire.
Other area ensembles include Mosaic Harmony in Fairfax County, Virginia, as well as Patrick Lundy and the Ministers of Music based in Maryland.

Chamber choirs

The Washington area has a large number of chamber vocal ensembles. The Washington Bach Consort, founded in 1977 and directed by J. Reilly Lewis, presents concerts using a professional chorus and orchestra using period instruments. The Bach Consort is noted for performing the music of Johann Sebastian Bach and his contemporaries, and performs a monthly series of weekday noontime cantatas in downtown Washington in addition to regular concert performances. The Thomas Circle Singers have a dual mission that includes donating ticket proceeds to area non-profit organizations, and have been recognized for both community involvement as well as musicianship.
is a semi-professional chamber choir of 16-22 voices founded and run by college-aged musicians, based in Hyattsville, MD and specializing in contemporary choral music. Founded by member , Lux has been met with some of the highest compliments from professors of local conservatories, the world's most loved composers, professional musicians, and casual audience members. Garnering praise from high-profile composers Eric Whitacre and Paul Mealor, they are dedicated to "excellence, innovation, and accessibility in choral performance."
The Cantate Chamber Singers perform concerts in Maryland and D.C. featuring a broad range of repertoire from the past five centuries, and have released several recordings on national labels. Cantigas focuses on music from the Latino tradition, while Voices 21, also based in Maryland, focuses on music of the 15th, 16th, 20th, and 21st centuries including rarely performed works.
Carmina, based in Falls Church, Virginia, focuses on early music from the Middle Ages through the early Baroque period. The Voce Chamber Singers are based in Reston while the Master Singers of Virginia are based in Loudoun County.
, a 20-25-voice a capella chamber chorus directed by Steve Beck, performs good music from all periods and many cultures, frequently including less-well-known pieces that should be heard more often. Polyhymnia is based in Bethesda Md and gives concerts in Md, DC and Va. Polyhymnia follows a "pay what you will" policy: performances are free but donations are accepted.

Children's choirs

Men's
Women's
Washington, D.C. has a very vibrant a cappella scene. Sweet Honey in the Rock, which formed in 1973 and focuses on music rooted in African American culture, has shared a Grammy Award and received multiple Grammy nominations for its children's albums. Afro Blue, an a cappella vocal jazz ensemble based at Howard University, received significant national attention when it placed fourth on season three of the television show The Sing Off in 2011. There are several ″vocal bands″ in the area, while The Capital Hearings bridge the lines between the choral tradition, vocal jazz, and contemporary a cappella.

Church choirs

The Choir of the Basilica is the resident choir of the Basilica of the National Shrine of the Immaculate Conception. The twenty-voice all-professional ensemble gives nearly 100 performances a year, and its performances are often broadcast on the Eternal Word Television Network. The Washington National Cathedral also maintains several resident choirs, including various professional and volunteer ensembles.
The area also includes at least 100 other church choirs, composed of varying mixes of volunteer and professional singers. Singer Source, established in 2003, serves as a local clearinghouse to connect area singers with choirs, including for church jobs and other volunteer and professional opportunities.

Service choirs

Several of the nation's military service choirs are based in Washington, D.C., including:
Members of the service choirs are typically full-time professionals.

History

The tradition of choral ensembles in the area is longstanding, with ensembles dating back at least as far as the Civil War era.

1850–1880

Early groups included the Washington Saengerbund, established in 1851, of which a successor version continues to exist today.

1880–1910

A Choral Society of 150 voices was organized in the 1883–84 season, giving its first concert on Feb. 23, 1884. Its success delivering "ten consecutive seasons of concerts, oratorios, and operas" was noted in 1893. In 1896, the Choral Society marked the passing of Henry Clay Sherman, musical director of the "original Choral Society," who had again taken charge of musical duties at the beginning of the 1895-96 season. The Choral Society ran into financial trouble in its 22nd season during 1904-05, but it re-organized and continued. In 1906, Sydney Lloyd Wrightson was elected director, but the following year, Wrightson left the organization in the wake of disagreements and founded a Washington Oratorio Society. The Choral Society replaced its popular annual Messiah performance with Handel's Judas Maccabeus in 1908, and may have formally disbanded that year. A performance in 1911 may have been the last to receive media attention.
The Coleridge-Taylor Choral Society was founded in 1901, was made up of 160-200 African-American singers, and sponsored Samuel Coleridge-Taylor's first trip to the United States.

1910–1930

In 1930, the Washington Choral Festival Association was organized. It renamed itself as the Washington Choral Society in 1932, using a name "hallowed by historic associations." The Washington Choral Society was taken over by a civic group in 1934, formally dissolved in 1935, and re-formed under the same name shortly thereafter. Its director, Louis A. Potter, resigned in 1949. Soon thereafter, Paul Callaway was offered the directorship, and it was eventually folded into the Cathedral Choral Society which Callaway had previously formed in 1941.

1960 and beyond

Many of the major ensembles still active in the Washington area had their origins in the 1960s and early 1970s.