The church was refurbished in 1742. The building consists of a long, narrow nave, two small ridge turrets and a massive bell tower in the west. The choir is covered by two late Gothic fan vaults.
The masterpiece of the church is the organ by Gottfried Silbermann, which was inaugurated in 1731. Gottfried Silbermann investigated the old organ in October 1725, as requested by Christiane Eleonore von Trettau née von Berbisdorf, who was the widow of the chamberlain of. The old organ stood in an inappropriate position in the choir and was still tuned with the non-equal division of the octave. Silbermann concluded that the organ was beyond repair and offered in his proposal of 17 October 1725 a concept of a new instrument, an only slightly larger organ with two manuals. He estimated the cost at 800 thaler excluding painting and carpentry, which at that time was an amount equal to the salary of a medium to senior civil servant. Additionally, he wanted to be reimbursed for transport and lodging. The contract was probably signed in June 1729, when Silbermann agreed to provide a guarantee during his lifetime, and accepted to be paid in six rates until the end of 1732. The organ had Gottfried Silberman's serial number op. 21. It was sanctified on 6 January 1731. Its approval was granted by Emanuel Behnisch, then the organist of the Kreuzkirche, Dresden, who commented that he found the new organ good in all parts. Refurbishments were conducted in 1852 by the organ builder of Dippoldiswalde and in 1940 by Gebr. Jehmlich in Dresden. The last large restoration was carried out in 1997 by. The most important tasks were the new intonation of the organ pipes, the reconstruction of the V-shaped bellows of the wind system and tuning according to the meantone temperament. The following table list the organ stops in the original nomenclature of Gottfried Silbermann:
Tuning: Originally "well tempered"; since 1997 a newly developed temperament by Kristian Wegscheider
The organist Helmut Walcha wrote about this organ in 1933: The organist of the Kreuzkirche, Herbert Collum, admired the "little miracle in the art of organ building" so much, that he commenced as series of Collum Concerts, always on the Ascension Day, in the church of Reinhardtsgrimma.
Literature
Christian Rietschel, Bernd Langhof: Dorfkirchen in Sachsen. Evangelische Verlagsanstalt, Berlin 1963, p. 141.
Frank-Harald Greß: Die Orgeln Gottfried Silbermanns. Sandstein, 2001, p. 86 u. ö.
