Circlet Press is a publishing house in Cambridge, in the U.S. state of Massachusetts. It was founded by Cecilia Tan, who is also its manager. It specializes in science fiction erotica, a once uncommon genre, and its publications often feature BDSM themes.
History
Cecilia Tan founded the house in 1992 after researching the markets for publication of her own stories, which combined science fiction plotlines with explicitly sexual themes. At the time, science fiction publications turned away such material as unsuitable for their audience, and most publishers of erotic material were hard-core pornographers and uninterested in any material whose plotlines extended beyond the simple formula encounter story. The ground-breaking combination of sex-positive, woman-centered erotica with science fiction and fantasy themes came as a result of Tan's editorial vision that rather than combine the worst clichés of both genres, the mixture could instead expand the boundaries of what was possible in each. Science fiction had developed a somewhat deserved reputation for being dismissive or neglectful of human character development issues like love, lust, attraction, and family issues, while erotica was definitely ripe for something beyond the encounter formula. Placing stories into a science fictional or magical context allowed writers for Circlet Press to remove their stories from their contemporary political context and sidestep issues such as feminism, AIDS, and sexual identity politics. Circlet Press has been identified with a peer group of start-up "alternative sexuality" publishers and businesses, including Greenery Press, Daedalus Publishing, Black Books, Obelesk Books, Blowfish, and The Stockroom). Their arrival also coincided with the burgeoning of a women's erotica movement, evidenced by the publication of many upscale trade paperback anthologies such as Herotica, Best American Erotica edited by Susie Bright, On A Bed of Rice, Slow Hand, and many others coming from the mainstream publishing houses. Lesbian bookseller Gilda Bruckman, who for years headed one of the leading women's bookstores in the US, said, in support of the idea that Circlet's efforts were part of a growing trend in women's erotica, "I think the younger generation of women who see themselves as feminists... feel that it's central to their being. It's having control of the expression of one's sexuality, not being restricted to societal norms."
The effect that Circlet had on the mainstream science fiction seems to be twofold. One, the house nurtured a new generation of writers who were emboldened to use genre elements in their erotic fiction and erotic elements in their genre fiction. Two, by mapping out new territory, Circlet expanded what was possible, and acceptable, in sf/fantasy. The first tentative forays into "spicier" material by many of the mainstream science fiction imprints bore fruit in the form of strong sales and good reviews for titles such as Polymorph by Scott Westerfeld and The Black Jewels Trilogy by Anne Bishop. Tan spoke on many panels at science fiction conventions such as the WorldFantasy Convention, World Science Fiction Convention, Philcon, Arisia, Boskone, and Lunacon about mixing and cross-pollinating genres. With erotica forging the way, the influx of romance into sf/f was not far behind, as writers like Catherine Asaro and Laurell K. Hamilton built readerships that included sf/f readers, mystery readers, and romance readers. Hamilton's "Anita Blake" books have grown sex-focused and explicitly sexual, and legions of "paranormal romance" writers and readers have followed in her wake.
