Club Kids
The Club Kids were a group of young New York City dance club personalities first established by Michael Alig, James St. James, Julie Jewels, DJ Keoki and Ernie Glam in the late 1980s, and throughout the 1990s would grow to include Amanda Lepore, Waltpaper, Christopher Comp, It Twins, Jennytalia, Desi Monster, Kabuki Starshine and Richie Rich, among others. The group was notable for its members' flamboyant behavior and outrageous costumes. In 1988, writer Michael Musto wrote about the Club Kids' "cult of crazy fashion and petulance": "They... are terminally superficial, have dubious aesthetic values, and are master manipulators, exploiters, and, thank God, partiers."
The group was also recognized as an artistic and fashion-conscious youth culture. They were a definitive force in New York City's underground club culture at the time. Several Club Kids have made long-lasting contributions to mainstream art and fashion. According to former Club Kid "Waltpaper" Walt Cassidy, "The nightclub for me was like a laboratory, a place where you were encouraged and rewarded for experimentation." However, Alig was plagued by heavy drug use. He began adding drug dealers to the Club Kids roster and Peter Gatien's payroll, and increasing numbers of Club Kids became addicted to drugs.
The movement began to decline when Rudolph Giuliani was elected Mayor of New York in 1994, targeting the city's nightlife industry with his Quality of Life campaign. It eventually collapsed after Alig was arrested for the killing and dismemberment of his roommate and fellow Club Kid Andre "Angel" Melendez, and Peter Gatien was charged with tax evasion and deported to Canada.
Members
The group, which Alig estimates included up to "750 in the early 90s at different levels", comprised, its creators – Michael Alig; "Julie Jewels" and Michael Tronn, who helped organize the early "Outlaw Parties"; and Alig's mentor/friend/rival James St. James. Others were the following:- "Astro Earl"
- Susanne Bartsch
- "Christina Superstar"
- Christopher Comp
- "Screamin Rachael" Cain
- "Clara the Carefree Chicken", the mascot of Alig's weekly Disco 2000 parties
- "Dan Dan the Naked Man"
- David Alphabet
- "Desi Monster"
- "Lisa E"
- "Ernie Glam"
- "Ernie the Pee Drinker"
- Patricia Field
- "George the Pee Drinker"
- "Gitsie"
- "Goldy Loxxx"
- Brooke Humphries
- "Ida Slapter"
- "It Twins"
- "Jenny Talia"
- "Julie Jewels"
- "Julius Teaser"
- "Junkie Jonathan"
- "Kabuki"
- Keda
- "Kenny Kenny", the group's door person
- "Keoki"
- "Lady Bunny"
- "Lahoma van Zant"
- Sophia Lamar
- "Larry Tee"
- Amanda Lepore
- Karliin Mann
- Mavis
- Apollo Braun
- Andre "Angel" Melendez
- Pebbles
- "Richie Rich"
- Robert "Freeze" Riggs
- RuPaul
- "Sacred Boy"
- Sushi
- Thairin Smothers
- The It Twins
- Michael Tronn
- Tobell von Cartier
- "Waltpaper"
- Zaldy
Prominent chroniclers of the Club Kids culture
- Walt Cassidy , New York Club Kid and Author of NEW YORK: CLUB KIDS by Waltpaper
- Michael Musto, Village Voice columnist and partygoer alongside the Club Kids
- James St. James, Co-founder of the Club Kids movement and author of 'Disco Bloodbath: A Fabulous but True Tale of Murder in Clubland', a 1999 memoir of James' life as a Manhattan celebutante and club kid, as well as Michael Alig's murder of Andre "Angel" Melendez. The memoir was later retitled Party Monster, after the 2003 motion picture of that name starring Macaulay Culkin, Seth Green, Chloë Sevigny, and Marilyn Manson.
- Nelson Sullivan, videographer and host of cultural gatherings and events
History
The Club Kids' aesthetic emphasized outrageousness, "fabulousness", and sex. Gender was fluid, and everything was DIY. In Musto's words: "It was a statement of individuality and sexuality which ran the gamut, and it was a form of tapping into an inner fabulousness within themselves and bringing it out."
As the group's influence grew, they spread from the back rooms of lesser-known clubs to venues such as Area, Rudolf Piper's iconic Danceteria, and the Palladium. From there, Alig and his gang went on to virtually run Peter Gatien's club network, including the notorious Club USA, Palladium, Tunnel, and The Limelight, a large Chelsea club in a deconsecrated church. To draw crowds into these venues, Alig and the Club Kids began holding guerilla-style "outlaw parties", where, fully costumed and ready to party, they would hijack locations like Burger King, Dunkin' Donuts, McDonald's, ATM vestibules, the old High Line tracks before their conversion to a park, and the New York City Subway blasting music from a boombox and dancing until the police cleared them out. Alig even "threw a party in a cardboard shantytown rented from its homeless inhabitants", whom he paid with cash and crack cocaine. He ensured that such events always happened in the vicinity of an actual club to which the group could decamp. At the height of their cultural popularity, the Club Kids toured the United States, and appeared on several talk shows, including Geraldo, The Joan Rivers Show, and the Phil Donahue Show.
As the decade of the 90's began, the front line of the Club Kids became occupied by a younger group of dynamic personalities that were discovered and mentored by Alig, such as Waltpaper, Jennytalia, Desi Monster, Astro Erle, Christopher Comp, Pebbles, Keda, Kabuki Starshine, Sacred Boy, Sushi, Lil Keni, DJ Whillyem, Aphrodita, Lila Wolfe and Richie Rich. Many of these primary Club Kids lived together communally in large triplex apartments, and at the Chelsea Hotel and Hotel 17.
Prominent music personalities, such as Bjork, then singer of the band Sugarcubes, were frequently seen hanging out with the Club Kids. With Techno and the incoming rave scene, fashion began to soften into an ambiguous gender-fluid style, which melded references to the Club Kids with skate, indie, hip-hop, and grunge. Brands began casting street models and club personalities in shows, campaigns and music videos. Actress Chloë Sevigny emerged from the group at this time, and frequently modeled together with Waltpaper, Jennytalia, DJ Whillyem, and Karliin Mann for brands like JYSP Johnson, Calvin Klein, Jean-Paul Gaultier and in various editorials that showcased Rave vs. Club Kid style for magazines, including Paper, Max, Project X, Interview, Details and High Times.
The beginning of the movement's decline was marked by an event on Sunday, March 17, 1996, when Alig and his roommate Robert "Freeze" Riggs killed former Limelight employee and reputed drug dealer Andre "Angel" Melendez. After nine months, Alig and Riggs were arrested. The group dissipated in the mid-1990s after Mayor Rudy Giuliani's "Quality of Life" crackdown on Manhattan's nightclubs.
Many of the members of the Club Kids distanced themselves from Alig, as details of the murder were released and branded by the press and through documentaries such as Party Monster. Waltpaper stated in Interview magazine, "I would say a lot of the community felt our experience of the time was hijacked by that 'Party Monster' narrative," he says, "That's not the New York I knew. That narrative doesn't include the creativity, vibrancy, and cultural impact that I experienced." For his 2019 book, NEW YORK: CLUB KIDS, Cassidy weaves a far more optimistic narrative where a bunch of misfits made a wonderland by being themselves.
Depictions in art, entertainment, and media
Books
- The events of Michael Alig's years as a club promoter up to his arrest are covered in James St. James's memoir, Disco Bloodbath: A Fabulous but True Tale of Murder in Clubland, re-released with the title Party Monster after the release of the eponymous 2003 film.
- A visual diary of New York City in the 1990s, NEW YORK: CLUB KIDS by Waltpaper is a comprehensive visual document of the decade's colorful nightlife and street culture. The book grants special access to an underground world, providing exclusive insight into the lifestyle of this celebrated and notorious clique. In New York Club Kids, Cassidy details the trajectory of the movement, illustrating his story with over 500 images by 18 photographers and artists who documented the scene. The images capture the driving members of the scene, as well as the thousands of other club-goers, along with the fashion, iconic clubland graphics, extravagant interiors of the mega-clubs they frequented, and the bustling city-scape of New York City in the 1990s.
Films
- The documentary film and the feature film Party Monster – both directed by former Club Kids Fenton Bailey and Randy Barbat, and focused on the murder of Melendez by Alig and Riggs – are based upon St. James' memoir.
- A prison interview with Alig is featured in the documentary Limelight, directed by Billy Corben and produced by Peter Gatien's daughter, Jen Gatien.
- The documentary film, Glory Daze: The Life and Times of Michael Alig, reviews the creation, rise, and dispersion of the Club Kids phenomenon and the life of Michael Alig, including his return to New York City after serving a 17-year prison sentence for murdering Andre "Angel" Melendez.
Music
- Alig and Melendez's friend, Screamin Rachael, wrote the song "Give Me My Freedom/Murder in Clubland" after Alig and Gitsie took a road trip to visit her in Denver, arriving five weeks after Melendez's "disappearance". The lyrics to a backwards loop in the song include such lines as, "Michael, where's Angel?", and, "Did someone just cry wolf, or is he dead?"
Television
- American Justice: "Dancing, Drugs, and Murder" on A&E
- Deadly Devotion: "Becoming Angel" on Investigation Discovery
- Notorious
- RuPaul's Drag Race: season nine, episode nine: "Your Pilot's On Fire" had a club kid runway theme.
- Saturday Night Live character Stefon is a parody of a stereotypical club kid; he and co-creator John Mulaney took inspiration from Party Monster in creating him.
Theatre
- Clubland: The Monster Pop Party, a musical adaptation of St. James' book Party Monster and its 2003 eponymous film adaptation, debuted April 11, 2013 at the American Repertory Theater's Club Oberon, with book, music, and lyrics by Andrew Barret Cox