Vaughn Bodē reputedly first drew the character Cobalt 60 on a piece of scratch paper in 1959. Nearly ten years later, in 1968, he wrote and drew a ten-page, black-and-white, pen-and-ink Cobalt 60 story for Ken Rudolph's sci-fi fanzineShangri L'Affaires #73. The story did not expound much on the character, instead concentrating on action and a thorough depiction of the story's setting. Bodē wrote a prose follow-up of the story, with pencil illustrations, for Shaggy #74. Bodē won the 1969 Hugo Award for Best Fanzine Artist largely on the strength of Cobalt 60. In addition, the initial ten-page story was later republished in Witzend #7, in the Franco-Belgian comics magazineMetal Hurlant in 1980, and in Epic Illustrated #27. Although Bodē had created a cast of characters with whom he could populate a more involved story, he never did anything else with the material. In 1984, Cobalt 60 was revived via full-color art by Mark Bodé and a story scripted by Larry Todd. These latter-day Cobalt 60 stories were serialized in the magazineEpic Illustrated starting with the December 1984 issue. Although the story included all of Vaughn Bodé's original elements, Mark Bodé said the finished product was more "lighthearted" than what he felt his father would have done. In 1988 The Donning Company/Starblaze Graphics published a 1988 Cobalt 60 book collection. The separate episodes were later gathered in four magazine-sized comics published in 1992 by Tundra Press. An additional Cobalt 60 episode by Todd and Mark Bodé, titled "Da Dust Devil," appeared in Heavy Metal Overdrive vol. 9, #1.
Plot
Cobalt 60 takes place in a post-apocalyptic, Mad Max-like world inhabited by mutants, aliens, and other fantastic creatures. Its titular character embarks on a quest to avenge the death of his parents, murdered by the evil Strontium 90. After he succeeds in his quest, he inherits his father's kingdom, but prefers to return to his wild ways. Cobalt 60 is very violent and quite graphic in its action scenes.
Radio-men — Cobalt 60's enemies, they are technologically advanced and carry superior firepower, but lack the brutal skills for hand-to-hand combat. They instead rely upon larger mutants called Lopers.
Influence
The visual style of Ralph Bakshi's 1977 animated filmWizards is heavily indebted to Cobalt 60 and other works by Vaughn Bodē.