The Convent Van Maerlant is a former convent which consists of a church and the Chapel of the Resurrection on Rue Van Maerlant/Van Maerlantstraat in Brussels, Belgium. Jacob van Maerlant was a famous medieval Flemish poet. The original chapel was built in 1435 in the authority of a Papal Bull, and was renovated in the 1780s. The convent of the Sisters of Perpetual Adoration itself was converted from a Ducal town house in the early 1850s. In 1905, a compulsory purchase order for land for Brussels Central Station was made on Rue des Sols/Stuiversstraat, and this included the convent. As a result, a virtually identical chapel was built, which survived for another 45 years, only finally being demolished in 1955. Falling vocations meant the convent was closed in the early 1980s, and after standing derelict for nearly 20 years, it was acquired to become the central library of the European Commission. This is the only pre-WW2 building to be left standing in the area after the entry of European institutions.
History
First church
The Sisters of Perpetual Adoration, who became the Sisters of the Eucharist in 1969, were a chief Eucharistic Order founded by Anna de Meeûs, the eldest daughter of the Belgian Finance Minister and founding Chairman of the Société Générale de Belgique, Count Frederic de Meeûs. The original foundation was set up in 1844 in workshops belonging to the Church of Our Blessed Lady of the Sablon. The sisterhood rapidly outgrew its location. In 1848 the foundress' childhood friend the Baroness d'Hoogvorst bought the building, originally the Town House of the Counts of Salazar, on Rue des Sols/Stuiversstraat from the Visiting Sisters. The Sisters took up residence in 1850, and with the original chapel soon too small, they rebuilt the neighbouring wing of the house as a modern red neo-Gothic church. The chapel was built in 1435 on the corner of Rue des Douze Apôtres/Twaalfapostelenstraat where Brussels' first synagogue had stood until the Jews were evicted in a pogrom in 1370 – the Papal Bull establishing the Eucharistic vocation as an expiation of the Host desecration. The entire neighbourhood was acquired by the State in 1907 as part of a project to connect the North and South railway termini. The convent lay on the site of the planned Rue Courbe which was designed by Henri Maquet to link the Royal Palace of Brussels with the centre. The convent buildings were bought by the city and served as a gym for the local primary school. Later, the church became a depot Brussels' electric and road works department and the chapel housed a local garage owner. In 1955, they were all demolished in order to build the Galerie Ravenstein.
New building
However, when the Dames left, they moved to the Maalbeek valley, and missing their old convent, copied the church and chapel in an identical style, though lacking some features due to monetary constraints. However, after time they were unable to manage and left in 1974. The building deteriorated while developers argued, with one wishing to build seven nine-story office blocks on its site. Such development was blocked as the site was reserved for the Council of the European Union who had to put the area over to housing. Public authorities pushed for its restoration and the developers eventually agreed. In 1996, it was fully renovated with a central atrium over the cloister, but the original features all still present. It is now occupied by the European Commission. The side chapel was also restored with sponsorship and was re-inaugurated the Chapel of the Resurrection or the Chapel for Europe, on 25 September 2001.
Architecture
The church is a 19th-century red brick neo-Gothic construction, though the rebuilt version of the early 1900s lacks the tower, side isles, stone decorations, rose window and pinnacles of the original. The chapel, known today as Chapel of the Resurrection, is a duplicate of the 15th and 18th Century original and was completely renovated in the 1990s, losing almost all its original internal features. It is neoclassical, with Doric columns, pediment and friezes. The stained glass windows were painted by Thomas Reinhold of Vienna. They were produced by the factory of the Schlierbach convent in Upper Austria and financed by nine Austrian regions to cover five biblical themes.
