He was a native of Africa, and in one of the manuscripts is called grammaticus. He has sometimes been identified, but on insufficient grounds, with Cresconius Africanus, a Catholic bishop, author of a Concordia Canonum, or collection of the laws of the church. Nothing is known of Corippus beyond what is contained in his own poems. He appears to have held the office of tribune or notary under Anastasius, imperial treasurer and chamberlain of Justinian I, at the end of whose reign he left Africa for Constantinople, apparently in consequence of having lost his property during the Vandalic War and the subsequent Moorish revolts.
Works
''Iohannis''
He was the author of two poems, of considerable importance for the history of the times. One of these, Iohannis or De bellis Libycis, the earlier of the two, was not discovered till the beginning of the 19th century. It was dedicated to the nobles of Carthage and relates the overthrow of the Moors by John Troglita, magister militum of Africa in a series of battles that lasted until 548. Iohannis is in eight books and contains about 5000 hexameters. The narrative commences with the despatch of John to the theatre of war by Justinian, and ends with the decisive victory near Carthage. Although Johannes Cuspinianus in his De Caesaribus et Imperatoribus professed to have seen a manuscript of it in the library at Buda, it was not till 1814 that it was discovered at Milan by Cardinal Mazzucchelli, librarian of the Biblioteca Ambrosiana, from the codex Trivultianus, the only manuscript of the Johannis extant. The Johannis "is not only a valuable historic source but a work of marked poetic merit." It provides a description of the land and people of Late Roman Africa, which conscientiously records the impressions of an intelligent native observer; many of his statements as to manners and customs are confirmed both by independent ancient authorities and by our knowledge of the modern Berbers.
''In laudem Iustini minoris''
The other poem, In laudem Iustini minoris, in four books, contains the death of Justinian, the coronation of his successor Justin II ; and the early events of his reign. It is preceded by a preface, and a short and fulsome panegyric on Anastasius, the poet's patron. The work was published at Antwerp in 1581 by Michael Ruyz Azagra, secretary to Emperor Rudolf II, from a ninth- or tenth-century manuscript.
Style and influences
, Lucan, and Claudian were the poet's chief models. In laudem Iustini minoris, which was written when he was advanced in years, although marred by a "Byzantine" servility and gross flattery of a by no means worthy object, throws much light upon Late Roman court ceremony, as in the account of the accession of Justin and the reception of the embassy of the Avars. On the whole the language and metre of Corippus, considering the age in which he lived and the fact that he was not a native Italian, is remarkably pure. That he was a Christian is rendered probable by negative indications, such as the absence of all the usual mythological accessories of an epic poem, positive allusions to texts of Scripture, and a highly orthodox passage.
Editions
Averil Cameron: Flavius Cresconius Corippus: In laudem Iustini Augusti minoris . London 1976.
George W. Shea: The Iohannis or de Bellis Libycis of Flavius Cresconius Corippus . Lewiston/NY 1998.
J. Diggle and F.R.D. Goodyear : Iohannidos Libri VIII. Cambridge. 1970.