Cornell Woolrich
Cornell George Hopley Woolrich was an American novelist and short story writer. He sometimes used the pseudonyms William Irish and George Hopley.
His biographer, Francis Nevins Jr., rated Woolrich the fourth best crime writer of his day, behind Dashiell Hammett, Erle Stanley Gardner and Raymond Chandler.
Biography
Woolrich was born in New York City; his parents separated when he was young. He lived for a time in Mexico with his father before returning to New York to live with his mother, Claire Attalie Woolrich.He attended Columbia University but left in 1926 without graduating when his first novel, Cover Charge, was published. As Eddie Duggan observes, "Woolrich enrolled at New York's Columbia University in 1921 where he spent a relatively undistinguished year until he was taken ill and was laid up for some weeks. It was during this illness that Woolrich started writing, producing Cover Charge, which was published in 1926." Cover Charge was one of his Jazz Age novels inspired by the work of F. Scott Fitzgerald. A second short story, Children of the Ritz, won Woolrich the first prize of $10,000 the following year in a competition organised by College Humor and First National Pictures; this led to his working as screenwriter in Hollywood for First National Pictures. While in Hollywood, Woolrich explored his sexuality, apparently engaging in what Frances M. Nevins Jr. describes as "promiscuous and clandestine homosexual activity" and by marrying Violet Virginia Blackton, the 21-year-old daughter of J. Stuart Blackton, one of the founders of the Vitagraph studio. Failing in both his attempt at marriage and at establishing a career as a screenwriter, Woolrich sought to resume his life as a novelist:
When he turned to pulp and detective fiction, Woolrich's output was so prolific his work was often published under one of his many pseudonyms. For example, "William Irish" was the byline in Dime Detective Magazine on his 1942 story "It Had to Be Murder", source of the 1954 Alfred Hitchcock movie Rear Window and itself based on H.G. Wells' short story "Through a Window". François Truffaut filmed Woolrich's The Bride Wore Black and Waltz into Darkness in 1968 and 1969, respectively, the latter as Mississippi Mermaid. Ownership of the copyright in Woolrich's original story "It Had to Be Murder" and its use for Rear Window was litigated before the US Supreme Court in Stewart v. Abend, 495 U.S. 207.
He returned to New York where he and his mother moved into the Hotel Marseilles. Eddie Duggan observes that "lthough his writing made him wealthy, Woolrich and his mother lived in a series of seedy hotel rooms, including the squalid Hotel Marseilles apartment building in Harlem, among a group of thieves, prostitutes and lowlifes that would not be out of place in Woolrich's dark fictional world". Woolrich lived there until his mother's death on October 6, 1957, which prompted his move to the Hotel Franconia. In later years, he socialized on occasion in Manhattan bars with Mystery Writers of America colleagues and younger fans such as writer Ron Goulart, but alcoholism and an amputated leg left him a recluse. As Duggan writes:
Woolrich did not attend the premiere of Truffaut's film of his novel The Bride Wore Black in 1968, even though it was held in New York City. He died weighing 89 pounds. He is interred in the Ferncliff Cemetery in Hartsdale, New York.
Woolrich bequeathed his estate of about $850,000 to Columbia University to endow scholarships in his mother's memory for writing students.
Novels
Year | Title | Author Credit | Notes |
1926 | Cover Charge | Cornell Woolrich | |
1927 | Children of the Ritz | Cornell Woolrich | |
1929 | Times Square | Cornell Woolrich | |
1930 | A Young Man's Heart | Cornell Woolrich | |
1931 | The Time of Her Life | Cornell Woolrich | |
1932 | Manhattan Love Song | Cornell Woolrich | |
1940 | The Bride Wore Black | Cornell Woolrich | |
1941 | The Black Curtain | Cornell Woolrich | |
1941 | Marihuana | William Irish | Published in paperback only |
1942 | Black Alibi | Cornell Woolrich | |
1942 | Phantom Lady | William Irish | |
1943 | The Black Angel | Cornell Woolrich | |
1944 | The Black Path of Fear | Cornell Woolrich | |
1944 | Deadline at Dawn | William Irish | Also published as an Armed Services Edition |
1945 | Night Has a Thousand Eyes | George Hopley | |
1947 | Waltz Into Darkness | William Irish | |
1948 | Rendezvous in Black | Cornell Woolrich | |
1948 | I Married a Dead Man | William Irish | |
1950 | Savage Bride | Cornell Woolrich | Published in paperback only |
1950 | Fright | George Hopley | |
1951 | You'll Never See Me Again | Cornell Woolrich | Published in paperback only |
1951 | Strangler's Serenade | William Irish | |
1952 | Eyes That Watch You | William Irish | |
1952 | Bluebeard's Seventh Wife | William Irish | Published in paperback only |
1959 | Death is My Dancing Partner | Cornell Woolrich | Published only in paperback |
1960 | The Doom Stone | Cornell Woolrich | Published only in paperback |
1987 | Into the Night | Cornell Woolrich |
Short story collections
Year | Title | Author Credit | Notes |
1943 | I Wouldn't Be in Your Shoes | William Irish | Also published as an Armed Services Edition |
1944 | After-Dinner Story | William Irish | Includes his noted 1941 novella "Marihuana". Also published as an Armed Services Edition |
1946 | If I Should Die Before I Wake | William Irish | Published in paperback only |
1946 | Borrowed Crime | William Irish | Published in paperback only |
1946 | The Dancing Detective | William Irish | |
1948 | Dead Man Blues | William Irish | |
1949 | The Blue Ribbon | William Irish | |
1950 | Somebody on the Phone | William Irish | A.k.a "Deadly Night Call" |
1950 | Six Nights of Mystery | William Irish | Published in paperback only |
1956 | Nightmare | Cornell Woolrich | Includes both previously published & unpublished stories. |
1958 | Violence | Cornell Woolrich | Includes both previously published & unpublished stories. |
1958 | Hotel Room | Cornell Woolrich | |
1959 | Beyond the Night | Cornell Woolrich | Published in paperback only |
1964 | The Dark Side of Love | Cornell Woolrich | |
1965 | The Ten Faces of Cornell Woolrich | Cornell Woolrich | |
2010 | Four Novellas of Fear | Cornell Woolrich |
Selected films based on Woolrich stories
- Convicted
- Street of Chance
- The Leopard Man , directed by Jacques Tourneur
- Phantom Lady , directed by Robert Siodmak
- The Mark of the Whistler , directed by William Castle
- Deadline at Dawn
- Black Angel
- The Chase
- Fall Guy
- The Guilty
- Fear in the Night
- The Return of the Whistler
- I Wouldn't Be in Your Shoes
- Night Has a Thousand Eyes , directed by John Farrow
- The Window , directed by Ted Tetzlaff
- No Man of Her Own , directed by Mitchell Leisen
- The Earring , directed by León Klimovsky
- The Trace of Some Lips , directed by Juan Bustillo Oro
- If I Should Die Before I Wake, directed by Carlos Hugo Christensen
- Don't Ever Open That Door directed by Carlos Hugo Christensen
- Rear Window , directed by Alfred Hitchcock
- Obsession , directed by Jean Delannoy
- The Glass Eye, directed by Antonio Santillán
- Nightmare , directed by Maxwell Shane
- Escapade , directed by Ralph Habib
- The Boy Cried Murder , directed by George P. Breakston
- The Bride Wore Black , directed by François Truffaut
- Mississippi Mermaid , directed by François Truffaut
- Kati Patang
- Seven Blood-Stained Orchids , directed by Umberto Lenzi
- Martha , directed by Rainer Werner Fassbinder
- Gun Moll , directed by Giorgio Capitani
- Union City , directed by Marcus Reichert
- I Married a Shadow
- Cloak & Dagger , directed by Richard Franklin
- I'm Dangerous Tonight , directed by Tobe Hooper
- Mrs. Winterbourne , directed by Richard Benjamin
- Rear Window , directed by Jeff Bleckner
- Original Sin , directed by Michael Cristofer
- Four O'Clock