"Cymbaline" is a Pink Floyd song from the albumSoundtrack from the Film More.
Lyrics
Its lyrics vividly tell the tale of a "nightmare", which was the title of the song when it was first introduced in Floyd's The Man and The Journey Tour shows. The lyrics include a reference to the character Doctor Strange, who was popular at the time due to the psychedelic nature of his adventures.
Recording
The recording of "Cymbaline" on the album is different from the one in the film. The vocals are a different take, though both versions are sung by David Gilmour. The lyrics are also different in one place. The song features a sparse arrangement of nylon-string guitar, bass, piano, drums, bongos, and Farfisa organ entering when Gilmour does a scat solo. The Pink Floyd website credits the woodwind parts to Nick Mason's wife, Lindy Mason. Pink Floyd played "Cymbaline" from early 1969 until their last show of 1971, and it was the longest-surviving More piece in the band's live shows. It was dropped from their act along with "Fat Old Sun" and "The Embryo" when they began performing early versions of The Dark Side of the Moon.
Live performances
When the band performed the song live, they made the following changes to the song:
The pace of the song was slower and more deliberate, creating an even more sombre atmosphere than the studio version.
Richard Wright almost always used Farfisa organ in place of piano.
David Gilmour played electric guitar and performed a guitar solo over where the scat solo occurred in the song.
In the spring of 1970, the key of the fadeout section was changed from E-minor to B-minor. During this section, Roger Waters would bang a gong instead of bongos as the music faded away. After the B-minor section, the band presented a selection of sound effects such as footsteps and creaking doors, courtesy of the Azimuth Co-ordinator they employed on stage. The effects represented the "nightmare", which would conclude with the sound of a loud explosion. Thanks to the panning sounds created by the Azimuth Co-ordinator, the sounds would surround the audience and the footsteps would move from left to right through the back of the venue.
By mid-1969/early 1970, the band would follow the instrumental and/or sound effects section with a repeat of the third verse.
