Wilson began writing fiction in his early twenties when he took a creative writing course with novelistPatricia Powell while enrolled in graduate school at the University of Massachusetts Boston. He has since published more than 20 books of fiction and nonfiction. Wilson is perhaps best known for Dr. Identity, described by Booklist as a "madcap, macabre black comedy," and the subsequent , both of which he has fancifully categorized as examples of "splattershtick," a literary, comic, ultraviolent form of metafiction. He is also known for helping create and shape the aesthetics of bizarro fiction, which has been described as a "mélange of elements of absurdism, satire, and the grotesque." Many of his books are published by Raw Dog Screaming Press, a small press specializing in bizarro fiction. Much of his writing satirizes the idiocy of pop culture and western society, illustrating how "the reel increasingly usurps the real." Taken as a whole, his writing is difficult to quantify and he has been said to defy categorization; some critics have called him "a genre in himself." Publishers Weekly has described his fiction as "testosterone-fueled and intentionally disorienting" which "invokes not a dialogue with the reader but a bare-knuckle fistfight." In addition to writing fiction, Wilson is a prolific reviewer and essayist being frequently published in places such as the Los Angeles Review of Books, the academic journalExtrapolation, and the Journal of the Fantastic in the Arts. Wilson is editor-in-chief of Anti-Oedipus Press, reviews editor of Extrapolation and managing editor of Guide Dog Books. He is also emeritus editor-in-chief of The Dream People, a journal focused on bizarro fiction where he previously served as editor-in-chief.
Three Plays: The Triangulated Diner, The Dark Hypotenuse and Primacy
Stand-Alone Novels
Primordial: An Abstraction
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The Scikungfi Trilogy
The Kyoto Man: Book 3
Codename Prague: Book 2
Dr. Identity, or, Farewell to Plaquedemia: Book 1 — Winner of the Wonderland Book Award
Fiction Collections
Natural Complexions
Battles without Honor or Humanity
Battle without Honor or Humanity: Vol. 2
Battle without Honor or Humanity: Vol. 1
Diegeses
They Had Goat Heads
Pseudo-City
Stranger on the Loose
The Kafka Effekt
Fiction Theory
The Psychotic Dr. Schreber
Literary Criticism
Modern Masters of Science Fiction: J.G. Ballard
Cultographies: They Live
Technologized Desire: Selfhood & the Body in Postcapitalist Science Fiction
Films
The Cocktail Party : Co-written with director Brandon Duncan, this short, animated, rotoscopedfilm is a highly abstracted and philosophical postmodern meditation on the narcissistic themes of consumerism, redundant self-analysis and rampant hypocrisy. The film won over ten awards, among them Best Animation at ACE Film Festival.