Danilo Stojković


Danilo Stojković, commonly nicknamed Bata, was a Serbian theatre, television and film actor. Stojković's numerous comedic portrayals of the "small man fighting the system" made him popular with Serbian and ex-Yugoslav audiences, most of them coming in collaborations with either director Slobodan Šijan or scriptwriter Dušan Kovačević, or both.

Early career

-born and bred Stojković, a well-known theatre actor by the mid-1960s, started his film career with the 1964 feature Izdajnik. A string of TV and minor film roles ensued, with the most important ones coming in guise of being a father figure to the main protagonist – Čuvar plaže u zimskom periodu, Pas koji je voleo vozove being the most recognizable ones – as well as the part in critically well-received Majstor i Margarita, 1972.
He also fulfilled the fatherly role in an immensely popular TV show Grlom u jagode. The show originally aired in 1975 and kept finding its audience through numerous reruns in the 1980s and the 1990s. Most notably, he almost stole the show as the minor antagonist in Goran Marković's urban classic Nacionalna klasa do 750 cm³, 1979.

The breakthrough

Stojković worked with the director Slobodan Šijan, who was in turn most successful when working with Dušan Kovačević scripts. Kovačević, a talented playwright with a special gift for biting satire, had a knack for writing characters which Stojković could perfectly translate to screen. The combination of those three creative talents yielded some of Yugoslavia's most memorable cinematic efforts to date.
Šijan, who previously worked with Stojković on several TV productions, made his big screen debut with Ko to tamo peva, a farcical comedy set at the beginning of World War II in then Yugoslavia. In a strong cast ensemble, Stojković distinguished himself with role of a Germanophile bus passenger on the way to Beograd in the eve of 6 April 1941 – the day Belgrade was bombed by the Axis Powers marking Yugoslavia's entry into the war.
Ko to tamo peva was released to great critical and commercial success, and has won two awards at the Montreal World Film Festival in Canada. The success of Ko to tamo peva opened new doors for Stojković, who then established his film star status with a string of critically acclaimed roles. He appeared in Goran Paskaljević's dark comedy about rehab from alcoholism, Poseban tretman, 1980.
He reunited with Šijan for another high-water mark of Serbian film, the black comedy Maratonci trče počasni krug. The film, a humorous piece about a family whose undertaking business is being threatened by the local mobster was another smash success for Šijan and Stojković, and has cult status. He also voiced Stromboli in the Serbian-language version of Pinocchio.

Marxists, spies and revolutionaries

After a couple minor roles, from which his turn as the school principal in comedy Idemo dalje deserved some mention, Stojković delivered a trio of performances which would ultimately cement his place in the Yugoslavian acting hall of fame. Oddly enough, all three of those roles would involve him portraying a character closely related to the communist ideals – or better said, satirizing a stereotype of "party men" or "marxist revolutionaries".
First was his portrait of a homeless wannabe revolutionary Babi Pupuška, in Šijan's Kako sam sistematski uništen od idiota, a story about a man who embarks on a soul-searching journey after hearing the, for him at least, shattering news of Che Guevara's demise. Building momentum from this film onward, Stojković fused his father figure persona he honed in the 1970s with the Marxist nut of Babi Pupuška, and delivered another bravura performance in Goran Paskaljević's elegiac Varljivo leto '68. Stojković's character of a hardline Marxist father, who cannot bear to witness the events of the 1968 unfold before his very own eyes, struck a chord with audiences.
Again uniting his talents with those of Dušan Kovačević, Stojković delivered his ultimate film performance – that of the staunch Stalinist and a full-time paranoid in Balkanski špijun, which was jointly directed by Božidar Nikolić and Kovačević himself. With Kovačević at his sharpest, Stojković made the role of ex-political prisoner Ilija Čvorović completely his own.

Late years and death

His role in Balkanski špijun was one of the last major theatrical roles for Stojković. After his major successes of the early 1980s, Stojković concentrated mainly on television and theatre, with an odd supporting role here and there. He was effective in both Vreme čuda and Sabirni centar, and had a memorable cameo in Balkan Express 2. His most famous theatrical role was that of Luka Laban, in another Kovačević play, Profesionalac. He played the role until a few days before his death. In an interview in 2007 his wife told that she drove him from the hospital to his last plays and returned him to the hospital bed after the play.
In the 1990s, Stojković cameoed in Crni bombarder, and had minor roles in movies such as Emir Kusturica's Underground and Darko Bajić's Balkanska pravila.
Ironically enough, one of his final theatrical roles was one of an orthodox priest – a character who Babi Pupuška and Ilija Čvorović would probably despise – in Lazar Ristovski's 1999 effort Belo odelo. After that, he appeared in an omnibus feature called Proputovanje and starred in a TV adaptation of the August Strindberg's play The Father for Radio-televizija Srbije – RTS.
Stojković died in Belgrade on 16 March 2002, after a lengthy bout with lung cancer.

Awards and legacy

Throughout his lifetime, Stojković was the recipient of the Serbian Lifetime Achievement Award for both theatrical and cinematic efforts. He remains as popular in death as he was in life, as his characters have entertained numerous generations of Serbo-Croatian speakers.

Selected filmography